 yoooo what it do fans and family lol
just lit this blunt right now you know what time it is , camera just came in sooo you know what that means videeooss arw on the wayy haha its boutta get lit in dis bitcchh haha hope yall doing well cant wait to show yall some new tunes stay tune yall. 🎥👇🙏💸🔥💥😇✌📷😎👍👂👊


S/o to @Icestarr for a clean ass beat as alwayss yall go check out his page on youtube rightt noowww lets goo stop sleeping go run it up ..🔥👀💥👽🖥


#producerlove #loyaltybeforeroyalty
#counterfeit #moneywaves #moneymoves
#rap #hip-hop #waves #vibes #therapy 
#turntup #letsgetit #addictaudio #musicfien #fire #cookingup #inthebooth
#lyricist #toungeflip #zoner #YLS #nodoubtent. #jaeturner #ooff #zerotwo
#anime #replays #hasttags #herb #party #weed #goodvibes #positive #official

YLS Zoner - Counterfeit ( prod. by Ice Starr ).mp3

FFF tWoah

HAUZA -MO'S REVENGE.mp3

They owe us ( Prod by skip the kid )

Revenge ft BKC BRIGHT

Dream Mastery Training

Volt5000 (@volt5000 and @mgxloop) and I present today "Day by Day 8" (as track 3) of our collaborative album in progress "Day by Day".

The track was created in collaboration on 7 May 2022 (parallel initial composition, mix and recording in MAGIX by Volt500, and - at the same time - in GarageBand and Logic Pro X by Alex M) and 8 May 2022 (subsequent final mix, arrangement and recording in MAGIX by Volt5000), and posted here on SoundCloud on 14 May 2022 (by Alex M).

The artwork cover for the track uses a conceptual idea of Volt5000 of 6 May 2022, implemented by Alex M (in PowerPoint) on 7 May 2022, then cropped and annotated with text by Alex M (in Mac OS Preview) on 7 May 2022 - in coordination and agreement with Volt5000.

Thank you, Volt5000, for our always spontaneously inspired and creatively enriching collaborations!

Duration: 8:59 minutes

Day by Day 8 - Volt5000 & Alex M

Original Score inspired by the Paul Tremblay novel Disappearance at Devils Rock

Hobo Nickel

In Those Days is a dark-fantasy jazz/blues concept album built on the book of Judges—half film score, half rock opera, all one continuous world.

Obligé scores a crownless Canaan with smoky horns, upright bass, haunted guitars, and stormy drums: temple nightclubs for Baal, crooked odd-meter stealth for the left-handed assassin, noir prophecy under the palm tree, iron chariots rolling like war machines, midnight tension in Jael’s tent, Gideon shaking in a winepress, a daughter caught in the teeth of a vow, and a man who looks ordinary but tears down gates and pillars by a strength that makes no sense.

Some tracks play like pure score, others like songs sung from inside the story, but the same themes keep resurfacing—motifs slipping between sax lines and vocals, big-band blasts giving way to quiet, wounded prayers. This is Judges as a jazz-shadowed myth: no king, too many gods, and a handful of fragile people trying to stand up in the ruin.

Bad Day

Kevin Roy Correll

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