Wildcookie "Serious Drug" Instrumental

Plane Jane Records is proud to present The Bacao Rhythm & Steel Band's newest 45 release. 

The BRSB made a ton of noise with their cult classic cover of 50 Cent's "PIMP" a few years back, most people thinking that it was the original tune 50 sampled from.

This time they take the Steel Drum Funk sound to a deeper part of Hip Hop with their own rendition on the late great classic tune. The A Side is "Bacao Suave",  a surefire version of the tune, and you know we like versions. DJs, have a great time.

The B Side is their rendition of the underground classic "Round & Round" from Hi Tek's Hi-Teknology album. An absolutely killer version of the tune, drums are heavy, steel pans playing thru the melodies, sure to turn heads on the dance floor.

Visit us at:
www.bigcrownrecords.com

Follow Big Crown Records: 
open.spotify.com/user/bigcrownrecords
www.instagram.com/bigcrownrecords
www.facebook.com/bigcrownrecords
twitter.com/bigcrownrecords?lang=en
@bigcrownrecords
www.mixcloud.com/BigCrownRecords

Round & Round

Taken from 'The Epic', released 4th May 2015 on Brainfeeder.

Buy:
iTunes: http://found.ee/kamasiepic-it
Ninjashop: http://found.ee/kamasiepic
Amazon: http://found.ee/kamasiepic-am

Follow:
Twitter: https://twitter.com/KamasiW
Soundcloud: https://soundcloud.com/kamasi-washington
Youtube: https://www.youtube.com/user/KamasiWashington

http://kamasiwashington.com/

'Re Run Home'
Composed, Arranged and Produced by Kamasi Washington. Copyright Control. Recorded at King Size Sound Labs. Engineered by Tony Austin. Mixed by Benjamin Tierney. Mastered by Stephen Marcussen at Marcussen Mastering.

Kamasi Washington - Tenor Saxophone
Ryan Porter - Trombone
Igmar Thomas - Trumpet
Cameron Graves - Piano
Brandon Coleman - Keyboards
Miles Mosley - Acoustic Bass
Stephen "Thundercat" Bruner - Electric Bass
Tony Austin - Drums (Right Side)
Ronald Bruner Jr. - Drums (Left Side)
Leon Mobley - Percussion


Pre-Order

Kamasi Washington - 'Re Run Home'

Our appreciation for 22a and their extended family has steadily spiralled over the last year or so. We've already featured various members of the clan in their own rights:  Jeen Bassa and Al Dobson Jr weaving wax as far back as 2012,  Mo Kolours multiple times and  Henry Wu serving  "Just Negotiate" on a plate for Debuts. It's about time all of those names came together on one setlist, mind - a wish we're churning into reality with  this Friday's 22a label showcase in London.

22a #6 sees Tenderlonious lift the label into album territory for the first time. Led by the label chief on sax, flute and percussion, Ruby Rushton is the result of four friends uniting to ooze out off-the-cuff jazz. Their debut album “Two For Joy” was recorded in 2011, a deeply personal set of compositions fuelled by an admiration for Coltrane, Yusef Lateef and Fela Kuti through to more contemporary demi-gods like Slum Village and  Sa-Ra. The title track - which you can stream uptop - is luxuriously smooth, handmade for Sunday mid-morning couch sessions with the spring sun reaching inwards. 

As with all 22a releases, catch it on vinyl (180g) when it lands on June 29th.

Ruby Rushton "Two For Joy" - Boiler Room Debuts

red astaire presents nuggets for the needy

red astaire - follow me

Voluptuous saxophonist trills and a disco-inclined female choir harking back to a dusty 1970s classic from @GUTS via @heavenlysweetness.

Read more & buy: http://www.stampthewax.com/2016/07/25/premiere-guts-every-generation

GUTS - Every Generation (STW Premiere)

Deluxe, Will Sessions’ debut LP of original material, is made of tracks previous available as limited press 7” records, freshly remixed and remastered. The album contains guest appearances from Detroit legends Allan Barnes (The Blackbyrds), Amp Fiddler (Parliament/Funkadelic), Florida’s ‘King of Funk’ Rickey Calloway, and relative newcomer Coko (Funk Night Records). Deluxe is packed with songs reminiscent of classic soul and funk, deep breaks, tight rhythm tracks, blazing horns and raw vocal performances.

Deluxe

Run, Don't Walk Away

"Ominous Shanti is the latest track from the wonderful percussionst / band leader Emanative (AKA Nick Woodmansey) and true to his name it is a marvelous original concoction of eastern sounds, punching horns, trance - inducing rhythms and Miles like inprovisations. Do yourself a favor and put it in your earhole!"

- Idris Ackamoor of The Pyramids - March 2017


"So this is a new one from Emanative, that's the Collective that belongs to Nick Woodmansey …
I might have to drop again next week because I love it so much!"

- Gilles Peterson BBC 6Music - Feb 2017

Emanative aka Nick Woodmansey makes his return on self-released limited 7", Ominous Shanti / Black Enchantment – two tracks that perfectly display Nick’s flavour for interesting rhythms, eastern sounds and contemporary influences.

The A-side, ‘Ominous Shanti’ sees Nick collaborate and create with Tamar Osborn, Sarathy Korwar, Suman Joshi, Ben Hadwen, Simon Finch and Jessica Lauren. Recorded between Malcolm Catto's Heliocentrics and Ibibio Sound Machine's studios.

