Great selection and mixing... thanks for posting

Some choice choons from bygone days { timeless classics }

Great mix now featured on http://soundcloud.com/weloveoldskool www.facebook.com/weloveoldskool

Diggin in the Disco vault for my heads who enjoy the tunes

Disco infatuation 8

Disco Infatuation 8

ART OF SELECTING Pt 3

Buckle up, party people and get ready to groove with the latest HMH Shack Session! 
Fuelled by Sambuca, Marlboro Gold and some big House and Disco beats, this mix was recorded live at The Shack after a big night out at the Subby and I hope it transports you right to the best bit of any night out......... the after party. 

So pump up the volume and get lost in the sounds of The Shack with House Meanz House!

HMH SHACK SESH MARCH 23

The Jazz Workshop With Nick Hosier On Stomp Radio Episode 549

Tracklist 
1/. Jere Mcallister - What I do.
2/. Tyree - I'm free.
3/. Kickin Kim K - So in love.
4/. Debbie Malone - Rescue me (Club mix).
5/. Lil Louis - Jupiter.
6/. Mike Dunn - Groovin.
7/. Techno Bert - Neue Dimensionen.
8/. Frankie Bones - Call it Techno (Computer mix).
9/. Mark Imperial - The Acieed that ate New York.
10/. Underground Posse - You've got to.
11/. Deja Vu - Move your waistline (sweat mix).
12/. LaLa's - Music.
13/. Debrice King - The house controls my body.
14/. Click - Freq Jam (Varda the drums girl).
15/. Suburban Boyz - Demon.
16/. Bizzy B - Solomon B.
17/. Kenny Larkin - Rubbernotes.
18/. House Gang - Work my body (instrumental).
19/. Street side Boyz - I want to be with you.
20/. Master C & J - In the city (insane mix).
21/. Ron Trent - Making love.
22/. MD connection - Piano Houze.
23/. Mike Dunn - Born 2 B Houze.
24/. Six brown brothers - Acid syndrome.
25/. K Alexi Shelby - Vertigo.
26/. Master C & J - Face it.
27/. Inter C.P.T - Just feel it.
28/. Charles B & Adonis - Lack of love ( Ivory mix ).

Warehouse Rarities - Late Eighties

Orde Meikle Live @ Sub Club, Glasgow, Summer 1990 side b

Recorded at the ‘Credit To The Edit‘ album launch in The Dolphin, a proper East End London pub, on Sunday July 31st 2005, this appearance, in effect, completed the first phase of my comeback. It was obviously a special occasion for me, launching an album of my own edits, an idea that would have seemed ridiculous just a few years before, when I was still a somewhat lost soul from the past who’d rarely ventured inside a club during the previous decade. I’d certainly never have believed that being a DJ would once again become my profession, let alone find myself deemed relevant enough for a label at the centre of what is now referred to as the Disco (or, to some, Nu Disco) movement to so strongly endorse my reignited career. Tirk, run by Sav Remzi, and born out of the mightily influential London based Nuphonic imprint, which played a big part in helping build the foundations for what’s happening now on our side of the scene, would play a major role in my renaissance.

I won’t go any further into the actual ‘Credit To The Edit’ compilation itself here, suffice to say that its release would follow in August ’05 and everything shifted up another level for me, my ever-expanding DJ horizons taking on an international dimension as the overseas bookings came in, enabling me to connect directly with people from different countries, from different continents. If you want the full lowdown on the album, there’s a section about C2theE at electrofunkroots: http://www.electrofunkroots.co.uk/credit_to_the_edit/index.html. 

I regarded that day at the Dolphin as a celebration amongst some my new found friends of the past few years, plus one or two older ones, including a guy called Shaun Anton, who I’d been at school with, but hadn’t seen since way back when. It was like he’d appeared as a messenger from the past, just to mark the moment, and it doesn’t surprise me that I haven’t seen him in the 6 years since then – sometimes these strange time warps open up!

Running for a whopping 193 minutes, give or take a couple of seconds (40 tracks in all), this mix originally came in 3 CD length parts, but I’ve uploaded here as a continuous whole (you’ll hear Pt2 opening with the Happy Mondays ‘WFL’ fading up, and Pt3 entering after the fade out on West Phillips ‘(I’m Just A) Sucker For A Pretty Face’.

The first section was pretty chilled-out, as people arrived early evening and I just played downtempo grooves – it was more about setting the vibe than filling the dancefloor at that point. I was also conscious of the fact that this provided me with the opportunity to make a few personal references that I wasn’t able to bring into play in a normal club setting. This is most noticeable with the Reggae selections I indulged myself in, including ‘This Is Reggae Music’ by Zap Pow, which always evokes teenage memories of my great friend Derek Kaye, who played a big part in my formative DJ years, and ‘Double Barrel’ by Dave & Ansil Collins, which I blogged about being ‘My Favourite Number 1’ recently:  http://www.gregwilson.co.uk/2011/10/my-favourite-number-1. I even managing to slip in a huge personal favourite forever associated with the time just after I’d stopped deejaying -  Was (Not Was) and ‘(Return To The Valley Of) Out Come The Freaks’, which was also, around this time, one of my 12x12 choices for the US magazine Wax Poetics: http://www.electrofunkroots.co.uk/lists/12x12.html 


