🖤 Søme wrote this piece about the deep feeling of being lost. "Verloren" means being lost. The composition is changing it's key three times in a subtle slow way as a musical journey with no home.
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Søme - Verloren

Look, I know that many of my opening words often begin with “Today, I am thrilled to share with you a new piece by [so and so]”, but how can I not use the exact same opening line when one of my all-time favourite piano composers reaches out to me to premiere a piece from his newly-announced long-awaited album? This Norwegian musician’s first proper solo studio release appeared on the beloved Sonic Pieces in 2014, which we only later learned to be part of a trilogy of albums. But that doesn’t mean that I spent only the last decade listening to Otto A. Totland – together with his school friend Erik K. Skodvin, the duo has been making beautiful music as Deaf Center, releasing Neon City EP in 2004 on Type. We now see him being backed by Nils Frahm, who not only shares the production credits on his upcoming new album but also releases Exin on his very own Berlin-based LEITER imprint, which he founded with his manager Felix Grimm only a few years ago. This also means that the album was recorded at Frahm’s studio at Funkhaus complex, offering the most beautiful-sounding piano in the hands of the most beautiful-sounding mind. The emotionally charged and sometimes melancholy sound is still present in Totland’s collection of sixteen solo piano pieces, but there is also an upbeat and vibrant tint on a few, including the first single, “Marka”, which follows a classical staccato harmony that I can envision being played on a harpsichord. Yet pieces like “Lys” take me back to that particular flavour of Totland’s sonic tenderness to pull on my heartstrings, allowing me to get lost in those barely audible reverberations of the keys. The piece I’m sharing with you today is called “Rift”, an introspective and sombre reflection in just a few pensive chords.

Exit

Rift

TRACK PREMIERE : Otto A. Totland - Rift

From, "For Forever", out now.
https://holliekenniff.bandcamp.com/album/for-forever
Streaming:holliekenniff.ffm.to/forforever_album
Limited cassette:
imaginarynorth.bandcamp.com/album/for-forever
Hollie Kenniff - Low Light Ambient Mix: https://www.mixcloud.com/lowlight/inner-landscapes-by-hollie-kenniff/

Sea Sketch

Spring Memories

Music for Insight Vol. 4 compilation.

Buy this track: http://insightmusic.co.uk/track/ayan-das-they-filled-the-sky-with-skyrockets

Buy the compilation: http://insightmusic.co.uk/album/insight-vol-4 

They Filled The Sky With SkyRockets

To Drift So Far

Heaven

New Sincerity rejects postmodern irony, detachment, and cynicism, instead pursuing direct expression, vulnerability, and emotional resonance. This concept embodies a return to seriously and openly exploring one's emotions and the fundamental nature of things, without unnecessary, contrived meanings.

Track 3 mastered by Philippe Deschamps
Track 6 mastered by Eric Allietta
All other tracks mastered by Dionis Afonichev (Dionisaf)
Cover picture and design by Dionis Afonichev

New Sincerity

Longing for Radha

Freshness.
Download: https://kristofferson.bandcamp.com/album/the-moon-rests-upon-the-stars

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The Moon Rests Upon The Stars

Download

Kristofferson - You Are Everything (ft. Telepathics)

south along the animas

DR-66 : Christopher Bissonnette - 'The Wine Dark Sea' CD / DL
due out on March, 13th
dronarivm.bandcamp.com

pre-orders start February 28th

The Wine Dark Sea is Bissonnette’s fifth solo studio album. The album’s title is derived from the writings of Homer, where he oft referred to a rough and stormy sea as “wine-dark”. Homer’s descriptions of colour are devoid of any reference to the colour blue. And any suggested meaning in his description of the sea point to the colour red. This apparent contradiction has brought much speculation about the significance and understanding of colour in ancient Greece. Keeping with the motif of colour, track titles on the album are based on references from contemporary artists and their insights on colour, form and implied meaning.

The album represents a shift for Bissonnette’s work, moving from an exclusively synth-based series of explorations to a hybrid of electronic and acoustic methods. The result is a rolling and slow-moving tide of tones and undulations. The textures are in some passages soft and mollifying but fluently shift to moments of tension and unease. The Wine Dark Sea is an aural allegory to sound and colour and our tenuous understanding of abstract meaning.

Mastered by Porya Hatami
Cover photo by Christopher Bissonnette

Buy CD / DL

CHRISTOPHER BISSONNETTE -  Color Deceives Continuously (from 'The Wine Dark Sea')

Latest:
Helios - Espera: https://ghostly.ffm.to/helios-espera
Hollie Kenniff - The Quiet Drift: https://ampl.ink/5Y9Rw
Mint Julep - In a Deep and Dreamless Sleep: https://ampl.ink/omKoq
Goldmund - The Time it Takes: smarturl.it/ibfvzw

I write music for film and record as Helios, Mint Julep, Goldmund.

For licensing inquiries please visit: http://www.unseen-music.com/licensing

Sea Sketch

Keith Kenniff

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