@kenyonsound i made a slow down version for your song🔥

This is the debut release from new UK Grime label "Flatblock Audio" with a compilation called "Sounds From The Block"

Vol.1 sets the standard of whats to come in the near future from Flatblock Audio as a brand new, organic and home grown grime label both sonically, thematically and also what is to come from the artists that the label represents.

showcasing that there is a new wave of sounds coming from the genre and that grime indeed does have longevity within the underground music space

we have welcomed both new and seasoned artists in onto this compilation from names such as C-Rank, KOROstyle & Moscow Legend who have all had massive acclaim and support from DJ's such as Slimzee, Spooky Bizzle, Sir Spyro & More, and have also featured on pioneering labels such as Slimzos Recordings

all the way over to some of the freshest names on the block like DES0 who just released an incredible project via our friends in Jah Tek, and Humph who has seen great success after becoming a fan favourite on DJ Big Mikee's DJ Edition of prizefighter.

All together we have made inclusivity, versatility and variety our biggest aims as a label, and we feel this debut compilation incapsulates it very well

Morgue - Milk

This 140 BPM dubstep cut draws on a lineage of post-dubstep experimentation and my love for Tagalog post-war ballads. I sampled the hook from  Celeste Legaspi's “Diwa’y Nag-iisip" and reworked the original intro. I used the hi-hat riff (you'll know what it is) throughout, which inspired the draping drum patterns here and there. I sliced parts of the horns and her voice, too. 

I wanted to hold onto a lot of its elements but also tried to stay minimal. I would say it's my most feminine track to date.  Hah

Sample:  "Diwa'y Nag-Iisip" by Celeste Legaspi

Enjoy :)

No Love (140 dubstep)

October 27, 2025
KS050
DivPro - Bruxism EP

https://soundcloud.com/diversionprogram
https://divpro.bandcamp.com
https://www.instagram.com/div_pro_

Artwork by Future Curse
instagram.com/futurecurse
linktr.ee/futurecurse

DivPro - Subtropical

DivPro - Split It

Portuguese producer KelKiks is the latest addition to Lisbon based label Yanked Beats. With explorative explorative beats and melancholic atmosphere Kelkiks "Overwhelmed  EP" is the result of growing up listening to Burial, Fixate, Martyn, and Fracture. We have your first listen of "GT DWN," a haunting tune which seeks to gently submerge us, as if in amniotic fluid, into the depths of vibey sounds that and an ocean of nostalgia. Out November 5th. Follow the "BUY" Link to pre-order!
@yanked_beats
@kelkiks

[PREMIIERE] Kelkiks - GT DWN (Yanked Beats)

CESET RECORDINGS x FUNERAL SERVICE - MESH STUDIO LEEDS 

OPENING 30 MIN. DJCESET & SECOND 30 MIN. KENYON SOUND (GUEST MIX)

https://soundcloud.com/mesh-studio-leeds
https://www.instagram.com/kenyonsound/
https://soundcloud.com/kenyonsound https://kenyonsound.bandcamp.com
https://soundcloud.com/cesetrecordings https://www.instagram.com/cesetrecordings/

FUNERAL SERVICE - DJCESET w/ KENYON SOUND (GUEST MIX)

November 24, 2025
KS051
OMAAR- Capristo EP

https://soundcloud.com/prodomaar
https://www.instagram.com/omaarsuaarez
https://omaarmusic.bandcamp.com/
https://linktr.ee/omaarmusicmx

Artwork by Future Curse
instagram.com/futurecurse
linktr.ee/futurecurse

P Riddim

Digital & Vinyl: https://djobeka-music.bandcamp.com/album/a-world-no-more
https://soundcloud.com/djobeka

The rhythmic dynamics and emotive attitudes of A World No More captures the density of soundsystem culture in Obeka’s ancestral roots. YUKU presents the Bermudians debut album capturing a Neo-Colonial dystopia, protest and Afro-Futurism hyperextended through decaying sonic structures of a dark past and its grievances which very much exist today.

Growing into adulthood within the walls of British and European Colonial systems meant the disconnection and lostness in a new country hid me from the world at a young age. Unlike London’s vast and culturally engaging migrant communities, the industrial milling town of Stockport introduced a coldness towards people from other countries I experienced in my first year after relocating from Bermuda. I couldn’t understand why. Whether cold words thrown towards me or actions upon other people who look like me, it has shown to be a dooming societal virus with no cure. The most comfort was found through what was familiar - drums and rhythmic spirituality of my homeland. It was a safe-haven, a place to empty the anger and confusion. It’s been 15 years since relocating and as my sound evolved, it seems classism, racism, oppression and civil control of ethnic peoples has become worse - even now more legalised and normalised. Ogun (a powerful Yoruba deity associated with anger, justice and war) acts as the opening sequence of the record and its symbolism. Using distorted bass frequencies and dissected Regga-Dub immersed in live-sampled ghostly voices of the lost ones. This sonic exercising is also applied in Drillaman - a stampede of industrial framework and metallic instruments wielded over moody Dancehall MC’ing, magnifying two parallel worlds in cocooned evolution. The resurrection of Transatlantic African cultures and identity have never been silenced, rather carried elsewhere through trade routes of enslavement, which was pivotal when composing and completing the album upon returning home to the Caribbean for the first time ever. After reconnecting with my heritage my blurred vision of what's wrong in the world became so clear. Guidance in empty plains seek truth throughout the pain - A statement of finding oneself expressed on the poetic closing track A World No More.

On Fawohodie (A West African Adinkra symbol that represents independence, freedom, and emancipation stamped on the album cover) the motive and atmosphere begins to change. Afro-Caribbean idealism which refers to the philosophical concept that emphasizes the interconnectedness of individuals and the importance of community, often contrasting with Western individualism, begins to take shape in a new universe. We can co-exist. The track framework uses machine-led software forming frequencies we have no control over, then manipulated through decomposing soundscapes, scattered hand-drums and human-made weapons of control - exposing the hidden disparity that’s been carried over generations whilst balancing hopeful and musical foundations towards equality and peace. On Pressure and Kuduro! the writing direction attempts to wake people up. Not settling for a composed approach like in past projects, quite the opposite. A call for native sonic awareness, dismantled vocals of protests, eroded percussion using chains, gears and motorised harmonies sculpted in challenging abstract behaviors far outside my comfort zone. A direct abrasiveness and weight I want people to feel, whilst finding hope and solace through enchanting choirs and hypnotic basslines in complete synchrony.

“Purity in sound manifests when you least expect it. The smallest memory or feeling grows from a seed into a sonic language that you, and only you can interpret and release back into the world.”

Get Me

09. Obeka - Kuduro! feat. Yemi Bolatiwa  [YUKU]

UK GRIME INSTRUMENTAL BEATS | FREEDL | CCBY

Neon Fence Flow - UK Grime Instrumental Beat - FreeDL - CCBY

RAGE TRAP INSTRUMENTAL BEATS - FREEDL - FREE BEATS

Hollow Shatter Drop – Rage Trap Beats - Free Beats - FreeDL

Midnight Viper - Rage Trap Beat

'a grime project'

#makemoregrime

demos/mix ideas/info etc
info(at)kenyonsound.com

P Riddim

Kenyon Sound

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