4th track and remix taken from @norialilt 's debut EP 'The Insiders of the In-Between'.
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Swiss DJ and producer Noria Lilt completes the label’s catalogue for @strecke 's 14th issue. Heavily influenced by dance music and rave culture, Noria Lilt’s production process nevertheless tends towards acousmatic, experimental music and sound design. This EP presents the different corners of her artistic universe, in a 12’’ format as suitable for DJs as for home listening.
The duo @atricemiras and the producer & DJ @jockey_jay are also delivering two massive dubstep and stepper-influenced remixes!

The Insiders of the In-Between

FEEB (Atrice Remix)

vinyl order

Noria Lilt - FEEB (Atrice Remix) [STR014]

Taken from B E N N (@bedoublensound) new EP Synesthesya, out October 1, 2021, via kepasaparadoks. (@kepasaparadoks)

Read: https://bit.ly/3EESByB
Pre-order: https://bit.ly/2XDzLa0

After an extended stop over in London, B E N N returned to Taiwan, inspired, with a commitment to create percussion-heavy, hard drum tracks at a furious rate.
His style draws from genres on the bass continuum, merged with traditional Taiwanese sounds and his innate and unique sense of rhythm.

The EP “Synesthesia” using his own percussion-words expressing the inner conditions during past few months, featuring two tracks with personalbrand.
With the influences of hard drum, he attempted to reach out the diverse dimensions into the production, with natural sounds blending into different asian vibes with broken beats.

Experiments in rhythm that come into the exploration of nonspace in mind circle.

Artwork by LunePerse
https://www.instagram.com/luneperse/

Mastered by Zarko Komar

Released by kepasaparadoks.

Premiere: B E N N - Ima [kepasaparadoks.]

See here for more info: https://bit.ly/3AEIFSF

Jannah Quill

Jannah Quill, 'New Year New Paranoia' (2021). Courtesy SUMAC, Sydney,

Taken from Nahash (@nahashisalive) new EP Tides, out February 22, 2022, via POLAAR (@polaarsounds)

Read: https://bit.ly/34CGgOl
Pre-order: https://bit.ly/3GP95nA

After releasing the very tense and politically charged Flowers Of The Revolution album on SVBKVLT, Nahash returns home to France for an EP on POLAAR.

Tides talk about ebb and flow. It is also a symbol for what is taken. When the tide is high on the shore of Western Europe it is low in Haiti. When nations are impoverished in western Africa, wealth is created on the east coast of the USA. Tides continues with Nahash's brand of anti-imperialist electronic destruction, taking tempos faster as we come closer to extinction-level events.

The sounds of this EP works in contrast between heavy drum sound and airy pads and synths sounds mashing together into a sort of mutant Jungle music built from recycled drum loops and 2nd hand Trance CD samplers.

Nahash is joined on two tracks by a prominent French player of the 160-game, SNKLS (@snakeleserpent), who blends his supple modular textures and abstract vision into the nostalgic rave atmosphere of the EP.

Artwork by Zeynep Aǧcabay & Luke Griffiths

Mastering Cedric Ifa

Released by POLAAR

Premiere: Nahash & SNKLS - Tides [POLAAR]

Brighton’s @a_m_radio kicks off its year with four cuts of murky, mutant dancehall, trap and minimalist UK techno from @soreabuk. Hear ‘Done Everything Feat. Logan’ now

More info: https://djmag.com/listen/premiere-soreab-done-everything-feat-logan

Perspectives

Premiere: Soreab ‘Done Everything Feat. Logan’

Disorientating mutant dembow pressure from All Centre debutant Dome Zero.

'Chewing The Scenery' is out June 3rd on All Centre.

Pre-order: bit.ly/3N4xkSN

@dome-zero
@all-centre-504822953

Premiere: Dome Zero - Somewhere Between A Yard And A Country Mile [All Centre]

POMEGRANiTE

music https://soundcloud.com/hiteksounds

artwork https://soundcloud.com/tendencyloops 

master Hugo Santos

Padre Himalaya returns with a four track EP from East Man that explores his own Hi Tek take on Grime, stripping everything down to the raw, bare essentials. Opening the EP is Fight For A Cause, a rough a fuzzy sub bass driven exercise in beat science that draws as much upon Dancehall as it does Grime. The second track, Selector, is a straight up DJ tool, utilising an alternating 32 bar pattern interspersed with splashes of pirate radio chatter. The flip side opens with the storming Bandit Country. The subdued intro lulling you into a false sense of security before the beats and bass are unleashed in full attack mode, the relentless onslaught pausing only briefly midway for you to catch your breath before continuing on it's devastating path. The closing track, Darkage, is an ominous brooding affair that those of you familiar with East Man's sets will know well. A real head nodding roller, it's definitely one for the technical DJ's.

PH005 - East Man 'Eastern Code'

Cuban Chamber of Commerce - Girls Say: Ven Aquí

Vague Currency

Amazondotcom - Glances

Support the compilation on Bandcamp! All profits go towards The Lebanese Red Cross and The Beirut Musicians' Fund

Cuban Chamber of Commerce - Girls Say: Ven Aquí

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