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This Fire (You Lit In My Heart Will Destroy Us Both)

Mixing: Brad Fant
Assistant Mixing: Brian Robl, Adam Robl
Mastering: Brad Fant, Brian Robl

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Vacancy

Alternate version of https://soundcloud.com/keithkenniff/keith-kenniff-to-see

All rights reserved. 

http://www.unseen-music.com

Photo by my brother Colin Kenniff

Keith Kenniff - To Be

A new track for my licensing library.

Get a license here: https://www.musicbed.com/songs/onelove/15209

Voice by the super kind https://soundcloud.com/oneiramusic

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One Love (Exclusive for licensing)

Mint Julep - Persuasion

Mint Julep - Broken Devotion

Mint Julep - Small Memory

Greensleeves (Caen Surround)

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From our album "Broken Devotion" out February 12th 2016. Mint Julep is Hollie Kenniff & Keith Kenniff (aka Helios, Goldmund).

www.mintjulepmusic.com
www.unseen-music.com

On their second album Broken Devotion, Portland-based duo Mint Julep instill their lush and gauzy, synth-centric brand of pop music with a raw and powerful emotionalism. The follow-up to their 2011 debut Save Your Season (praised as “melodically sophisticated and dreamy” by the NME), Broken Devotion came to life over the course of four years, with Mint Julep reaching a new level of lyrical precision while easing into more lavishly textured, intricately layered arrangements. Throughout Broken Devotion, multi-instrumentalist/producer Keith Kenniff (also known for his work as ambient indie-electronic act Helios) and his wife Hollie Kenniff (Mint Julep’s vocalist and lyricist) explore the many bright and dark dimensions of love, a tension that’s masterfully embodied on the album’s title track. Urgent yet ethereal, “Broken Devotion” merges driving rhythms and hazy guitar tones as Hollie’s hypnotic vocal work achingly captures the unraveling of a romance (“There’s a ghost inside us/There are hands on your eyes/Spaces in between us/There are places we can’t hide”). Despite the moody atmosphere of the album, much of Broken Devotion was born from a certain lighthearted spirit within Mint Julep’s creative partnership. Lead single “White Hot Heart,” for instance, began as a playful experiment in retro electro-pop but eventually mutated into an airy and shimmering, synth-laced number that’s timeless in melody. Also featuring a gorgeously sprawling cover of When In Rome’s late-‘80s new-wave hit “The Promise,” Broken Devotion shifts from the frenetic energy of beat-driven tracks like “Incinerate” to the downtempo drama of songs like “Slow Spiral” with delicate grace. Forming Mint Julep in 2007, the Kenniffs originally had modest intentions for the band. “The project really just started out as a way to get my wife to sing, because I knew that she could but was kind of shy about it,” says Keith. Though the duo initially mined much influence from early-‘90s shoegaze, Mint Julep gradually shaped their sound by drawing inspiration from electronic music and from their shared affection for rough-edged music of varying genres (industrial for Hollie, punk rock for Keith). “It took us a while to suss out whether this was something we were just going to have fun with, or if we’d actually release our music,” Keith says. “But we ended up keeping at it, and now we’re at the point where we’ve created something with its own sound that’s very unique to us.” Noting that “it’s been great for Hollie and me to bond over making music, and to have that music feed into our relationship,” Keith points out that Mint Julep have found an even more enduring purpose in creating both Broken Devotion and its predecessor. “Writing music can be stressful, but there’s that joy that comes from creating something that you know you’ll have for a really long time,” he says. “We can finish an album and move on, and then go back years later and let the songs tell us what was happening then, what we were feeling. It’s a cool way to mark all these very specific moments in our lives together.”

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Mint Julep - White Hot Heart

New piece I wrote for as part of my licensing library. http://www.unseen-music.com/licensing

Keith Kenniff - Rivers

The skylight.
Download: https://tenaya.bandcamp.com/releases

Tenaya
https://soundcloud.com/tenayamusic
https://www.facebook.com/tenayamusic/
https://tenaya.bandcamp.com

Picture by Lizzy Newman
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Tenaya - Under The Aurorean Twilight

This is a reworked version of a track 'Like Ships Without Anchors' from the album 'Her Name In A Language Of Stars', cut and edited for my live set, which I used to play a while ago. I found it nearly as enjoyable as original (maybe even more), and decided to share it on my networks.

For the artwork I used a painting of a great Swedish landscape and marine painter Simeon Marcus Larson. I decided to leave it blank and not to use any fonts not to ruin the masterpiece. The painting is called Ångfartyg i solnedgång (English: Steamship in Sunset).

Download this track here:
https://endlessmelancholy.bandcamp.com/album/like-ships-without-anchors

Endless Melancholy on web: 
endlessmelancholy.bandcamp.com 
www.facebook.com/emelancholy

Like Ships Without Anchors

Signals

Words

Stream / download --> http://smarturl.it/elskavon-spring
New LP Skylight --> http://smarturl.it/elskavon-skylight
www.elskavon.com

INSPIRATION:

Can I give you a quick glimpse into the whirlwind mind of an independent musician?

It’s all about seasons. Last summer and into the fall, I was furiously writing a new Elskavon album, not to mention new Bora York songs with my wife, and Hi-Fi Cali collaborations and singles… For every album I release, which is typically around 9-10 songs, I end up with sometimes more than 50 demos and half-written songs. So there was a lot of writing happening. The ideas kept coming and the inspiration was heavy.

In September, I decided to set a release date for the new album, Skylight - this gives myself a deadline to actually call things done, and to get prepped for a release. From late fall on, leading up to that date (January 26), I was finishing songs, mixing and mastering the audio, working on artwork, studio and promo videos, show prep, social media content, reaching out for press and playlist possibilities, and more. There’s a lot of things on the independent release checklist.

In the midst of all this, I was about to step into a part-time freelance role, something my wife and I had been preparing for about a year. We’re very hopeful and excited about this season of our journey, which just started a few weeks ago. 

There has been a lot of things happening, and I’m grateful every step of the way. But I’m human and I get burnt out, as well. Last week it was tough to find any sort of inspiration whatsoever. And there was a definite setback regarding the new album - something I had been getting used to slipped away. It’s part of the process, and something I was fully aware could be a possibility. But it was still a bit of a punch in the gut.

Read the rest at http://anthemfallsmusic.com/blog/2018/3/28/elskavon-spring-piano-day-2018

Spring (Piano Day 2018)

Latest:
Helios - Espera: https://ghostly.ffm.to/helios-espera
Hollie Kenniff - The Quiet Drift: https://ampl.ink/5Y9Rw
Mint Julep - In a Deep and Dreamless Sleep: https://ampl.ink/omKoq
Goldmund - The Time it Takes: smarturl.it/ibfvzw

I write music for film and record as Helios, Mint Julep, Goldmund.

For licensing inquiries please visit: http://www.unseen-music.com/licensing

Keith Kenniff - To Be

Keith Kenniff

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