učmalost(demo)

Sounds Of Cosmos

YOU NEED SOMEBODY

Kook Ellington original production on Albemarle Records, copyright. 2024.

Femme Fatale

This song is about finding one’s soul mate and having that immediate chemistry and connection with someone the very first time you meet them. One my argue that true love often first begins as an obsession and desire. There is electricity in the air, and you can feel an invisible magnetic field that is drawing both of you together both physically and spiritually. She becomes your single obsession and desire. You can’t get her off your mind. You can’t sleep. You can’t eat. Even drinking a bottle of whiskey hasn’t helped. You just need to be with her. Tell her that you can’t live without her and love her.  
YouTube
https://www.youtube.com/watch?v=yhJ4OL9_hgc&list=PLRAGtVocmtxSPtV_Et_DhX6vzzcMb_YSg&index=10

TIMELESS

Obsession and Desire

Obsession And Desire Master 4

Written, produced and performed by Enijs Maiks
Elektrikana Rekordz, 2024

Out Of Love (2024) ER TK-220

the more I push it away the closer it gets..the more I fight it the more it defeats me..attraction..yet if I manage to love the good it's thanks to it..the evil assails me takes me into the abyss..but I need it to know..to give a sense... damn what an effort...
black or white? 
both always ATTRACTED  

ATTRACTION

The Fade Out

JAM BOX (2013 - new mix)

Cast of Characters:
mistermark-- @user-432503709 --Mark-- horns and shakers
TexMex Shaman– @texmex-shaman –Stephen– guitar, production, and mix
J.J. Terrell-- @j-j-terrell—Sublime Keyboard and Organ
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, vocals, composition, and mix
Llanpsych– @llanpsych –Tez– guitar 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four-string fretless bass 
This song was written by Ken and a dearly departed friend and former bandmate named Chris Bennett about the latter's divorce that he was going through at the time when their band was also breaking up. Ken had a good demo of the two of them fleshing it out, which the Eclectic Collective used as a template for the song. Josh was first to add his unique slide bass line to the song. Next up was Tez, who added the fiery solo you hear at the end. Stephen came in not too long after with the rhythm guitar, complete with the intricate fills you hear throughout. Around the same time, Mark added some really innovative, genre-bending horns and shakers to it. Ken then completed the song with his stellar vocals. 
  Of course, every great song needs a great producer, so Ken turned it over to Stephen for an objective mix, although Ken was still heavily involved in the process, too. This is the first time Ken has sung lead for an EC song, and we were all very impressed with his skills on this one. We hope you enjoy listening to it as much as we enjoyed making it.

Original lyrics by Chris Bennett:

I once believed in happy ever after
Now I’m convinced by tears instead of laughter
There’s not much good inside that’s left to do the things for my survival

If I relied on you to make it better
I’d die a 1000 times, before we get together
All that is bad inside will rise back to the top
With your arrival

Burn down the doorway
Run down the hall
Scream out my name
But I may never hear you, never hear you
Drive down the highway
Until you’re gone
I may never hear you call

I still believe that someone’s always watching
Each time I turn around, I never hear them talking
All that is bad inside will never fade away with your arrival

Burn down the doorway
Run down the hall
Scream out my name, but I may never hear you
Never hear you
Drive down the highway
Until you’re gone
I may never hear you call

Na Na Na  Na Na Na
Na na na

Happy Ever After (Eclectic Collective)

A Satori is a short period of existence when you are suddenly at total peace, one with all things.  I had one in my late 20s and it was/is an astonishing gift to see how life CAN be.  This track incorporates a NASA clip of the Sun's "song", which turns water molecules into perfect crystals.  And hence our own water molecules.  This is a "Zen-ambient" piece to honor my own Satori, and to help you find yours.   The 7 Chakra-cleansing frequencies are courtesy of Jagadamba of Freesound.org, as are the birds and waves sounds.  I used a guitar loop from Apple, and Logic's metronome (which appears at the start and end to simulate the end and restart of time).  The rest is me playing.  

Copyright 2024 Kenneth A. R. Mitchell.  Performed, recorded, treated/mixed, and mastered by Producer Ken Mitchell.  Thanks to Sam D for the pre-publishing quality check.

Satori (Song of the Sun)

NOTES FOR FOLLOWERS:  HTTPS://WWW.MIXHORIZONMUSIC.COM/whats-up.  ALSO:  HTTPS://WWW.MIXHORIZONMUSIC.COM/new-music
RECORDING HISTORY:    Soundcloud is blocking me from plays, so I am only a passive presence here now.  I will be looking for alternatives before my current subscription runs out.  About me:   Over 50 years of experience!   I’ve been writing, performing and producing music since 1970, keeping up with tech advancements. With my recording, practices and live performances in bands, I have well over 10,000 hours of experience! 

I am on the Waves subscription plan, which with my DAW, Logic Pro, and other software purchases, gives me lots  of options to get the best sounds and loudness!  Add my speaker system and studio reference headphones, constant software and skills upgrades, and I am ready and able!

Musicianship:  I play drums, electric and acoustic guitars, electric bass, and keyboards. I sing, harmonize well. Primary influences: Beatles (and George Martin), Brian Eno, David Bowie, Elton John, & Leonard Cohen. 

I am in this for the joy of creating music.  It has always been that way, since my first transistor radio (!) to hours of absorbing the masterful sounds of my influence for hours on end…and blending them with my abilities.

I started on two cheap reel-to-reel recorders in 1970, using  a surprisingly successful sound-on-sound technique (in my late teens and early 20s).  I moved to a professional reel-to-reel sound-on-sound for a spell (later 20s), and then eventually to 4-track cassette mixing recorder, mixing to reel, with several effects units (later 30s). 

I took a 14 year break from the mid-90s on, as work and family became all-consuming.  I retired from working in July 2018.  I then began writing/recording again that August, now in the digital era with GarageBand at first, then Logic Pro late winter of 2020.  

I also played drums, then guitar, and sang, in the local covers-band, Revolver...which I left in 2021.  I record/produce other artists and add instruments as needed.  Thanks for reading all this!

Satori (Song of the Sun)

KEN MITCHELL

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