nice disco groove. did you make it or is it a mix?

Digital:
Bandcamp - https://undagroundtherapy.bandcamp.com/album/watch-them-come-remixes
Spotify - https://open.spotify.com/album/2M4RhX7gj3VvP7h85jzxFQ?si=ua1IAkVpQP6si2R81J28YA
Apple Music - https://music.apple.com/gb/album/watch-them-come-remixes-feat-peven-everett-roy-davis/1678610461
Beatport - https://www.beatport.com/release/watch-them-come-remixes-reissue/4068745
Traxsource - https://www.traxsource.com/title/1987539/watch-them-come-and-remixes
Juno Download - https://www.junodownload.com/products/men-from-the-watch-them-come-remixes/6044399-02/

Vinyl:
Juno - https://www.juno.co.uk/products/men-from-watch-them-come-remixes-reissue/930577-01/
Phonica - https://www.phonicarecords.com/product/view/186814
Kompakt - https://kompakt.fm/releases/watch_them_come_remixes

For the reissue, Men From The Nile are joined by some of the biggest names in dance music. Green Velvet aka Cajmere has been a mainstay in the Chicago circuit since the 90s, making a name for himself as a multifaceted artist as well as label head at Cajual Records and Relief Records. Key players in the club scene for over two decades, Boston duo Soul Clap launched Soul Clap Records in 2012 and have since released more than 450 tracks on their imprint. They can also be found in the Crew Love collective alongside Wolf + Lamb and Double Standard. One of the pinnacle figures in the Chicago House scene, Derrick Carter needs no introduction. Releasing his debut single Love Me Right in 1987, he has become a leading figure in dance music. Jazzanova are a Berlin based collective with a production career spanning over two decades. Chicago born DJ Pierre changed the scene forever with the release of his Acid Tracks EP in 1987, as it saw the birth of acid house.

Watch Them Come (Original Mix)

My Old Friend Alan

We Can (Crates Motel Remaster)

We Can Again (Crates Motel Remaster)

My Old Friend Alan (Crates Motel Remaster)

Come on

Mah Mouth

Echoes in Motion is a two-track that flows naturally between rhythm and atmosphere. Rooted in refined Tech House, this project plays with smooth textures, immersive percussion, and a steady groove that captivates without overwhelming.

Perfect for late-night sessions, intimate listening, or stylish warm-ups.

Mambo Protocol

Norma Jean Bell - I'm The Baddest Bitch (In The Room) (Moodymann Mix)

Mood II Swing pres. Wall of Sound

Penetration (Original Mix)

Peven Everett - Body Jerkin (Stacy Kidd Lake Street Mix)

JLMT - Free Yourself  ( Edit)

Widely considered to be one of the chief innovators in the genre of electronic dance music known as deep house, Kerri Chandler has carved out a unique musical vision brought to life in marathon sets known to go on for 6 hours or more, he infuses elements of soul, jazz, funk, and practically any other dance rhythms to create the vivid sound tapestry unique to him. That has earned this world-class DJ, producer the affectionate nickname the Stevie Wonder of House music.

As a skilled multi-instrumentalist and Dolby Atmos certified recording engineer with a propensity for tinkering under the hood, Chandler strives to understand every aspect of sound recording and amplification. Kerri is constantly pushing the boundaries of recording technology and live-performance sound systems. When this talented DJ, and producer is behind the decks at notable venues as diverse as Printworks in London and Sub Club in Glasgow, you are guaranteed to be awash in quality music that reflects his experience as a global performer. You can never anticipate what you’re going to experience. Seamlessly transitioning from live DJing to live jam session complete with keyboards, live vocals, and loops or perhaps merging mid- 20th century studio grade reel to reels as a mixing source combined with state-of-the-art custom projection mapping design, newly developed by Panasonic to create immersive 3D environments, complete with tracks Chandler blends together while simultaneously interacting with holograms of legendary vocalists that Kerri has collaborated with though out his career.

With a discography spanning three decades, Kerri's first release Super Lover/ Get It Off on Atlantic Records in 1991 set the stage for what was to become a signature sound. His creations launched a wave of admirers and imitators of his deep lush chords and soulful grooves that stir emotions and movement. In his continuous search to inspire and nurture new talent, he forged MadTech Records and the eclectic Kaoz Theory imprints soon followed becoming the flashpoint for such artists as the Martinez Brothers, Seth Troxler, and Tony Lionni.

Kerri having just released his latest album the 24-track homage to international nightlife “Spaces and Places”, jumps headlong into the world of spatial audio with Dolby Atmos This new immersive sound format allows sounds to travel through a space not merely backward and forwards but circles in all directions. With the international support of club owners and engineers, a total of 24 iconic night spots were transformed into recording studios infusing each track with the full sound characteristics of the rooms they were recorded in. Spaces diverse as London's Ministry of Sound, Paris Rex, Berlin’s Watergate, Barcelona’s Razzmatazz, or New York's Knockdown Center creating a whole new layer of complexity and accuracy. “If I wasn’t working doing the stuff I love doing, I’d probably work at Dolby,” Chandler says. “My job became my hobby, and my hobby became my job.”

Kerri's latest series of dates brings all of this time and attention full circle combining the meticulous attention to sound, atmosphere, and craft that ensures that you will be taken on a musical adventure second to none.

Management - Donal@purplewall.com 

Bookings Worldwide (excluding territories listed below): 
dave@arcade-talent.com

Italy / Portugal / Spain: 
maurizioclemente@mac.com

We Can Again (Crates Motel Remaster)

Kerri Chandler

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Mia Londyn

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