Man you are so fucking GOOD!!!!! The entire World is sleeping on you!!

Kendra is always on point. Can't for the album.

download: http://www.mediafire.com/?v3a8nocnbfddlwy

back on 45: https://www.discogs.com/release/28148479-Trishes-Edits

Darondo - Didn't I (Trishes Edit)

Free Download: hopestreetrecordings.com/dawn

Artist: Emma Donovan & The PutBacks
Album: Dawn
Format: LP/CD/Digital
AU Release Date: Nov 7 2014
UK Release Date: Nov 10 2014
US Release Date: Nov 11 2014

Acclaimed indigenous vocalist Emma Donovan and Melbourne rhythm combo The PutBacks come together to bring you Dawn, an LP of hard hitting and heartfelt soul songs telling stories of grief, struggle and redemption. Dawn is a gritty, uniquely Australian record, simultaneously classic and contemporary. The songwriting is in turns optimistic, angry and melancholic, and on occasions bruisingly honest. The music is fluid, live and raw, recorded in one room on eight channels of analog tape and the electric connection between Emma and the band comes through in every beat.

Emma grew up singing church songs with her maternal grandparents on the North coast of New South Wales. Her first secular gigs were singing in The Donovans, a band comprised of her mother and five uncles. With her mother, Emma sang country for years, and in her youth was a fixture at the Tamworth Country Music Festival, but she always yearned for the bluesier tones of her Father’s record collection, full of American artists like Laverne Baker and Etta James and Indigenous Australian artists like No Fixed Address and Archie Roach.

Years later, after touring and recording with many of the mainstays of Indigenous music and developing as a solo artist in her own right, Emma met members of The PutBacks, and finally she found a band with the gritty blues soaked tones she had been looking for. She also found, in PutBacks bassist Mick Meagher, a co-writer and collaborator on the the soul songs she had been waiting a lifetime to write and sing. The results are well worth the wait and hopefully, only mark the beginning of this oh-so-right collaboration.

Buy Vinyl/CD/Digital

Emma Donovan & The PutBacks - My Goodness

The Supreme Jubilees - Do You Believe

Lady Wray - Get Ready

Acajou aims at revisiting indigenous music from across the globe with contemporary influences. 
This one blends samples of a native Brazilian tribe with vocals from a famous popstar. 

Additional mixing by Jonathan Lefèvre-Reich.
Mastering by Igor Moreno.

Watu Num U'i (Acajou Rihwork)

Fold – Something Gives
Released September 12, 2016
CD & digital download

If you like this track and you're on Spotify please give us a follow:
https://open.spotify.com/artist/3lOmv1v5gfdtBwvRufzjtr

------------------------------------------------------------------------------------------
Having included this track among his favourites of 2016 on the last day of the year Huey Morgan also provided the UK national radio debut on BBC 6 Music followed by a hat trick of spins from Gideon Coe. Kara Manning broadcasted the US radio premiere courtesy of WFUV, New York.

Something Gives is a timely vehicle for the keen eloquence of James Baldwin whose voice, along with that of the wonderful Alice Walker, is the basis of the track.

We've been feeling urgently compelled to respond somehow to the heavy sociopolitical escalations of late on both sides of the pond. This release is our way of bridging the distances & expressing universal solidarity as human beings. Musically the tune bears similarities to A Tribe Called Quest's jazzy hip hop vibes and Arthur Verocai's Brazilian way of joy and despair all at once.

All music written, arranged, performed, engineered, produced & mixed by Seth Mowshowitz apart from tenor saxophone arranged and performed by Emma Johnson.
http://www.johnsonmusic.co.uk/

Mastered by Erik Aldrey
http://www.erikaldrey.com/

LYRICS
----------
[James Baldwin]

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart, which is happening in my country.

These people have deluded themselves for so long they really don't think I'm human. I base this on their conduct, not on what they say, and this means that they have become in themselves moral monsters.

It doesn't matter any longer what you do to me: you can put me in jail, you can kill me. By the time I was 17 you'd done everything that you could do to me. The problem now is: how you gonna save yourselves?

How you gonna save yourselves?

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart, which is happening in my country.

There are days, one of them, when you wonder what your role is in this country and what your future is in it. How precisely are you going to reconcile yourself to your situation here, and how you're going to communicate that you are here?

The country has arrived at a place where it can no longer contain revolt. Human beings are not by nature non-violent, you know? You can only survive so many beatings, so much humiliation, so much despair, so many broken promises before something gives.

Before something gives.

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart…

[Alice Walker]
We are being killed by people who don't feel – if we get down to that, that is the problem.

[James Baldwin]
I'm terrified at the moral apathy, the death of the heart…

[Alice Walker]
If you don't feel it you kill it because you think it doesn't feel either…

[REFRAIN]
I'm terrified at the moral apathy, the death of the heart, which is happening in my country.

[Alice Walker]
So away with that, we don't want that.

[James Baldwin]
I'm aware that something terrible has happened, which is very hard to describe.

Something Gives

Buy on iTunes

Most honored to even have the chance to put my spin on this beautiful piece of love by two of my all-time favorites. Sincerely hope yall dig it. I played all the guitar work, drums sampled from Shawn Lee, and grateful for my man Reed Mathis, coming through in a rush and laying bass on it night before the deadline for submissions.
Blessyall!
// Sole.

