1.Luminodisco - Oh Mary (Bjorn Torske’s Lange Kleggsommer Dub) - Hell Yeah Recordings
2.Dombrance - Taubira (Prins Thomas Remix) - Gouranga Music
3.Shur-I-Kan - Beats, Strings & Life - Lazy Days Recordings
4.Bellaire - Daytime (Session Victim Remix) - Allo Floride Records
5.East Coast Love Affair - Shake - Athens Of The North
6.Art Of Tones - All Night - PALP
7.Retromigration - Secret Of A Pimp (Jimpster Remix) - Promo
8.Simon Hinter - Air Bear - Freerange
9.Jupiter Beyond - The River Drive (Dave Lee Straight To The Point Edit) - Z
10.A Certain Ratio X The Emperor Machine - Emperor Machine 
11.Beau Zwart - Safe Shave - Lazy Days Recordings

Fred Everything The Goods guest mix on CKUT 90.3 FM Pt 2

House Saladcast 818 | Sina
Hamburg, Germany

Sina has always been a music lover and she bought her first record when she was eleven!
She got her passion for vinyl from her parents and she was enthusiastic about her parents' record collection.

In the 90s they heard a good mix of “Boris Dlugosch” on the radio!
Buying records, going to clubs and collecting tapes back then are very popular!
She worked in a record store and music distribution in Hamburg and played in some clubs.
At that time she had a residence in the “Purgatory”, a small house club in Hamburg - her living room!
Through personal events in their life she had to take a different path also professionally.
The love for music has remained until today!
After a long break, she's doing it again Music for yourself and for people who love hearing their music, it's always driven by a passion for listening and sharing music with others!

Follow Sina:
https://soundcloud.com/user-655481581
https://www.instagram.com/kokoschkastrobl

House Saladcast 818

Sina

House Saladcast 818 | Sina

Buslife Collective 13th May 23

Will post playlist asap.

Find the Defected Video Stream here:

https://www.youtube.com/watch?v=6M6ZA6jsvF4&t=12s

Marcel Vogel - House & Disco (Defected Broadcasting House #15)

A live mix from Jamie Thinnes from Non-Club in Johannesburg, South Africa in 2023. 

This was an all vinyl tour via Cape Town, Durban and Johannesburg. 

Always a blessing to visit and share music in this part of the world, thank you 2Lani for making this tour possible. 

Lots of LOVE to the South African deep house movement. 

Enjoy the journey......

Recorded live at Non-Club 2023. 

Mixed by Jamie Thinnes 

Music.Soul.Nature.

Live In Johannesburg - Jamie Thinnes - 2023

Maybe this one should be called "Up All Night" being more of a freestyle mix recorded in the wee hours whilst watching over new addition to the family, Leon Sebastian Dalton.

TRACKLIST
1. Secret Squirrell #5B
2. Yaz - Statefarm
3. Frank Booker - Tell them
4. Leftside Wobble - Dub and Run
5. Leon Sweet - Sunny Bigler
6. Orlando Voorn - The recipie
7. S3A - Deep Mood Act2
8. Secret Squirrell #5A
9. Farfan - On The Phone (Replika Got Girlfriend Recall)
10. Daniël Leseman - On The Fritz (Outplay Records)
11. Harvey Sutherland - Dreams on Keplar
12. The Groovers - Night Flight
13. Doc Daneeka - Tonight
14. Matt Masters - Uh Oh - thatmanmonkz Remix
15. Art Of Tones - So Worried (Shadeleaf Music)
16. Doc Daneeka Feat Seven Davis Jr - I Promise - Kon Remix
17. FOUR WALLS & FUNKYJAWS - 10PM - Another night in Grodno (Kolour Ltd)
18. 10. Daniël Leseman - Drums (Outplay Records)
19. JLP - In the Fast Lane - Tommy Rawson Edit
20. Son Of Sound Violent Mood (Local Talk)
21. Jay L - Together
22. Gerald Mitchell - It's the future
23. Ianeq - The Light - Moonstar Remix
24. Dj Harvey - House Nation
25. Raffa Scoccia - Hammonized
26. The Salsoul Orchestra - Ooh I Love It (Acappella)
27. Dazzle - Reaching

