DJ Makossa & Mc Sugar B present their legendary weekly saturday night radio dj mix show on Austrian nationwide radio station FM4 since 18.1.1992 (every sat 10 - 12 pm m.e.t. on air)
livestream: http://tinyurl.com/streamswoundsound
on demand: http://fm4.orf.at/radio/stories/fm4swoundsoundsystem

https://soundcloud.com/journeytotarab
https://soundcloud.com/darkzyklus-darkzyklus
@https://www.facebook.com/NohRadio
Ali Riza Firat was born in 1981 and spent most of his life in Istanbul. Meeting techno music in year 2005 in Romania, Ali found his life goal. After moving to Vienna, in 2018, he made a step to become a DJ. He started his music career by playing in well known Vienniese undeground clubs and for Austrian electronic music station FM4 (Swound Sound). Ali curated the music site We Tape and he continues as a DJ in Journey to Tarab and Kosmos Kuriosum collectives and is an editor in NOH Radio Istanbul.

Influenced by Istanbul's musical diversity, it tends to blend cosmic sounds with techno. His style cannot be defined as a single musical style due to the many musical journeys it involves.
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14.08.22  - Free Tree Festival
06.08.22 - Calle Libre Festival
06.08.22-  Fluc 
30.07.22 - Usus am Wasser
22.07.22  - B72
15.07.22. -  Rhitz
30.07.22  - Kosmos Kuriosum
08.07.22  - Katzenjammer Festival
17.06.22   - Fluc
20.05.22  - Fluc
14.05.22 - Heuer
06.05.22  - EXIL

DJ & Producer | ManyMusicStylesLover

Scheibosan is an experienced Austrian DJ &  producer with knowledge & practice in the music industry since 1981. He has a unique sound that blends elements of downtempo, house, techno, and minimal, creating an immersive and energetic experience for his listeners. He is dedicated to delivering high-quality music and continues to captivate listeners with his passion for music.

All Contacts & News >> https://linktr.ee/Scheibosan

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

Booking: italobrutalo at gmail dot com

Vintage synth fetishist and genuine circuit-bending whiz, Italo Brutalo is no typical dealer of hardware-squeezed juice. Tapping in the endless potentialities of his analogue army of retro machinery, the German producer has built a sound ID that defies conventions and takes pride in trespassing all the frontiers and limitations associated to the etiolated map of dance music styles.
From EBM-laced rhythms to jagged techno motifs, via off-pistes divagations into electro, disco, hip-hop and kosmische spaces, Italo Brutalo writes a story of genre-busting, all-embracing love for the primordial groove. Having first dabbled into production through the studio equipment of his father, young Fries quickly caught the virus of music-making and its idiosyncratic logic, using all the means within his reach to turn his ideas into actual pieces of sound. With over 25 years of fiddling, tweaking, bastardising bars of automated fire so people can have a blast on the dance floor, Italo Brutalo has gained a potent reputation amongst jockeys and producers, recently making it to the cover of Das Synthesizer Magazine.

Following up to a string of releases on a wide array of imprints including Mozzarella Records, Days of Being Wild, Compuphonic, RFR or Nang Records, Fries moved onto self-releasing his output through Bungalo Disco, the label he co-operates alongside his girlfriend. After the first three vinyl releases went sold-out within a couple of weeks, Italo Brutalo now returns with his anticipated debut long-player, "Heartware", which - as its title suggests, makes for a compelling ode to the machines that got him into the eerie world of sine waves and tape loops. Beautifully wrapped in a gatefold, and adorned with the exquisite artwork of his creative partner to go full-circle. What else?

Dj / Producer / Label Manager 
Email : imacliche (at) gmail (dot) com

The Black Circle Podcast is a universal, spiritual, timelessness movement of carefully curated electronic music. In its center is the ever vibrating circle expressing the flower of life or infinity. As the circle, music develops and carries cosmic energy and possesses healing powers. 
We selected this music with our heart and soul! Our aim is to give this energy back to you and welcome you in our circle. 

Love and Peace

Music label from space.
We support art, creators and creative projects. 
Sometimes, we fly to the moon.

The Cosmic Society was born from our motivation to use our creativeness and to have an impact. We believe in like-minded collaboration to discover our joint potential instead of creative exploitation. Our collective inspiration lies in our talents, visions and ideals – in other words, we are driven by our love for music, art, and people. 

We organise cosmic journeys to broaden horizons and create networks to establish new paradigms. We support our artists and friends in the realisation of their ideas and projects while we gain our strength from the cooperation of different talents. A steady growing network forms the backbone of our work in order to create new concepts in the future, set new goals and to seek new challenges.

hello:
booking@cosmicsociety.de

DIGITAL COSMIC DISCO (2010 - 2017)

Issu d’une tradition picturale et musicale, DCD distille ses influences classiques et électroniques vers son seul credo: la Matière (Digital), l’Inspiration (Cosmic) et le Mouvement (Disco) . De ce concept, il en résulte une electronica de caractère.

Kelemen Gábor is following