A blend of 80s-90s HipHop RnB and a couple Pop Songs!

1. Don't Believe the Hype-Public Enemy
2. Mass Appeal-Gang Starr
3. Check the Rhyme-Tribe Called Quest
4. Step into a World-KRS One
5. Love is Gonna Getcha-Boogie Down Productions
6. Express Yourself-NWA
7. Nothin But a G Thang-Snoop Dogg
8. Wickedest Man Alive-Naughty by Nature
9. Rebirth of Slick-Digable Planets
10. They Want EFX-Das EFX
11. Tennessee-Arrested Development
12. Ditty-Paperboy
13. You Gots 2 Chill-EPMD
14. Back to the Hotel-N2Deep
15. Aint No Future in Yo Frontin-MC Breed
16. The Choice is Yours-Blacksheep
17. True Fu Schnik-Fu Schnikins
18. Nuttin But Love-Heavy D
19. Sex You Up-Color Me Badd
20. Set A Drift On Memory Bliss-PM Dawn
21. Unbelievable-EMF
22. Sometimes I Rhyme Slow-Nice and Smooth
23. Blue Cheese-UMC's
24. Lies-Michel'le
25. Mr Wendal-Arrested Development
26. Point of No Return-Nu Shooz













Dont Believe the Hype Mix

wyclef jean_tiny desk concert npr

This is a short hitmix I did of the SOS Band for Corné Klijn's Soul Classics on dutch Radio 6. You can listen to my mixes every wednesday in Corné Klijn's Soul Sensations at 18:30 on www.radio6.nl

Soul Classics Mix - SOS Band

TLP Mixtape #001 brings you none other than Outkast straight from Eastpoint, GA. 

Sit back, relax, and enjoy the funky ride...

#TLP Mixtape 001 - ATLiens

Undisputed Truth - Smiling faces ( C.R. Project RMX )

I'M SO HOOD ( CUT ) Ft Macallee King,Young Jeezy, Ludacris, Busta Rhymes, Jermaine Dupri, Big Boi, Lil Wayne, Fat Joe, Birdman & Rick Ross 

MACALLEE KING BIO

Macallee King Born in Jamaica is now a Miami based hip-hop/reggae artist. He has been influenced by many different genres of music (R&B, Rock, Rap, House, Techno, etc.). Macallee King’s eclectic and unique approach to music is something that is going to bring a brand new flavor to the industry.

As a young boy, Macallee King looked up to his uncle “Papa San” who was a reggae superstar. Since then, Macallee King has been performing on shows from New York to Toronto all the way to Miami. Opening up for acts like "Rick Ross, Jay z, Flo Rida, Jazmine Sullivan, Lil Wayne and many more, With his unflagging energy and a wealth of talent he has used his inimitable style with live venues, “dub plates” and mix CD’s for various DJ’s across North America. He has written for artists such as ‘Pretty Ricky’ and ‘Meat-N- Bones, Triton Rami Producer & founder of GRAMMY Winning artist Sean Paul. A number of independent & Major artists have also commissioned him to write as well as co-produce their material. Currently, he is putting the final touches on his first album (title still to be determined). The first single "FROSTY" By Macallee King, top charts on Miami radio and was the number one song for 6 weeks in a row on Power96, The bigest radio station
in Miami.

Macallee King has been an integral part of several compilation albums including Grizzly Cat’s “Cobb Webb Riddim” and 2Rude’s “Rudimental”. His song on “Rudimental” was released as a single for which the video later went on to win a Much Music Award for best song and best video. 

Being as talented as he is Macallee King has pursued other aspirations, such as acting. Macallee King featured in the street favorite movie “Shottas” alongside names like Wyclef Jean, Spragga Benz and Kymani Marley. 

Even with the mix-tapes, the compilations and his soon to be released debut album there is still a lot more to come from Macallee King. At this point the industry is begging for this new Superman.

Website : http://www.facebook.com/macalleekingusa

http://www.youtube.com/macalleeking

http://www.myspace.com/macalleeking

I'M SO HOOD ( CUT ) Ft Macallee King,Young Jeezy, Ludacris, Busta Rhymes, Jermaine Dupri

Free Edit Fridays. Here is an edit of an old school R&B song that was sampled and made famous by the late Notorious B.I.G. Enjoy!~

Concise Music

Mtume - Juicy Fruit (Housework Pulp Edit) FREE DOWNLOAD

My first mix of 2017 - a little overdue due to an indifferent & testing start to 2017..

A mix showcasing the talents of a big favourite of mine & one of the finest producers on the Deep House scene, the one of only 'Sebb Junior' ..  Consistently providing us with the musical goodness in what has now become his signature sound.. 

I know I may have missed a few bangers but was really difficult to fit them all into an hour long mix.. Hope listeners are happy with ones selected.. Some of my faves for sure ...

Enjoy !!

Tracklist

1 The Only One (Live Dub Mix) [Frigo Vide Records]

2 How I Feel (Original Mix)  [Large Music]

3 Everything You Need Is Love  [Large Music]

4 Feel So Good (Original Mix)  [Frigo Vide Records]

5 Ease Your Mind (Original Mix)  [i! Records]

6 Hot (Original Mix)  [Frigo Vide Records]

7 Nobody   [Large Music]

8 Groove On  [Papa Records]

9 Everything's Alright  [Papa Records]

10 Shuffle Board (Sebb Junior Remix) - Demarkus Lewis  [Hi! Energy Records]

11 Memories    [Large Music]

As always please support the artist & buy their music from all leading digital retailers...

All Things Sebb

DJ WOO MIXES WOO'S GROOVES SHOW 2018 MIX BY DJ BIGWOO - 1-15 - 18

SMOOTH R&B MIX ENJOY

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


wyclef jean_tiny desk concert npr

Kev Bra

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