UPDATE: The winners of the DJ Shadow remix contest have been announced! I'm not one of them, but it was great to hear the ones that shadow picked. So glad Archive's Waltz version was in the ranks, played that on my KCRW show on Wednesday. I'm not bummed one bit, everyone who Shadow picked killed it in their own way, and since I only set out to make what I consider to be a beautiful song... I feel successful in that. BLESSYALL for voting, and all the kind words. Now that it's over I can give it away for free. Enjoy.

DJ SHADOW ft. LITTLE DRAGON - Scale It Back (Jeremy Sole Remix)

2018 PAPI

written by Kendra Morris & Jeremy Page
mastered by Kevin Blackler at Blackler Mastering

Production and Guitars - Jeremy Page
Bass - Jeremy Siegel
Drums - Sam Merrick

Released by:
PAPI
Release date:
22 June  2018

Summertime

"Tightly thundering funk from the Oz scene" - DUSTY GROOVES, USA
"Infectiously funky sounds... Haptics is destined to be a horn-fuelled, butt-shaking affair" - triple j HOME & HOSED
"Dangerously funky" - INPRESS
"Super dope instrumental funk" - Chris Gill, NORTHSIDE RECORDS / 3RRR
"The soul revival is alive & well in Melbourne & The Cactus Channel are its newest, youngest champions" - BEAT

Hear that sound? Raw, loose and nasty funk, recorded straight to analog tape. It’s just like the old days, but so new it’s sporting a badass teenage moustache. Now that Melbourne funk sensation The Cactus Channel have graduated high school, they’re taking their own brand of high-octane, instrumental car chase funk and smooth soundtrack soul to the people with their debut, Haptics. On the road and on the airwaves, 2012 is the year The Cactus Channel come of age. 

Back in 2009, the founding members of The Cactus Channel were already jamming on some classic soul feels, tripping on Eddie Bo, James Brown and their contemporaries, and using words like “Boss” and “Cat” while trying make it through year 10 in 21st Century Australia. What began as experimentation in Junior Stage Band developed into outright insubordination in Senior Jazz Ensemble and by 2011 The Cactus Channel were an out of control ten piece funk orchestra with the momentum of a runaway train who could count The Dap Kings’ Tom Brenneck and soul legend Charles Walker as fans. 

How did members of the iTunes generation get on to those rare and deep seventies sounds at the age of 14? The internet, of course! Also, who really cares? It works! No matter what year it is, or sounds like it is, these records are great. From triple j Unearthed to FatBeats Records in NYC, people all over the place love this band.  

The Cactus Channel deliver on all their precocious promise with this super heavy full length debut LP. Haptics is chock full of deep funk, jazzed-up soul and boogaloo hits, all informed by a canny sense of soundtrack-ready drama, loaded with tight, hard grooves and one strong track after another. The Cactus Channel is ready to roll! 

Melbourne launch party: Saturday Aug 4 @ The Toff w/ The PutBacks + DJ Chris Gill. Tickets $12+BF.
The Cactus Channel touring nationally September / October.


The Cactus Channel - The Colour of Don Don

taken from the - Soul Sugar "Hands on" EP -
available at http://soulsugar.bandcamp.com/

Theme From King Heroin (J.Brown/D.Matthews)

Thomas Naim : guitar 
Yvo Abadi : drum 
Guillaume Metenier : Hammond organ

Etienne de la Sayette : baritone saxophone / flute 
Sylvain Gontard : trumpet 
Georges Philippe : trombone 


Theme From King Heroin

Feel's So Good

Kendra Morris recalls singers who straddled soul and rock during the early '70s, such as Ruth Copeland and Chaka Khan, while her contemporaries include the likes of Mayer Hawthorne, Alice Russell, and Leela James. Morris's musical taste was developed through her parents' record collection, a library heavy on late-60s and early-70s soul and funk. During her childhood Morris's main companion was her karaoke machine, which she also used for the sake of recording. While enrolled in college in Tampa, FL, she became so involved in performing with bands that she decided to leave behind her studies and take on music full time. She took up the guitar, as well as songwriting, and eventually involved herself with a band, Pinktricity, which moved to New York in 2003 and split shortly thereafter. Morris took to recording songs on her own, and self-released a pair of EPs: This Won't Hurt a Bit (2007) and Milk and Cookies Never Lie (2008). Her first proper recording, a self-titled EP (2010), was recorded with producer and multi-instrumentalist Jeremy Page (of That Handsome Devil). After touring with legendary guitarist Dennis Coffey and releasing a series of singles which included "Concrete Waves," whose b-side was remixed by DJ Premier, Morris released the album Banshee (2012) on Wax Poetics. In 2013, Morris returned with the covers album Mockingbird.

Both Banshee and Mockingbird received critical acclaim and a cult following, with several film + tv placements. The title track "Banshee" was used prominently in the Showtime hit series Ray Donovan, while her cover of Pink Floyd's "Shine On You Crazy Diamond" found itself in the trailer for major motion picture Dead Man Down. 

In between extensive international touring and promotion for Banshee throughout 2013 and 2014, Morris worked on a small side project band with friends Scarlett Johansson, Julia Haltigan and Holly Miranda, releasing one single called "Candy."  After taking some time to write and record her follow up EP titled Babble, Kendra Morris returned with its release June of 2016 to great reviews. 2017 she has been releasing brand new tracks on a consistent basis and playing often. Keep your eyes peeled for new exciting things!

Summertime

Kendra Morris

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