slerGreat to see your sound rise 🌈 mutefuse in spirit

Recorded live from the Steam Room at UNFOLD XCVII  x Black Artist Database in April, 2025

Kessler @ B.A.D x UNFOLD XCVII | Fold 13/04/25

re:lax with re:ni & laksa - 01 September 2025

ACHR01

Bandcamp: https://fastatwork.bandcamp.com/album/up-too-late-2

Digital + physical preorder: October 8 2025
Release date: October 30 2025

Fast At Work returns with another statement EP, this time from the label’s own Carré (@carreo) and her closest collaborator Danny Goliger (@dannygoliger). Navigating through textured atmospheres, rhythmic explorations, and immersive landscapes, they allowed their music to unfold naturally—an organic process shaped by curiosity and intuition. Each track was born from sampling its predecessor, creating a recursive dialogue that guided the creative flow. A commitment to a tension-building groove in ‘Up Too Late’, the warped dub throughlines of ‘Tricky One’, the intricate, delicate uptempo delight that is ‘Exit Plan,’ and the bridge between all four tracks ‘Don’t Keep Me In Suspense’ — each reflect different moments in this journey. An expert in textural exploration, the Dutch DJ and producer Konduku (@kondukukonduku) brought out the true hypnotic potential of the title track. Their influences ripple outward, yet the sound remains inherently theirs—fluid, unbound by singular genre or label.

A1 Carré & Danny Goliger – Up Too Late
A2 Carré & Danny Goliger – Tricky One
A3 Carré & Danny Goliger – Don’t Keep Me In Suspense
B1 Carré & Danny Goliger – Exit Plan
B2 Carré & Danny Goliger – Up Too Late (Konduku remix)

Written and Produced by Carré & Danny Goliger
Mastered by Nikolaj Jakobsen 
Vinyl production R.A.N.D. Muzik
Artwork & CD by Studio Balcony
Distributed by One Eye Witness

FAW004: Carré & Danny Goliger - Up Too Late EP w/ Konduku Remix

Buy on Beatport: https://tinyurl.com/xv9zuhme

Follow on SoundCloud:

https://soundcloud.com/jolucamusic
https://soundcloud.com/synnhaven
https://soundcloud.com/about-time-recs

Follow Suprematic Sounds:

https://linktr.ee/suprematic_sounds

PREMIERE: Joluca & Synnhaven — Dominos [About Time]



Onyr is the electronic music project of London-based drummer and producer Dave Storey. After making his debut in 2025 with releases on Sweden’s AEDI Records and BEAM Records, he now unveils his first full EP, Hydrus, released on the French label 909 Connection.

Drawing on his deep rhythmic sensibility and expansive musical background, his productions blend an eclectic mix of organic textures, psychedelia, and deep techno into a distinctly polyrhythmic and hypnotic sound. The result is an immersive sonic world that bridges the acoustic and electronic, built on carefully crafted grooves, euphoric atmospheres, and a drive to explore different states of consciousness.

To complete the EP, STUPR made a tribal and dubby interpretation of Rainmaker, and R.2614 remixed Swirl, adding his unique occult touch to the release.

Hydrus introduces Onyr as an artist with a clear and compelling sonic identity.

Release date: October 10th, 2025

Tracklist:
1. Onyr - Hydrus
2. Onyr - Swirl
3. Onyr - Rainmaker (feat. James Allsopp)
4. Onyr - Rainmaker (feat. James Allsopp) (STUPR Remix)
5. Onyr - Swirl (R.2614 Remix)

Get it on Bandcamp: 909connection.bandcamp.com/album/hydrus

Mastering by Perception Mastering
Artwork by Nicolas Dauban and Dave Storey.


Onyr - Swirl (R.2614 Remix)

Dr Breinnerr - FREEDL#1

UNFOLD feat. Keepsakes - 10 October 2025

Tracklist: https://bit.ly/batucovmix
Read the cover feature: https://bit.ly/mixmagbatu

A sonic wormhole of a mix from our cover star @batuuk, marking 10 years of his essential @timedance imprint.

