Name: bounce by kennu music in One Synth Challenge #177: Synful Orchestra & VSCO2 Percussion
Duration: 4 min 5 s
Description: My submission for the One Synth Challenge 177 using Synful Orchestra & VSCO2 Percussion

Where the clicks intentional? I am not sure they added to your composition in a good way if so.

this flute thing changing pitch is absolutely gorgeous. this is my favourite song of this round. 5 stars sir.

Full 11 in a most tastefully understated way. Really nicely done :)  Well made sounds, music one can comfortably live in for quite a while and a marvelous mix which really supports the music.

Great use of percussion in this chilled track...

it works together well as a whole and nice groove moves

excellent track! such atmospheric coherence!

I have to point out that I like your percussion work :) Also that fast "gated synth" in the end part. Its sound kind of reminds me of those colored tube things. I googled it, apparently those are boomwhackers. We used to hit each other with them in music class at school. We were always special XD

One Synth Challenge #177: Synful Orchestra & VSCO2 Percussion

An entry for the KVR One Synth Challenge #177 - Synful Orchestra & VSCO Percussion.

As the sun sets on the horizon, casting long shadows across the alien landscape, a lone figure sits cross-legged, silhouetted against the fiery sky. In his hands he holds his trusty bass guitar, its strings gleaming in the fading light.

Lieutenant Spaceman D. Bassman had been stranded on this planet for 7 months, his crashed spaceship was damaged beyond repair, but he hadn't given up hope of being rescued. Every day he would refill his oxygen tank and walk into the poppy fields at sunset to jam on some dubby grooves, his music echoing across the vast expanse.

As he plays, he feels a sense of peace wash over him. The sounds emanating from his instruments are an ethereal mix of orchestral timbres and heavy dub, infused not only with the smells, sights and sounds of the alien planet and his hopes for the future, but also mixed with the melancholy of longing for his home-world. Music is his last connection to humanity, his way of staying sane in the face of loneliness.

One day, as Bassman was jamming on a particularly bad-assed groove, he heard a faint sound inside his helmet. His heart beat faster with excitement; At last, the Corp had located his damaged ship and had come to rescue him! Then, almost imperceptibly at first, he started to make out a strange melody, not entirely inharmonic to his tasty bass licks.

Bassman was stung violently on the forehead. He flinched and almost dropped his guitar. "Feck!", he howled. Out of the corner of his eye, he spotted a bee crawling on the inside of his visor, it's wings implausibly buzzing in a near perfect B Major. Desperate not to be stung again, he flailed his head around inside the helmet, attempting to squash the musical intruder against the side. After many attempts and with great effort, he struck one blow, then another, and with each strike the bee's buzzing became more and more erratic and atonal. Sensing victory, and with a final yank of his head, Bassman dealt a fatal blow, and the bee was silenced. 

As the sun continued it's slow descent below the horizon, Bassman composed himself, picked up his bass and continued jamming. Tomorrow he would seek out more of these alien musical bees, not only in the hope that one day they could forgive him for killing one of their own kind, but also that they might continue the collaboration between their two species on some more of those sweet-assed tunes.

Fin.

Reaper 7
Synful Orchestra (8)
VSCO Percussion (7)

A special guest appearance from an alien bee. RIP.

TrackFx : BC Chorus, CHOWTapeModel, db_Glitch1, IVGI2, MComb, MFlanger, MFreqShifter, MPhaser, Pro-C2 (7), Pro-Q3 (13), Ripple Phaser (Geraint Luff), Tape MELLO-FI, TEOTE, Kotelnikov GE.

MasterFx : Satin, TEOTE, Pro-Q3, Pro-L2, Loudness Meter (Cockos)

SendFx : Pro-R2, ValhallaDelay, ValhallaVintageVerb (2), Echobode, Ripple Phaser

OSC177 - Synful Orchestra

Dub Synfony

My entry for KVR OSC #177.

Professor Bertrand Snook loved playing with his band on a sunny Sunday in the bandstand.  But the mighty starship Argenti was waiting patiently in the distance.  This would be the band's last song, and he let them play their hearts out.  Soon he would be on his way out of the system and towards the mysterious object he had been working towards for his whole academic career.  
But for now - play on!  The sun is shining and the starship can wait!

DAW: Reaper

15 Instances of Synful
3 Instances of VSCO2

Dead Duck:
Filter, Limiter, Compressor, Flanger, Delay, Phaser, Chorus, TiltEQ, Overdrive, Autopan, BitCrusher.

Reaper JS:
Channel Time Delayer, Sweeping Resonant Filter, Event Horizon Limiter

Reaper: ReaEQ, ReaComp, ReaCompX, ReaDelay

Boogex Amp Sim
OrilRiver Reverb
SPAN, Youlean Loudness Meter, kHs Gain

Bertand's Last Band

This track made for the One Synth Challenge #177 using only the VSTi Synful Orchestra and VSCO2 percussion Vsti.

DAW: Reaper

Track Details:
30 * Synful Orchestra
21 * VSCO2 Percussion
30 * Waves VEQ4 (for instrument tracks)
21 * ReaEQ (for Percussion tracks)
1 * Oril River
9 * OTT (to help the mix/pinpointing)
4 * Twin Delay (for bell trees and clarinets)

Master Track:
SSLEQ
MSED
Ozone 8 Elements

Meter:
Youlean Loudness Meter
SPAN

Stats:
LUFS-I: -16.5
DR: 12

Image c/o Adobe Firefly

Winter Footsteps - OSC #177 Synful Orchestra + VSCO2 Percussion

OSC#177: Synful Orchestra

DAW: Cubase
Instances: 3 + VCSO2 Percussion
FX: Cubase EQ, Frequency 
3rd Party FX: Panagement 2, Berlin Studio, LALA, Oril River, Deelay, The God Particle

Taron - Synfully Romantic [Synful Orchestra]

After 15 years you finally make it back home to find nobody there.