From this chilled-out foundation, things gradually morphed into full-on party vibe. It was the perfect way to wet the baby’s head, so to speak. I played for around 4 hours, so over three quarters of my spot was recorded. Listening back I had a little smile to myself at the fact that there’s a live prototype,  towards the end of the second section, of what later became my signature track, ‘Two Sides Of Sympathy’, where I mix The PTA’s ‘Unfinished Thing’ into ‘One For The Devil’. Full lowdown / waveform for ‘Two Sides Of Sympathy’ here:  http://soundcloud.com/gregwilson/edit-the-edit-two-sides-of 

Lasermagnetic DJ’s, Neil Thornton  and Johnny ‘Chingas’ Hiller, also appeared, having done a top job of co-promoting the event with Tirk. All in all it was a very memorable occasion both on a personal level, and for those who packed into that groove jammed Hackney boozer.

Greg Wilson – December 2011


CREDIT TO THE EDIT LAUNCH @ THE DOLPHIN LONDON 31.07.05 (greg wilson live mix)

Manchester producer Bobby Ganoush gets his hands on New Order’s greatest hits. The result: two club-ready reworks you didn’t know you needed, until now. 

Taking on two tracks from one of the most critically acclaimed and influential bands of the 1980s is no easy feat. But, with over 20 years experience in the dance music industry, Bobby Ganoush delivers a pair of punchy, high octane tracks; both of which have been tackled with the utmost respect, handled with an attentive ear and never lose the essence of the seminal originals. 

With a musical history producing under a number of different monikers, previously remixing The Clash and Bob Marley, whilst engineering and mastering tracks for a range of artists, Bobby Ganoush is no stranger to the needs of a dancefloor, something which is reiterated with this release. 

His take on ‘True Faith’ doesn’t stray too far away from the quintessential eighties sound, beginning with an elongated, synth-heavy instrumental intro, we’re then introduced to Bernard Sumner’s instantly recognisable voice as the track begins to peak. This rework uses the best bits of the Shep Pettibone vocal and dub mixes, alongside explosive percussion and a reinforced bottom end to give it more weight, whilst using just three verses. This setup undoubtedly lends itself more to a club - with a steady pace and a warmth of familiarity, this track will ensure a hands-in-the-air moment on many a night out.

Bobby Ganoush’s rework of New Order’s biggest track is of a similar considerate vein. Opening with extended elements from Kraftwerk’s ‘Uranium’ (which was originally sampled for ‘Blue Monday’) alongside Kraftwerk’s ‘Numbers’, he adds even more substance before blazing into the fundamental ingredients of the original, iconic track. The unmistakable “How does it feel?” echos as tumbling drums and broken beats take the lead, before it’s ignited again with signature synths. With Bobby Ganoush's deep rooted association with Manchester's dance scene, it’s no surprise he’s taken a standout approach to reimagining one of the Hacienda's most iconic records.

Free Download

New Order - Blue Monday (Bobby Ganoush Re - Order)

Old skool House and Acid mix back to back with Sam Fingers 

1}DESKEE - LET THERE BE HOUSE
2}DJ,S RULE - GET INTO THE MUSIC
3}PIERRE FEROLDI - MOVING NOW
4}TYREE COOPER AND KOOL ROCKSTEADY - TURN UP THE BASS
5}THIS A,INT CHICAGO - RIDE THE RHYTHM
6}WOOD ALLEN - AIRPORT 89
7}PROBLEM HOUSE - PARTY PEOPLE
8}MR . LEE - I CAN,T FORGET
9}F.P.I PROJECT - RISKY
10}TWO WITHOUT HATS - TRY YAZZ
11}FARLEY JACKMASTER FUNK - HOUSENATION
12}PAKO - PAKITO LINDO
13}2 GUYS ON ACID - HOUSE MUSIC ALL NIGHT LONG
14}2 IN A ROOM - SOMEBODY IN THE HOUSE SAY YEAH
15}MAURICE - THIS IS ACID
16}BABY FORD - OOCHY KOOCHY

Sam Fingers B2B Kenny E - Acid Mix 192Kbs

Phil Perry - Love Ranch - Maximus 1992

Planet X - Once upon a dancefloor (Tony Humphries mix)
Wag Ya Tail Featuring Lonnie Liston Smith - Xpand Ya Mind
Producers On Wax - Feel The Piano
Clubland - (I'm Under) Love Strain
Eleanore Mills – Mr. Right (The Superb Parkside Mix)
Inner City - Pennies From Heaven
Shawn Christopher - Another Sleepless Night
Virgo - mechanically replayed
Deee-Lite - E.S.P.
Overweight Pooch Feat. Ce Ce Peniston - I Like It
Maria Rowe - Sexual
LA Mix - Love Together
Soft House Co - What you need
Circuit - Shelter Me
Jillian Mendez - Don't Know What You're Missin'
T-Empo - Saturday Night Sunday Morning
Ecstasy - Don't play me raw
Me'lissa Morgan - Still in Love
Urban Soul - Sex on My Mind + Bump I'm Rushing (accapella)

Sam Fingers B2B Kenny E - Acid Mix 192Kbs

kenny_e68

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