"We're releasing this one ourselves privately, on the kind of non-existant label Home Planet Recordings, so any and all support really appreciated!
It's a limited edition, so please don't miss out!"

- Nick Woodmansey

Ominous Shanti

2018 PAPI

written by Kendra Morris, Jeremy Page & Colin Brown
mastered by Kevin Blacker at Blackler Mastering

Production and Guitars - Jeremy Page
Keys - Colin Brown
Bass -  Jeremy Siegel
Drums - Andy Bauer

Nothing

Taken from the Bacao Rhythm & Steel Band album "The Serpent's Mouth"  out on Big Crown Records.

Available Digitally Here:
http://geni.us/BacaoSerpentsMouth
Buy the album in all formats here:
BIG CROWN WEBSTORE: 
https://bigcrownrecords.com/store/the-serpents-mouth/

Buy the single in all formats here:

BIG CROWN WEBSTORE: 
https://bigcrownrecords.com/store/xxplosive-b-w-burn/

Follow Bacao Rhythm & Steel Band
https://www.facebook.com/BacaoRhythmSteelBand/
https://www.instagram.com/bacaorsb/
https://twitter.com/BacaoRSB?lang=en
https://open.spotify.com/artist/0sjhSgEkyVa8QRmkkuckJ0 

Visit us at:
www.bigcrownrecords.com

Follow Big Crown Records: 
https://open.spotify.com/user/bigcrownrecords
https://www.instagram.com/bigcrownrecords
https://www.facebook.com/bigcrownrecords
https://twitter.com/bigcrownrecords?lang=en
https://soundcloud.com/bigcrownrecords
https://www.mixcloud.com/BigCrownRecords

Buy at BCR

Bacao Rhythm & Steel Band - Xxplosive - BC054-45 - Side A

Kicking off 2011 in fine style, Worldwide Family is a new series from Brownswood Recordings that will see label head Gilles Peterson hand over compiling duties to trusted friends of the label in our perpetual pursuit of the perfect beat. And who better to launch this new venture into orbit than two of our closest cohorts: Lefto and Simbad. Both gents are globetrotting DJs, respected selectors (with web-like worldwide connections) and the two are firm friends. What’s more, they have repped Brownswood from the beginning.
27 tracks deep, ‘Worldwide Family Vol.1’ sets the bar sky high for future instalments. Reaching out to their respective global networks, Lefto and Simbad have each compiled a stellar selection of exclusive jams that sum up their individual and inimitable styles.

CD01 // Lefto
01 UpHigh Collective feat. Delvis – Blend (Revised) (Belgium)
02 Damage Is Done – Meeting Point (Germany)
03 Exile - Rake(USA)
04 Dela & The Headless Hunters – London Town (France)
05 grooveman Spot – Take Back (Japan)
06 Brassroots – Good Life (UK)
07 74 Miles Away feat. AHU & Miles Bonny – Same Dream Again (Belgium / Turkey / USA)
08 I.N.T. – Raw Funk (The Netherlands)
09 Karlmarx – Mists (New Zealand)
10 Onra – The Perfect Match (France)
11 TOKiMONSTA – Park Walks (USA)
12 Trilogy – Automata (France)


Lefto & Simbad present Worldwide Family Vol.1 // Lefto Teaser

Kendra Morris recalls singers who straddled soul and rock during the early '70s, such as Ruth Copeland and Chaka Khan, while her contemporaries include the likes of Mayer Hawthorne, Alice Russell, and Leela James. Morris's musical taste was developed through her parents' record collection, a library heavy on late-60s and early-70s soul and funk. During her childhood Morris's main companion was her karaoke machine, which she also used for the sake of recording. While enrolled in college in Tampa, FL, she became so involved in performing with bands that she decided to leave behind her studies and take on music full time. She took up the guitar, as well as songwriting, and eventually involved herself with a band, Pinktricity, which moved to New York in 2003 and split shortly thereafter. Morris took to recording songs on her own, and self-released a pair of EPs: This Won't Hurt a Bit (2007) and Milk and Cookies Never Lie (2008). Her first proper recording, a self-titled EP (2010), was recorded with producer and multi-instrumentalist Jeremy Page (of That Handsome Devil). After touring with legendary guitarist Dennis Coffey and releasing a series of singles which included "Concrete Waves," whose b-side was remixed by DJ Premier, Morris released the album Banshee (2012) on Wax Poetics. In 2013, Morris returned with the covers album Mockingbird.

Both Banshee and Mockingbird received critical acclaim and a cult following, with several film + tv placements. The title track "Banshee" was used prominently in the Showtime hit series Ray Donovan, while her cover of Pink Floyd's "Shine On You Crazy Diamond" found itself in the trailer for major motion picture Dead Man Down. 

In between extensive international touring and promotion for Banshee throughout 2013 and 2014, Morris worked on a small side project band with friends Scarlett Johansson, Julia Haltigan and Holly Miranda, releasing one single called "Candy."  After taking some time to write and record her follow up EP titled Babble, Kendra Morris returned with its release June of 2016 to great reviews. 2017 she has been releasing brand new tracks on a consistent basis and playing often. Keep your eyes peeled for new exciting things!

Nothing

Kendra Morris

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