Mindfulness Exercises

flounder

emblem

get what u get

To Learn, More

To Learn (Live Session)

Downers Grove (Reimagined)

jacob killed a cat (Reimagined)

Downers Grove (Explained)

tattletale

Caleb

Ribcage

Among my things I kept the names of God,
written on labels that spoke of light.
But the shadows, afraid to believe,
whispered that I should break them… and so I did as well.

Yet one remained, silent in the dimness,
it spoke to me in dreams, but never showed itself.

Oh, those shadows that cannot be seen,
they whisper to the wind, they pierce through my skin.

Each night I was losing a part of my voice,
there was a door I never knew how to open.
I was trapped in reproaches without end,
and a divine name was searching for me.

Every morning as I awoke,
I felt the visit of someone without a place.
In my dreams they came to speak,
but with open eyes, nothing I could recall.

One day I found it, almost by chance,
a label was resting beneath my bed.
It read “communication with the divine,”
and at night it guided me to distant lands.

In dreams I invoked both Mother and Father,
and the face of God spoke to me in the air.

What hides itself also keeps you company,
if you dare to name it before you sleep,
after a day when you wish to die.

Oh, those words that cannot be seen,
they whisper like the wind, they fill my being.
They shatter my ego, they stop the time,
and in dreams they tell me: “do not fear.”

Communicating with Goddess and God,
with Father and Mother in a single sun.
All contained within a single voice,
in the sacred label: the Name of God.
17 de agosto de 2025, 10:02 p.m.


In the morning, always upon waking

“They said the blues were six feet under. We’re still dancin’ on the dirt.”

Six Feet Above the Blues is a 15-track resurrection of grit, ghosts, and grit-your-teeth redemption. Born from rusted strings, roadside sermons, and moonshine confessions, this debut album blends Southern Gothic storytelling with boot-stomping energy and the haunted soul of outlaw folk.

Through swamp fog and shotgun sermons, you’ll meet:

A hollow-eyed preacher who barters salvation in shadows

A hellhound more loyal than any man

A banjo cursed with blood

And a narrator who swears “God Don’t Ride Shotgun”

Whether it’s the eerie waltz of “Rattlesnake Waltz,” the foot-stomping fury of “Train Don’t Stop for Sinners,” or the rowdy last call in “Ashes in the Ale,” this record walks the line between sin and salvation — and leans hard toward the former.

Fueled by banjo, bowed bass, gang vocals, and enough smoke to choke a saint, this is music for the outlaws, the almost-gone, and the ones who never stayed buried.

🪕 Come raise a glass with the damned — you’re only six feet above the blues, after all.
credits


Bandcamp

Lantern in the Fog

I love and appreciate all of you out there whoever and wherever you are. It took me awhile to except life for what it is! U don’t gotta be foolish like I was u can escape this bull shit system.Recorded 3/2/24 Indianapolis Indiana somewhere up ina burbs. live in the NOW

Talktomuch (Prod.MichaelHarrison)

Princess Collection

Part of Your World (From "The Little Mermaid" Soundtrack)



<a href='https://theartistunion.com/tracks/6ee0ee'>Download for free on The Artist Union</a>

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Elvis Presley - In The Ghetto (Ogun Dalka Remix)

Better Oblivion Community Center

My City (feat. Phoebe Bridgers)

Father of the Bride

Lord Ullin's Daughter (Japanese Bonus Track) [feat. Jude Law]

Wolves

Kevin Atwater (he/him) is a singer/songwriter based in New York City. Kevin knew from a young age that music would be a highly influential factor in his life, and he surrounded himself with it as much as possible. He took classical piano and clarinet lessons, taught himself guitar, and got involved in musical theatre. 
 
Kevin’s influences range from his folk idols (Joni Mitchell, Nick Drake, Adrianne Lenker, Angel Olsen) to contemporary singer-songwriters (Clairo, Moses Sumney, Phoebe Bridgers, Conan Gray). He leans toward intimate and specific songwriting.
 
The music that Kevin makes challenges ideas of traditional masculinity, and he makes no attempts at hiding his sexuality in his lyrics. Kevin writes queer music with no hesitation or shame. Also he likes pineapple hats.

tattletale

Kevin Atwater

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