Ensemble Schallfeld

Elisa Azzarà, bass flute
Johannes Feuchter, bass clarinet
Myriam García Fidalgo, cello
Margarethe Maierhofer-Lischka, double bass

Davide Gagliardi, audio engineer

impuls Festival 2021
Graz, Austria
August 20, 2021

in praise of shadows [2020] – Ensemble Schallfeld

Stephanie Lamprea, soprano
James Banner, double bass

Sound Festival
Anatomy Rooms
Aberdeen, Scotland
October 24, 2021

the surface of the night [2020] – Stephanie Lamprea & James Banner

Trio Abstrakt

Salim Javaid, soprano saxophone
Marlies Debacker piano
Shiau-Shiuan Hung, percussion

impuls Festival 2021
Graz, Austria
August 25, 2021

near dark [2020] – Trio Abstrakt

Quartetto Maurice

Georgia Privitera, violin
Laura Bertolino, violin
Francesco Vernero, viola
Aline Privitera, cello

impuls Festival
Graz, Austria
August 23, 2021

at the still point [2021] – Quartetto Maurice

Stirling, Scotland
November 20, 2021

Martina Corsini
Max Gibson
Simon Hellewell
Carmen Ho
Kevin Leomo

late night improv 1

late night improv 3

late night improv 2

Sergio Vega Dominguez, oboe

The Dear Green Bothy & Being Human Festival 2021
The Hunterian Musuem
Glasgow, Scotland

diaphanous [2021] – Sergio Vega Dominguez

patterns of shadows [2020] – Clara Siegle

Paul Beaudoin
Antoine Beuger
Joep Dorren
Kevin Leomo
Angie Rojas
Sabine Schall
Emmanuelle Waeckerlé
Levin Eric Zimmerman

Composers Meet Composers 2022
Haan, Germany
August 24, 2022

the surface of the night [2020] Composers Meet Composers 2022

Music for Sleep, Cities and Memory. 2023
Original sound recorded by: Heath Webb (thevoidinclusive)

The piece is built upon a field recording from Heath Webb, with slowly shifting drones coalescing over rain, wind, and thunder sounds. The added drones explore a range of frequencies, aiming to create a relaxing and soothing ambiance in conjunction with the natural white noise.

Heath Webb:
This recording was made late in the night at my house in the country over a decade ago. I couldn't sleep and went out to the sunroom to hear the night sounds. A storm started rumbling in the distance, so I grabbed my field recorder, opened the doors, and started recording. This excerpt captures the intensifying of the storm over the course of 20 minutes with thunder, wind, and heavy rain. After spending a long time listening, I stopped the recording and went back in to go to finally sleep. The rain had soothed me and the sustained focus of listening had put me into a relaxed trance.

somnolence [2023]

Emma Lloyd, violin
Lisa Robertson, violin
Katherine Wren, viola
Laura Sergeant, cello

Supported by the Fenton Arts Trust.

Scottish Music Centre
Glasgow, Scotland
June 22, 2023

at the still point [2023]

Luminous River [2016]

WSU Percussion Ensemble

Washington State University
Pullman, Washington
October 22, 2019

Sounds of Silence [2019] – WSU Percussion Ensemble

Red Note Ensemble
Sergio Vega Dominguez, oboe
Martin Storey, cello

Sound Festival 2019
St. Andrew's Cathedral
Aberdeen, Scotland
October 26, 2019

Silhouettes [2019] – Red Note Ensemble

Tacet(i) Ensemble
	Christhatai Paksamai, clarinet
	Siravith Kongbandalsuk , trombone
	Worrapat Yansupap, electric guitar
	Kantika Comenaphatt, cello
	Kerk Jaree, piano
	Pipe Kantapong, percussion

Thailand New Music and Arts Symposium 2020
	Bangkok Art and Culture Centre
	Bangkok, Thailand 
	December 18, 2020

TNMAS Audio Recording Team
	THINKER INTERACTIVE co.,ltd.
	Audio Engineer, Mix and Master: Pongtorn Techaboonakho
	Assistant Audio Engineer: Sukritta Vaskul
	Assistant Audio Engineer 2: Ueaangkun Nurak

limen [2020] – tacet(i) ensemble

Glasgow-based researcher and composer of experimental music exploring silence, quietude, fragility, and the in-between.

I co-host @essential-blends podcast and lead @soundthoughtglasgow.

Community and Engagement Manager, College of Arts & Humanities at the University of Glasgow.

Kevin Leomo

Pinned to spotlight

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