<a href='https://theartistunion.com/tracks/315146'>Download for free on The Artist Union</a>

Free Download

KEITH DALTON - UPTOWN 3

Hey guys,
we’re back with number 400 of our Compost Black Label Session!
For this special show we have a soulful live recording by our great family member Rainer Trueby … Enjoy!
__________________________________________________

Follow RAINER TRUEBY:
@rainertrueby
https://www.facebook.com/rainer-trueby-120953687929354/

Follow COMPOST: 
www.facebook.com/compostrecords
www.twitter.com/compostrecords
www.youtube.com/user/compostrecords
www.compost-rec.com

CBLS 400 | Compost Black Label Sessions | RAINER TRUEBY guest mix

If you are feeling this mix please click the [↻ SHARE] button and help spread the love.

Hailing from Toronto the @thepatchoulibrothers have been behind some of the finest disco edits released over the last couple of years. Their music screams positivity and with them having just dropped another brilliant EP on one of our favourite labels @Gamm we asked them to put together our landmark 50th mixtape for us. 

We also spoke to them about their releases, their production set up, the Canadian scene and their club nights. Jump over to LV online via the link below and check out the interview in full:
https://levisiteuronline.com/music/patchouli-brothers-le-visiteur-featured-artist/

LV Disco Selectors 07

FREE DL

LV Disco Selectors 07 - The Patchouli Brothers

To tie-in with my 200th blog post, this was the last mix I ever tape edited, putting it together on my original Revox B77 reel-to-reel, which I’d bought 14 years earlier, back in 1982. See the post with accompanying images at the blog:
http://www.gregwilson.co.uk/2012/11/the-monastic-mix/ 

THE MONASTIC MIX:
‘The Monastic Mix’ was very much a labour of love, gradually assembled in stages, as I bounced between reel-to-reel and DAT in order to add further textures. I did it in collaboration with a young DJ from Liverpool, Matt Shannon, who was into the Trip Hop / D’n’B vibes of the time, which I really liked myself, but didn’t have any of the records (I was, as you might say, on the bones of my arse brassic back then, so I wasn’t in the position to be buying anything other than the bare essentials). We fused Matt’s tunes with mainly older stuff from my own collection for the mix, which appeared on one side of a free cassette that was given away to everyone who attended the launch of 'The Monastery', an experimental monthly club night on Merseyside (plus a couple of Wednesday specials at London's 'Mars Bar' in conjunction with Microdot, the design company ran by Brian Cannon). We made things particularly difficult for ourselves, holding the night on a Sunday, and choosing an off the beaten track venue, Stairways, a Birkenhead Rock club, to which we bussed people through the Mersey Tunnel from Liverpool, as well as attracting others from The Wirral. However, despite all the drawbacks, we somehow managed to keep things afloat for the best part of a year, enjoying some great memories and much musical mayhem along the way.

‘The Monastery’ brought together a collective of DJ’s and musicians who were largely disillusioned with the local dance scene - Derek Kaye, Bernie Connor, DJ Trix, Phil Jones, Desa, Girls On Top, Phil Melia, Kerry Harrison, Ciaron Bell, Matt and myself all played our parts, doing it for the love rather than money, with Martin O’Shea (who, as it would work out, went on to manage the successful girl group, Atomic Kitten) promoting the nights. The basic premise was that we didn't go down the four-on-the-floor path, as this was being played pretty much everywhere else at the time, concentrating instead on groove-based music from the 60's to the 90's.  

Featuring Soul, Funk, Electro-Funk, Hip Hop, Indie-Dance, Trip Hop, Drum & Bass and more, ‘The Monastic Mix’ became cult listening for many of the people who got hold of the cassette, although I’m sure that others found it a bit too eclectic for the time and never gave it a second hearing. I’ve been told that it’s quite a demanding mix to listen to, dark in places and somewhat ‘druggy’ (‘one for the heads’ being a comment made about it back then). 

