LIQUIDATOR RECORDS

A Change Must Come

A Change Must Come (feat. Tasty Grooves)

The Clash Goes Jamaican

Straight to Hell

Liquidator 10!

Red Soul Community @ Kinkylab

The Gladiators At Studio One- My Thoughts, Jah Jah Go Before Us, Jah Almighty & Roots Natty Roots

Produced by Fireball Records available on itunes

SUGA ROY & CONRAD CRYSTAL BARRINGTON LEVY AND BEENIE MAN

Peppery - Born As A Winner

Worth It

Coco-Loco Love

Oaxaca Night of Peace tells of a quiet night in the mountains of Mexico – candlelight on old walls, children’s voices in the wind and drums carrying faith through the dark.
A song of community and peace, born from simplicity and real life.
Part of Joy & Truth – The 24 Days of Christmas, an album of 24 true stories from 24 countries – songs of hope, love and the quiet courage born from music.

Oaxaca Night of Peace

Green Lion Crew returns with their latest release the Ganja Morning Riddim. This six track EP is based around the 1979 classic underground reggae track “Weed Fields” by Desi Roots. Recorded primarily in Kingston Jamaica, Green Lion’s infectious production style combines timeless dub and reggae that are rooted in traditional techniques. However, by incorporating elements of EDM and Hip Hop, the tracks challenge the status quo of everyday reggae “riddim” releases. The EP contains two hard hitting vocal tracks, three trippy phaser heavy dub mixes, and an instrumental version.

The Ganja Morning Riddim features artists King Mas (USA), reggae veteran Mikey General (JA), & Mr Williamz (UK). American reggae producer Zeke Stern (aka Green Lion) has also worked with Collie Buddz, Chronixx, Kabaka Pyramid, Beenie Man, & more. Artwork by Maria Pan (Italy)

iTunes Pre-Order Link:
https://itunes.apple.com/us/album/ganja-morning-riddim-ep/id1034032976

www.greenlioncrew.com
www.facebook.com/greenlioncrew
@greenlioncrew

04 Green Lion Crew- Steam & Chant Dub (Feat Mikey General & Mr Williamz)

First Demo

Lost in the Ocean

The group formed in 1976 as the vocal trio of Joseph Hill (formerly a percussionist in Studio One house band the Soul Defenders), his cousin Albert "Ralph" Walker, and Roy "Kenneth" Dayes, initially using the name The African Disciples. They soon changed name to Culture, and auditioned successfully for the "Mighty Two" – producer Joe Gibbs and engineer Errol Thompson. While at Gibbs' studio, they recorded a series of powerful singles, starting with "See Dem a Come" and including the hugely successful "Two Sevens Clash" (which predicted the apocalypse on 7 July 1977), many of which ended up on their debut album Two Sevens Clash. The song was sufficiently influential that many in Kingston stayed indoors on 7 July, fearing that the prophecy would come true. A second Gibbs-produced album, Baldhead Bridge, followed in 1978, by which time the group had moved on to record for producer Sonia Pottinger. The group entered into a long-running dispute with Gibbs over royalties to the first album.

Two Sevens Clash meanwhile had become a big seller in the United Kingdom, popular with punk rock fans as well as reggae fans and boosted by the support of John Peel on his BBC Radio 1 show, and reached number 60 on the UK Albums Chart in April 1978. This prompted Virgin Records to sign the group to its Front Line label, releasing Harder than the Rest (1978) and International Herb (1979). Culture also released records on other labels in Jamaica, including a dub version of Harder than the Rest, Culture in Dub (1978, High Note), and an album of different recordings of the same album, Africa Stand Alone (April 1978). An album recorded for Pottinger in 1979 with a working title of Black Rose remained unreleased until tracks emerged in 1993 on Trod On.

Culture performed at the One Love Peace Concert in 1978.

In 1981 the three singers went their own ways. Hill carried on using the Culture name, and recorded the Lion Rock album, which was reissued in the United States by Heartbeat Records. Hill and his new band recorded a session for long time supporter John Peel in December 1982, and the group went on to record further studio sessions for Peel in 1998 and 2002, and their performance at the Royal Festival Hall in July 1998 was broadcast on his show. For their part, Walker and Dayes recorded a handful of songs on their own – a few of which turned up on an album titled Roots & Culture. Hill performed at the Reggae Sunsplash festival in 1985 and in 1986 the original line-up reformed to record two highly regarded albums – Culture in Culture and Culture at Work.

Joseph Hill, who came to symbolize the face of Culture, died (liver failure) in Berlin, Germany on 19 August 2006 while the group was on tour, after collapsing following a performance.  His son, Kenyatta Hill, who had acted as the group's sound engineer on tour, performed with his father's band at the Western Consciousness show in 2007, which was dedicated to Joseph Hill, and became the lead singer of Culture; Walker and Nelson continue to provide backing vocals.

In 2011, Live On was released, featuring Kenyatta's performances of his father's songs, including "Two Sevens Clash" and "International Herb".

A Change Must Come (feat. Tasty Grooves)

Ken Boothe

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