A Deutsche stomp down Liebezeit Drive that asks the all-important question whether German rock legends, CAN, are able to Can the Can as vigorously as Suzi Quatro in 1973. That's the same year that Can released Future Days which featured Moonshake, just one of the Kosmische legends’ canon featured here alongside Spoon, Mushroom, You Doo Right and I Want More. Maybe it will make the Top Tin after all?

Super Smash

Can CAN Can The Can?

Another track from the Mr Lamberts Music Project.
This time around its the acoustic strumming vocal cacophony synth frenzy that is 
Dead Wasps
Mr Lambert’s Music Project is a lunchtime club that is run fortnightly in E10 at Theale Green School. The soul aim of the club is to create new music together to record and share to help raise money for the school.

Dead Wasps
Music: A. Hopcroft, G. Lockley, C. Lambert
Guitar: A. Hopcroft
Vocals: R. Wilson, E. Vallance, M. Hutt
Percussion: G. Lockley
Noise and Screams: T. Dasgupta, M. Lockley, A. Wilkes, A. Hopcroft, G. Lockley, C. Lambert, R. Wilson, E. Vallance, M. Hutt
Synths and Keyboards Keith Seatman
Produced By Keith Seatman

Dead Wasps

Dead Wasps (By Mr Lamberts Music Project and Keith Seatman)

Four jingles written and recorded for Radiophrenia: a  pop-up radio station dedicated to sound and radio art. With the exception of a Moog in the first section, the only sounds to be heard are sampled household objects: a ruler, a piece of plastic tube, an electric food mixer, a cork leaving a bottle,  a pan lid and a single guitar string.

Radiophrenia jingles

Tales From The Black Meadow  - Live at Folk Horror Revival: Winter Ghosts -Whitby

OOTW

Join Bob Fischer as he shares his perfect night in...

Website and show notes: http://perfectnightin.tv/
Follow us on Twitter: twitter.com/perfect_nightin
Watch these podcasts on Vimeo: vimeo.com/perfectnightin
Support us on Patreon: www.patreon.com/perfectnightin

Perfect Night In

Perfect Night In #3: Bob Fischer

Gravel Track by Bell Prover is a Steve Riech inspired track of minimal drones played on 4 over dubbed guitars through various effects pedals

Bell Prover

Bell Prover, Gravel Track

Festival tickets: https://fixr.co/event/839412645
Official website: https://www.thedelawareroad.com/
Official trailer: https://youtu.be/7vEiIWWrKLM

50 minute mix of industrial electronics, tape experiments, modular synths, found sounds, haunted folk, freeform jazz & spoken words narrated by David Yates a.k.a. Dolly Dolly. Featuring many of the artists performing at this year's The Delaware Road festival on Salisbury Plain. 

The Delaware Road : Ritual & Resistance is an immersive theatre, film & music event inside a secret military base near Stonehenge. 

Based on the graphic novel by audio archivist Alan Gubby with an incredible line up of experimental artists, musicians, actors, video & film producers, guest speakers, writers, poets & illustrators.

Graphic novel available here: https://buriedtreasure.bandcamp.com/merch

The Delaware Road is an alternative vision of post-war Britain exploring myth, identity, landscape, broadcast propaganda & the transformative nature of sound.

TRACK LIST:

DOLLY DOLLY & HOWLROUND: A TIME OF WAR / CRADLE CHEAT
CONCRETISM: NEW GOVERNMENTS FOR A NEW NATION
RADIONICS RADIO: FREQUENCY CLUSTER
LIA MICE & ECEM OZKAM: ART IS REPRODUCIBLE
REVBJELDE: INSIDE DREBBEL
RADIONICS RADIO: I FEEL AMAZING
POLYPORES: THE BLUSHER
CUKOO: UNAUTHORISED CAMPER
FARMER GLITCH: PRENOTT
CATTLE:  TANKIN' THE PISS
SIMON JAMES: BE WHO YOU WANT TO BE
REVBJELDE: DOOB OF YALE (intro)
ALISON COTTON: THE BELLS OF ST. AGNES
SCULPTURE: WAVEFRONT
EKOPLEKZ: DREKK
KEMPER NORTON: LDN RD
BRAZEN HEAD: MAGOG & THE RANTERS
EMBLA QUICKBEAM: STONES THAT GROW & MOVE
SOUNDHOG: DECOY AVENUE (portastudio version)
SEQUENCIAL: Q. MASS SYNDROME
ARC SOUNDTRACKS: HYBRID AGENCY
THE TWELVE HOUR FOUNDATION: BELMONT
R.E.E.L. : CAMUS IS COMING
HOWLROUND & MERKABA MACABRE: BROKEN MOVEMENTS
PENNY RIMBAUD: OVER THE RAINBOW

NARRATED BY DOLLY DOLLY
DIALOGUE WRITTEN BY DAVID YATES & ALAN GUBBY
BASED ON THE ILLUSTRATED SCREENPLAY THE DELAWARE ROAD BY ALAN GUBBY
NUMBER STATION RECORDINGS c/o IRDIAL-DISCS www.irdial.com

THE DELAWARE ROAD : RITUAL & RESISTANCE FESTIVAL 2019

The Quietened Mechanisms

The Structure/Respite

The Tripping Forecast by Longwave

It's 1989 and you've taken a pill in a club; it gets too much & you wander into the chill out room & the DJ is playing a super mellow set of Radio 4 classics.