It’s close to my heart because it reflects my state of mind at the time it was made, which was pretty turbulent. Since my production work had ground to a halt a few years earlier, I was very much in no man’s land, completely detached from the music scene and with no means of expressing myself. I was still totally illiterate as far as computers were concerned and I remember feeling old and out of touch. There were moments when I wanted nothing more to do with the music industry, being punch drunk from the knocks I’d taken during recent years, but, having never had a ‘proper job’ in my life, I was pretty much in a catch 22 situation. I had no money and no prospects, life was passing me by and I was more or less washed out creatively. Suffice to say it was a very bleak period for me.

It was during this time that my friends, seeing how much I was struggling, were urging me to get back into deejaying, telling me that I could make good money by trading on my reputation of old. However, there was a big catch, which was that I’d have to decide what area of dance music to specialise in, which was an alien concept for me, having made my name playing the best of a whole range of styles, rather than just one narrow area. Thankfully (and I can only say this with hindsight) I resisted the temptation to take this option, which would have amounted to selling my DJ soul for a quick cash-in.

The idea behind The Monastery was planted in my mind by my friend, Kermit, who, following on from the Rap Assassins, had hooked-up with former Happy Mondays mainman Shaun Ryder to form the band Black Grape.  Just before they were about to do the final mixes on their debut album, ‘It’s Great When You’re Straight…Yeah’ (which would subsequently top the British charts), Kermit came to see me in Liverpool with a cassette of all their tracks. I was blown away with what they’d come up with, but it also served to highlight my own shortfallings. I commented that he’d done so much while I’d been wasting away at home doing nothing, but he told me that the time I was spending, in relative seclusion, with my music, books and videos, would prove to be time well spent. He likened my existence to being in a monastery – a comment that very much resonated within me and somehow gave me renewed hope for the future.

The following year, when the idea of a putting together a club night was put to me, I suggested it should be called The Monastery, with the music policy and presentation completely unlike anything else that was happening, combining DJ’s with live musicians. When it came to putting the mix together, I wanted to reference as many of my musical influences as I could, even if it only be a tiny snippet. I managed to cram a lot of them in and I can guarantee that, even after numerous plays, you’ll still recognise new elements hidden away in there. There’s a lot of stuff going on in the detail and, listening back to it later down the line, I became aware of a definite autobiographical slant that didn’t seem so obvious then, reflecting the struggle and soul searching that summed up my life at the point it was made. A mix will, obviously, always have something of yourself within it, but this is undoubtedly more personally revealing than anything else I’ve done – there’s some kind of twisted narrative in there, and I can hear me talking to myself via some of the samples I chose (for example, when you hear the words ‘does anyone remember who I am?’, I really meant it, trapped in obscurity as I was). Even the discordant parts, the bits that jar with me now, show me exactly where my head was at.

It was an important personal step for me, and I thank Matt Shannon for what he brought to the table – I didn’t have all the ingredients myself, and he was also pretty handy on the decks, so Matt was, of course, key to this. He no doubt reads it in a different way to me, but I know it has its own special symbolism for him, especially given he never followed the DJ route, and instead carved out a rewarding career working in the computer, rather than in club realm. 

‘The Monastic Mix’ very much informed what I did later, especially the Teenage DJ project, which built on that autobiographical slant I’d stumbled across. It’s echoes can also be heard via my use of samples in a live context - people who know my mixes from more recent times will, no doubt, recognise many of the samples I’ve subsequently used, which are spun from the same tape, but in a different context – from another time and place.

I think it’s a mix that’s most conducive to a chilled-out environment (and state of mind). I might have given the impression that it’s pretty heavy-going, but you’ll find lots of familiar stuff throughout (it makes for a great game of spot the sample) and I’m sure it’ll raise a smile, and perhaps even the spirit, here and there. 

