I love the concept and the resulting track. Great listening experience!

noxpox - tidal forces

Childs voice is from Milton: https://freesound.org/people/milton./sounds/103000/

Nesten Utenfor

Improvisation

As an open water swimmer, I encounter randomness on a daily basis when I compare the tide & currents chart to the actual experience of swimming in the San Francisco Bay.

When I went for a swim on Saturday morning around 9:30AM, the current chart showed that slack was at 9:42 and max flood of 1.9 knots at 12:54. The information on the chart allows me to plan my course (e.g. head out before the flood tide becomes too strong and ride it back on my return) and prepare me psychologically. But the chart never holds the full picture. Us swimmers always collect information from those who just came back from the water and ask, “Is it coming in?” “Is it going out?” “How strong is the flood?” etc.

Then, you get in the water. And no matter what was on the chart and whatever other bay creatures said, your experience is always unique. So, that’s my daily randomness made into this piece.

I used the numbers from the chart and the letter F for flood to sketch out my melody, starting on the pitch F as 1, the starting point. Then, I set 9x 1 beat counts, 4x 2 beat counts, and 2x 3 beat counts moving 2, 5, and 4 half-steps. I set my starting bmp at 80 by dividing 190 (1.9F) by 2. I also recorded the sound of the water and swimmers’ conversations.

The piece starts with information gathering from the chart (melody & counterpoint) and a comment, “it’s moving pretty good,” meaning that the flood current is strong. The drum comes from the rhythm of the words, “it’s moving pretty good.” The swimmer’s words, “funny,” “obviously,” and “certainly” demonstrate his thought process as he takes in the information on the strong flood he’s about to face. There was a fog horn in the background of this recording. So I exaggerated that on the strings.

The final 1/3 of the piece is swimmer heading out, “Have a good swim!” “We’ll keep an eye out for that orange hat.” And the sound material develops into the swimmer’s own experience, remnants of information from the chart and all transformed into something familiar but different as you swim.

Disquiet Junto Project 0550: Abrupt Probability

More on this 550th weekly Disquiet Junto project – Abrupt Probability (The Assignment: Make music based on a chance graphic score) – at: https://disquiet.com/0550/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/ 1

https://www.instagram.com/musikfestival_bern 1

https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0550-abrupt-probability/

Take a chance on fear (disquiet0550)

Disquiet Junto Project 0552: The Radio in My Life
The Assignment: Record music in response to a John Cage and Morton Feldman conversation.

This was fun. I thought about intrusions. Mostly it's the loud street in front of my window and kids running in the flat above mine and people shouting at Siri, Alexa and OKgoogle in the backyard.

I checked my field recordings and there it was: the f… church bells. A bad ambient track, repeated relentlessly every sunday, never changing, a transcendent single-track playlist … 

I threw the field recoding of the bells into deCoda, and it calculated Aminor and 84bpm. I started a track from scratch with these parameters and improvised some beats and pads. The idea was to have a peaceful ambient track … that could be disturbed by acoustic intrusion of the church bells. 

The track seemed finished when I read the algorithm again and listened to the Cage-Feldman-Talk. I liked the pure oddity of the first minutes, so I added some parts of the beginning, accepting that this will draw focus to the conversation, so I didn't care that you don't understand much. 

Next sunday at seven, they will play my track …

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Track image credit: Ancient church in Lunigiana (Tuscany, Italy) by Daniele Levis Pelusi on Unsplash https://unsplash.com/photos/rJo9jh9iORU

Talk samples credit: John Cage + Morton Feldman's Coffee-Sippin' ASMR Chat in a Room Full of Cigarette Smoke on https://www.youtube.com/watch?v=chEvxoypyUo

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More on this 552nd weekly Disquiet Junto project — The Radio in My Life (The Assignment: Record music in response to a John Cage and Morton Feldman conversation) — at: https://disquiet.com/0552/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0552-the-radio-in-my-life/

Kraken Bandcamp Junto

Intrusive Bells [disquiet0552]

ruhe

Originally made for Disquiet Junto Project 0563, but abandoned (in favor of https://soundcloud.com/winterer/melodic-walking-disquiet0563 )because of having too much "magic" but no "realism" at all. But for what it is I like the track very much. 

Cover track image made with an image from DALL·E, "oil painting of a drowned rusty synthesizer inside a flooded church with windmill on it".

Time Drowning Mechanism

Impractical Adventures Part 1

Granular textures and drones. Percussions. Rework of a set of shared samples by Marcus Fischer. Fuori compilation,

Disquiet0600 - MF Tron

Follow MVSIEK:
@weatherbetas
Spotify: open.spotify.com/artist/1t1PBZvaaiNUUMCb0uhWri?
Instagram: www.instagram.com/mvsixk

Take a chance on fear (disquiet0550)

Kei

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