Llega en silencio y te arrebata lo más íntimo, tus recuerdos, maldito Alzheimer.


Letra por Béjar Music:

Sentir que nos trae el viento, tormenta que nos da el valor.
Y acariciando tu pelo, consuelo para el corazón.

Venía ´cargaito´ de sueños, con sus manos la abrazó.
Maldito juego del destino, y el cielo se estremeció.

No, ya no espera en la ventana, camisón de seda y su trenza larga.
No, ya no corre descalza, esperando al príncipe, con el zapato al alba.


No sabe ni cuál es su nombre, no sabe ni quién la besó.
Tan sólo le guarda el recuerdo, al que un día la enamoró.

Tomando su mano impaciente, ocultando la sinrazón.
Jugando al escondite con la muerte, parando las manecillas del reloj.

No, ya no espera en la ventana, camisón de seda y su trenza larga.
No, ya no corre descalza, esperando al príncipe, con el zapato al alba.

No, ya no espera en la ventana, camisón de seda y su trenza larga.
No, ya no corre descalza, esperando al príncipe, con el zapato al alba.

No, ya no espera en la ventana, camisón de seda y su trenza larga.
No, ya no corre descalza, esperando al príncipe, con el zapato al alba.

Sí que espera. sí, en silencio, su descanso.

Espera en silencio

Gunshot

Unreleased

Into the MultiVerse

Into the MultiVerse feat. Didds - KEON X (prod. Major Banks)

“When The Party’s Over” - Billie Eilish
cover by Marisa Bettina
❤️
🧿🩸

When The Party’s Over

On May 10, 1996, three officers of the Indo-Tibetan Border Police, Tsewang Samanla, Dorje Morup, and Tsewang Paljor, were part of a six-man expedition to reach the summit of Mount Everest.  Delayed and facing a storm, the three decided to disregard orders and press on while the rest of the team turned back.  Around 18:00 the climbers radioed their expedition leader back at base camp to inform that they had reached the summit.  While credited with summiting, whether they actually reached the summit or not is to this date debated.

These two songs wouldn’t exist if not for the irony surrounding the perishment of one of the climbers, Tsewang Paljor.  The irony is that Paljor became famous not in life but in death and simply because of the fact that his lifeless, frozen body, which no person or entity cared to remove from the side of the trail for at least 19 years, ended up becoming a landmark and reference point to climbers, his humanity reduced to an almost comical nickname stemming from the mountaineering boots on his feet and their bright yellowish-green color.  A Google search today of the keywords “Tsewang” and “Paljor” brings up, as the first result, a Wikipedia article entitled not “Tsewang Paljor”, but “Green Boots”.

“Jefe de condestables Tsewang Paljor, parte 1: Ascenso y muerte” is my reflection on Paljor’s resolve to climb, then the climb itself, then the summiting (or the thinking they had summited), and finally the descent and the exhaustion, confusion, and acceptance of defeat that probably came with it and the probable realization of impending death that frozen night as he lay curled up on his side, donning his brightly-colored mountaineering apparel, under a crevasse at the side of the climbers’ trail at 28,000 feet.

“Jefe de condestables Tsewang Paljor, parte 2: Fiesta en Leh” is an imagination of a summer day that Tsewang could have enjoyed as a young adult in his hometown’s capital, Leh, with friends and perhaps one or two love interests at hand.  An experience he might have remembered about during those few final minutes of his life.  

About the song names:  That isn’t me trying to be the most righteous of the lot.  Like, “look, I even include his military rank before his name, while everyone else just calls him ‘Green Boots’.”  I’m not trying to be judgmental or pretentious.  In fact, up until the last few minutes the songs were going to be called “Helado en altura 1” and “Helado en altura 2”.  “Helado en altura” translates roughly to “Ice cream at high altitude”, and is a pun because in Spanish “Helado” can also mean a frozen person, animal or thing.  So, for the cover artwork, I literally searched for frozen corpses in snow-capped mountains.  Not necessarily with those keywords.  And happened on Green Boots.  It was like the third result.  But ultimately, I felt it would be in bad taste to be so literal and use the pic and do the pun and all that.  In a way, the song titles are an atonement for my previous intentions.  And a pair of songs to honor a man who found very little dignity in death.  Some may point out the old adage that there “is no dignity in death”.  I’d say as so much else in life, that it’s a matter of degree.

Thanks for taking the time to read, and above all listen.  I hope you “get” the songs, and above all, enjoy them.  (No pun intended with “above”.)