KVR OSC 177
Reaper 7.05
7 Instances of Synful
3 of VSC02 Percussion
10 Fabfilter
10 OrilRiver
1 TDR Kotelnikov
1 A1 StereoControl

OSC177 Odyssey (Synful Orchestra 21/32)

My submission for the One Synth Challenge 177 using Synful Orchestra & VSCO2 Percussion

bounce

Final Placement: 5/32 (Top 5)
Made for KVR Audio's "One Synth Challenge" #177

This month, it was "SynfulOrchestra" by Synful; and "VSCO2 Percussion," recorded by Versilian Studios/Sam Gossner. These two plugins, as well as some raw approved samples used in the latter, were the only plugins(/samples) used across multiple instances. This month, in addition to the use of stock-effects and perpetually-free effects, free plugins could be used to break the normal rules, while commercial plugins were allowed and could be used to follow them.

Because of this rule-forgiveness, it was also requested that the use of these plugins be explained. Instead of wasting the space required to do so in this description, I have instead done so in this Google Doc: https://docs.google.com/document/d/1X0a-u-xW2ewqLFM5_s7vW8pk0zEhk5rLwspcwQKPEQ4

--------------

YouTube: www.youtube.com/user/NeuKatalYst
SoundCloud: soundcloud.com/neu-katalyst/tracks
FaceBook: www.facebook.com/NeuKatalYst
Instagram: www.instagram.com/neukatalyst
Email: NeuKatalYst@gmail.com
Discord: neukatalyst

Thanks for all your support!!

KVR One-Synth Challenge entries

From The Marble (SynfulOrchestra / VSCO2 Percussion)

Neu KatalYst - From The Marble [KVR OSC #177: SynfulOrchestra & VSCO2 Percussion] [DnB]

Zero Fucks

Entry for One Synth Challenge 177 on KVR Audio. Made in REAPER 7 using:

Synful Orchestra  (22) ; VSCO2 Percussion (7)
ReaEQ (8) ; JS M/S encoder/decoder ; JS Mixer  (10) ; TDR Nova (11) ;  Protoverb  (2) ; HOFA Sytem Pan (4) ; A1 Stereo Control (3) ; PSP Step Delay (4) ; Oril River ; Solaris (2) ; Supermassive ; GClip (2) ; Flux Bittersweet

Ohmforce Mobilohm ; Ummet Ozcan Xpander 3 ; TAL Chorus LX  (3) ; Full Bucket Frequence Shifter (2) ; Audio Damage Phase Two (2)

TDR Nova GE (3) ; PSP MasterQ2 ; PSP Xenon (2) ; PSP X-Dither ; TDR Limiter 6 GE ; SSL X-Gate (3) ; Flux Bittersweet Pro (4) ; D16 Tekturon ; Blue Cat Late Replies (5) ; U-he Uhbik-A (4)

In Nooks, and in Crannies

Entry for KVR One Synth Challenge 177
All sounds from Synful Orchestra & VSCO2 Percussion, in Ableton, with free FX.

Zarf - Wonekut

Thinking about it

SourSweety

Loop session on the SP-404MK2 with sample from Donald Trump on Erdogan

Orange Guy on Erdogan

Paradisia Vol. XIII is the sixth compilation published by Gang of Ducks Records, curated by XIII, Alessio Capovilla, cofounder of the label.
Twenty unreleased tracks navigating fractured terrain where genres collide and dissolve.
The collection moves between traditional forms and pure synthesis, from club music into folk territories and back again, threading an esoteric line through it all—a continuity that holds even as the sound shifts radically from track to track.

Opening with Paweł Szamburski, Tomasz Pokrzywiński and Michał Górczyński as Bastarda, one of the most interesting ensembles on the Polish scene. The founder of Goldgelb Records Akrüül, followed by Yawn Fox (alterego of Francesco Cavaliere). Cosimo Damiano, the elegant deconstructor of Techno. Gerry Franke, flagship artist of Berlin's Tax Free Records. The legendary Spencer Clark with Monopoly Child Star Searchers. Hans Arsen's R&B, hip-hop and trap prototypes. Big Hands (Italian DJ and producer based in London, founder of Baroque Sunburst). XIII & Sabla on their collaborative project The Tail Of The Double Headed Horse. BNA (the “not-exactly-club project” of Newcastle based musician and producer Tom Leac). Antoine Mathieu the chimera with two ears as Tonito Yama. The NYC-based and heros Beat Detectives as Nuke Watch. Kakofonico (1/2 ninja exotic machine and 1/4 pho bho records). NTS Skyapnea founder Eter Dex. Born in Naples Barcellona based - founder of Babylon “pre-babel language of dance music” NPLGNN. Loradeniz (fresh from the launch of her debut LP on Music For Memory). Electric Shapes affiliated AJO. The project Selezione Naturale aka Anna Funk Damage. Closing with the conductor of the flying carpet,Mana. 

https://soundcloud.com/kalocain
https://soundcloud.com/gang-of-ducks

PREMIERE⚡️AJO - Trülku [Gang of Ducks]

Join the challenge by going here: https://shorturl.at/bhBFQ

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