Longwave is mostly Rob Manuel. With thanks to David Ault & Chris Barker. Sample list on Google docs: https://bit.ly/Longwavesamples

If you want to download it - Soundcloud have limited downloads to 100 - boo - but we've uploaded it to the Internet Archive - so use that to make CDs or fill up one side of a C90 for your Walkman.
https://archive.org/details/the_tripping_forecast

The Tripping Forecast

Track by The Heartwood Institute from The Layering album:

https://ayearinthecountry.co.uk/the-layering-preorder-and-release-dates/

Released on hand finished CD and digitally on 22nd September 2020.

The album explores the way that places are literally layered with history, and is an audio slicing through the layers of time. It journeys amongst the stories and characters of these layers, including, amongst other aspects, the structures built, events which took place and different era’s technologies and belief systems.

Such layering can go far back into pre-recorded history. Much of the earth is thought to have once been underwater, and it is likely that the majority of cities, towns and villages are built in fomer ocean areas. Current land masses have come to be formed, in part, through a layering of past marine, other life and plants, which in turn are then quarried or mined, subsequently being used to create the infrastructure of contemporary civilisation, and creating something of a cyclical, time-out-of-joint nature to the layers of time.

The layering of time can also take many other forms: modern homes and buildings are often built on top of the remains of previous settlements, which at times are discovered when new building work is carried out; contemporary roads and pathways follow the same routes as ancient roads and trails, which have been travelled down for millennia; often forgotten or abandoned tunnel networks, bunkers, railway lines, telephone exchanges etc lie under cities and towns; active and former mines thread underneath rural areas; churches are built on ancient places of worship, and then in turn are sometimes abandoned themselves, and become the sites for modern day revelries such as gigs, dance music events and so on.

The Layering is a reflection on how these, and other varied strata, are layered on top of one another, and/or sit side-by-side, with some being recorded, while others are forgotten or unknown, becoming part of a hidden or semi-hidden history.

The album features music and accompanying text on the tracks by: Circle/Temple, The Heartwood Institute, Sproatly Smith, A Year In The Country, Field Lines Cartographer, Howlround, Folclore Impressionista, Handspan, Widow’s Weeds, Listening Center, Vic Mars, Pulselovers and Grey Frequency.

Beneath The City Streets - The Heartwood Institute - from The Layering album

Musical Oddness & Wistful Tootling, always slightly lost. 

An album steeped in sweet shop mysticism of a stranger and gentler England. Its Syd Barrett, Bonzo Dog Doo-Dah Band, Radiophonic workshop and even Tommy Cooper and the remnants of Music hall.
Its barely February but he might have made the album of the year.
Bob Fisher (Electronic Sound, Feb 2020)

The plaintive English voice of Powell placed amongst Germanic analogue organ, synths and sequencers creating the type of dark Cold War soundscapes favoured by the Radiophonic Workshop to the Human League. Floydian incidental music for a late 70s post nuclear meltdown drama.
Shindig Magazine (Jan 2019)

Keith Seatman's science fiction landscapes explode with meekness that is undiscriminating as it is enthusiastic. Seatman is a talented sound 
designer, and it shines on his instrumentals.
Wire Magazine 383 (Jan 2016)

Spellbinding, Captivating, Evocative Radiophonic keyboard compositions and electronic folk. brilliant.
Carl Griffin (Electronic Sound Magazine Dec 2015)

His latest is an utterly glorious selection of filmic folk and ghostly electronica that is utterly mesmerising from first to last. 
Wyrd Britain (Nov 2015)

Its sci-fi meets pagan - pastoral soundscapes fits the vibe of Giles Eyre’s spooky folly. Seatman’s odd melodies sit with industrial repetition to convey the scares of the synth laden themes and incidental scene setting pieces of early 70s through early 80s kids TV wondrously whilst at the same time creating an imagined history of this medieval building. Jim Jupp from the mighty Ghost Box contribute extra production (which is always a seal of approval)
Jon Mills (Shindig Magazine issue 39 2014)

"Seatman is a kindred spirit, and this is his most evocative and personal sounding work to date." 
Jim Jupp, (Ghost Box, 2013)

Dead Wasps (By Mr Lamberts Music Project and Keith Seatman)

Keith Seatman

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