Note:  from the information I had access to on the World Wide Web, Paljor’s body has not been officially identified or removed to this day.  However, it was last reported seen in 2015.  Its current location and state is, to the best of my web knowledge, unknown.

Jefe de condestables Tsewang Paljor, parte 2: Fiesta en Leh

この作品は、以前アップロードしました（国盗り）の続編です。
（This work is a sequel to the previously uploaded (Kunitori).)

そして、演奏版に今回はヴォーカルを加えました。
（And this time I added vocals to the performance version.)

斉藤道三と義龍の対立を題材にしています。
（The theme is the conflict between Douzan Saito and Yoshitatsu.)

国盗り～長良川

THE SEA SAILED
OPENED VAILS
OF FALLEN MIST
TO SEE WAYS
ORBITED IN CIRCLE
PREVIOUS
BEEN LOST IN THERE
FOR DAYS
THE PEOPLE WITH
GLAZED EYES
TO NO SURPRISE
WERE USELESS
AND THE FEW WITH
ANYTHING GOING
CAME AND WENT
ALL ELUSIVE 
ELEMENTS
TALKING HEAT
BUT IT WAS JUST HEAD LIGHTS
FOR THOSE CAUGHT
WHEN THE BEATS START
AND THERE BEHIND THE MIC
NOTHING TO SAY
TO GET THIS WORLD 
TO RIGHTS
JUST INSIGHTS
TO A MUMBLING
WIZARD OF WORDS
 TRYING TO BE A KNIGHT
A SINGLE CANDLE
IN THE CASTLE
NEVER SHINNING BRIGHT
BEGIN TO REALISE
JUST TO SUMERISE
THE IDEA OF ESCAPE
IS NOT COMMING BACK
LIKE CHEWED TAPES
NO LONGER
 I CAN PLAY
THE FORM BEFORE
RECORDED IN YA THOUGHTS
AFFORDED TO MEMORIES
FAILED TELEPATHY
CAUSE HARD AS YOU THINK
YOU COULDN'T MAKE ME
WHAT I WAS
CAUSE RIGHT NOW
I'M RIGHT NOW
AND THAT'S HOW
I MOVE FORWARD
DON'T LOOK BACK
LIKE I'M AWKWARD
AS I WALK WITH PRECISION
DEEP BREATH HYPERVENTILATING
CREATING IN MY MAKING
BLOODY HANDS ACROSS THE APRON
NO MISTAKING
OR TRIALS BELATING
WON EM ALL
LIKE EMANATING A FORCE
GLOW LIKE KING SWORDS
OPPRESES TALK
LEAVE
THE MOUTH VACANT
EVEN THE TOUNGUE TAKEN
AWAKEN BLATANT SLEEPING METAPHORS
THAT PUT ME IN CHARGE
LIKE BULLS
HARASSED BY MATADORS
AND THAT OF COURSE
WHERE THE AXE FALLS
IS A LINE THAT I WILL CROSS
AND BUILD A BRIDGE
SO YOU CAN FOLLOW
AND FILL THE HOLLOW
EMPTYNESS
THAT SLIPS EASILY
OFF THE PATH
FOR A QUICK FIX
DISMISS THIS
 ILLICT ASSITANCE
CAUSE WHERE YOU ARE RIGHT NOW
YOU ARE NOT
CAUSE YOU ARE MISSING
HIDDEN
IN THE  TALE
 NOT BY YOUR HAND
BUT ONE
THAT OTHERS WRITTEN
OUT YA FACE SMITTEN
FOR THE MINUTE
CAUSE A WHOLE DAY
 IN FRONT
BRINGS THE WORRY YOU COULDN'T
LIVE IT
LET ALONE SURVIVE
THAT'S WHY I'LL
PRIZE YOUR PALMS FROM FIST
AND LET THE FINGERS INTERLOCK
SO YOU CAN'T SLIP
HANDS LIKE SHOVELS
ALL MY LIFE
BEEN WORKING ON MY GRIP

IT's SO

Unapproved Beliefs (Subfusc Version)

https://cousinsilas1.bandcamp.com/album/cousin-silas-walter-fini

“Gathered together for the 1st time, Cousin Silas and Walter's collaborations. These span quite a few years, apart from the 2 versions of Edges, which are exclusive to this release”.
Cover shot by Ian Haygreen, with thanks.

Walter Fini - Cousin Silas - Edges 1

RESTRAINED GUITARS

Pennyless

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Into the MultiVerse feat. Didds - KEON X (prod. Major Banks)

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