"The mix is a journey from the centre of the earth's core outwards into space. Stopping off at a space lounge before we come back to Mars to relax on deckchairs by the big Ikea."

Read the cover feature

The Cover Mix: Batu

Channeling inventive sound design into incisive, characterful techno variations, Jurango returns to Livity Sound with an eight-track double EP — his longest release to date. Taíno Gold captures a moment in time for Bristol-based Nate Reece's continually evolving sound as it draws on the full spectrum of UK club music. 

Following a debut for Livity's reverse label in 2021 and last year's An Amorphous Mass EP, Reece is more assured than ever tackling a variety of club-focused cuts. The tracks on the release all came together before, during and after a two-month visit to Reece's grandparents' home — an idyllic tropical environment in a small community at the top of a hill in the northern part of Jamaica. 

Taíno Gold refers to the island's indigenous Taíno community and the legend of a witch luring Spanish settlers into a trap on the Martha Brae river. There are no messages explicitly embedded in the music, but the release is both a personal reflection of Reece's own experiences and family heritage, plus a reminder about the enduring sceptre of colonialism and the continued need to fight against it. From absorbing Jamaica's fraught history through museum and plantation visits to the abundant nature in the garden surrounding his grandparent's house, the double EP marks a place in time for Reece, with eight advanced, ear-catching tracks as the end result.

From the cascading arps of 'Black Torches' to the tunnelling chords of 'Waiting For Trelawny', the melodic dimension of the Jurango sound is more confident than ever. 'Hibiscus' is a shimmering celebration of dub techno and crooked drum pressure and 'Chalk On Trees' basks in aqueous, fathoms-deep pads to close out the EP. Elsewhere, Reece brings new textural and tonal detail to his percussive workouts, splashing acidic noise around the angular experimentation of 'Maybe It's Broken' and firing off double-time rhythms to inject 'Double Sevens' with infectious urgency. 

With the space afforded by a longer release, Reece widens out the scope of his artistic identity while absorbing the particular scene and setting that surrounded him while making the tracks. Taíno Gold is a vibrant next step for Jurango and a natural continuation of his work with Livity Sound.

Bandcamp

Waiting For Trelawny

Upstairs//Downstairs, a Melbourne collective that’s been championing international artists for over five years, is now proud to launch its label with Italian-born, London-based producer Big Hands. 

Titled “Anti Militarist Dubs,” the EP stands strong in its message and sound — four cuts built for deep listening and heavy systems. 

Opening with Battle of Cannae, a dubby roller filled with crisp percussion and meditative warmth — the perfect soundtrack for sunlit sound systems. 

A2 — Battle of Carrhae follows closely behind, a deep 120BPM bass groover with detailed percussion and rich textures that tie the first side together beautifully. 

Flipping over, B1 — Stolen Land, a collaboration with Melbourne heavyweight Pugilist, takes things into club territory. Spacious, weighty and rhythmically twisted, filled with polyrhythmic grooves, a few wubs, and gritty percussive drive. Strap in. 

Closing the record, B2 — Battle of Edessa pushes the tempo to 160BPM — a sharp, hypnotic finisher that shows why Big Hands continues to stand out as one of the most exciting producers doing it right now. 

Mastered by Star Delta 
Design by Edan Strachan 

Pre-order includes Stolen Land with Pugilist. 
Full release drops 14 November 2025.

https://soundcloud.com/pugilistmusic

https://soundcloud.com/big-hands-1

Pre-Order: https://bighandsbighands.bandcamp.com/album/anti-militarist-dubs

Bandcamp Pre-Order

U//D 001 - Big Hands - Anti Militarist Dubs Ft Pugilist (Previews)

Co-founder @elicitrecords
•••••••••••••
Bookings: alexandra@higher-ground.de
Promos/Chat: music4kessler@gmail.com
Elicit Demos: info@elicitrecords.com

Kessler @ B.A.D x UNFOLD XCVII | Fold 13/04/25

Kessler

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