Greg Wilson - November 2012

THE MONASTIC MIX (by greg wilson and matt shannon for the monastery 1996)

a deep 60 minute mix for the Amber Muse 15th anniversary party that I did. Some nice tunes here from the last 15 years (plus one from 24 years :-)

 I will be playing here on November 16th, RA event page is here

https://www.residentadvisor.net/events/1339760

1 - Unknown - Unknown Track
2 - Milton Jackson - Sunset In A Frame
3 - Mario & Vidis Loove Wars
4 - Michael Watford Luv 42 (Mentalinstrum Mix)
5 - Okain - 717 D’Julz Remix
6 - Nick Harris - Feel Like Movin
7 - Levon Vincent - Pivotal Moments In Life
8 - Phil Weeks Gotta Feelin’
9 - Moomin - Love And …
10 - Sketch Drive - Can You Digg It (Jus Ed Remix)
11- Mondo - Work Me Baby
12 - On The Prowl - No Mistake Kon’s 2079 Mix

Milton Jackson - Amber Muse 15th Anniversary 60 min Mix

Playlist:

01. Atnarko - Solid Ground (Fred Everything Unreleased Lazy Dub)
02. JT Donaldson & Fred Everything - I Said
03. Lance Desardi . Field Recording
04. Fred Everything & Atjazz - Back Together
05. Matthias Vogt - Under The Radar
06. Kruse & Nurnberg - Silk City (Fred Everything Lazy Vox)
07. Frederick - Looponic Distortion (All Is Well Edit)
08. Fred Everything - Gentle As The Sun
09. Fred Everything - Someone Like You (Pezzner´s Unreleased Remix)
10. Kruse & Nurnberg - Chopped
11. Shur-I-Kan - Freakin
12. Bran Van 3000 & Freddie James - La Dolce Vita (Instrumental Edit)
13. Art Of Tones - Koniokola (Fred Everything Remix)
14. Fred Everything & Joshua Iz - On My Mind (Montreal Dub)
15. Dave Aju & Fred Everything - Feel (Doza´s Remix)
16. Ian Pooley & Matthias Vogt - Barrique (Vincenzo Remix)
17. Mateo & Matos - Want You Tonight  (Fred Everything Lazy Dub)
18. Satoshi Tomiie & Matthias Vogt - Love Unlimited
19. Art Of Tones - Unstopped (The Revenge Remix)
20. Nils Nurberg & Florian Kruse - Like A Version (Version Dub)
21. Lance Desardi - In The Midst
22. Fred Everything - Street Luv
23. Fred Everything - Mercyless (Atjazz Unreleased Astro Dub)
24. Paul Rudder - Sun Rising (Till Von Sein Remix)

#143 - A Tribute To Lazy Days - mixed by Moodyzwen

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DJ Bookings & Promos to: connect@groovementsoul.com
Website/Blog: http://www.groovementsoul.com
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Groovement Soul are a Dublin based collective who have been DJing and promoting gigs in Dublin since the 90's. Some previous guests include Phil Asher, Karizma, Yam Who, Dr Bob Jones, Benji B, Kev Beadle, 6th Borough Project, Andre Lodemann, Tomson, Al Kent, Leftside Wobble, Thatmanmonkz, Mad Mats, Recloose and many more. We've been involved in many events and festivals including the legendary Southport Weekender in 2012 and 2013, The Bacardi Bar at The Electric Picnic, Oxygen and the Body & Soul Festival.

Our monthly residency is on the last Sat of every month at The Grand Social in Dublin.

Tune in to Groovement Soul radio show on www.powerfm.org every Friday 7pm - 9pm. 

Groovement Soul on SoundCloud:
http://soundcloud.com/groovementsoul

Podcast:
http://soundcloud.com/groovementsoul/sets/groovement-soul-podcast/

The Groovement Soul radio on www.powerfm.org
every Friday 7pm - 9pm 

Radio show archive:
http://www.powerfm.org/?s=groovement+soul

KEITH DALTON - UPTOWN 3

Keith Dalton

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