This is way to fire to be under appreciated like this

Dude idk why this song doesn’t have more streams it’s on of the best sounds I’ve ever heard in my life

wish the extended version were available on Spotify!

Vagabundos 2013 - Mixed By Argy & Andrea Oliva

Knights Of The Jaguar

Out now: https://orcd.co/REKIDS250

Mathias Kaden is back on Rekids after 2022’s ‘Blackbird’ EP, this time with the four-track ‘Circulate’ EP featuring a remix from the hotly tipped William Kiss. Kaden’s ‘Freedom’ kicks things off with stripped-back machine rhythm, tasteful stab melodies and a deeply satisfying low-end groove before an iconic gospel vocal joins in. Title track ‘Circulate’ is another infectious low-slung crawler with crunchy synth hits and a hypnotic and classy vibe that will get the dancefloor moving.

On the flip, William Kiss remixes Mathias Kaden’s ‘Freedom’ following his recent EP on Rekids' sibling label RSPX and the release of his collaborative project, Not Without Friends, with Luke Alessi and Jordan Brando on RÜFÜS DU SOL’s Rose Avenue. Kiss turns the track into a pumping peak-time cut with additional percussion and plenty of his signature Jackin’ flavour. Closing out the record, Kaden’s ‘Twisting Shadows’ introduces an acidic bassline and warped, dubbed-out vocals before dropping into an energetic trip.

Active since the mid-90s, Mathias Kaden appeared on Radio Slave’s Rekids for the first time in 2019 for ‘Liberate Drums’. He now returns to the label with the ‘Circulate’ EP, adding to his versatile discography on labels like Dyinamic and Vakantwhile also remixing work by Matthias Tanzmann, Onur Özer, Anja Schneider, and Trentemöller.

Mathias Kaden - Freedom

Out now: orcd.co/REKIDS253

William Kiss lands on Rekids with the ‘The Beat’ EP this November, hot on the heels of a remix for Mathias Kaden’s ‘Circulate’ EP on the label in September.

The A-side starts with title track ‘The Beat’, bodied toms footing the rhythm while high-pitched percussion keeps an irresistible groove above. With an expertly sampled, playful vocal, Kiss’ ‘The Beat’ is another unmistakable club hit that will effortlessly find its way into the peak time. The B-side hosts ‘Midnight Club’, which features more organic drums mixed with a classic House vocal and zippy strobe-light-inducing synths, closing out William Kiss’ debut on Radio Slave’s flagship label in his signature drummy style.

Having won support from Laurent Garnier, HAAi, Call Super, Robert Hood, and more, William Kiss has been going from strength to strength. He previously appeared on Radio Slave’s labels via his ‘Clap For Me’ EP on Rekids sibling label RSPX, with further releases on labels like GUDU, Bush Records and Three Six Zero alongside the launch of his collaborative project, Not Without Friends, with Luke Alessi and Jordan Brando on RÜFÜS DU SOL’s Rose Avenue.

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William Kiss - Midnight Club

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Pinto (NYC) - Paradise [Jack City Records]

All You Need

Sex & The City

Sex & The City (TB-203 Remix - Clean) [feat. Paul Johnson]

Bass Into the Future

Bass Into the Future (Extended Mix)

Zyrak (GR) & Tailord - Mamama (Radio Mix)

Dark Knight - Episode 2

Chicago / Convoy

Convoy (Extended Mix)

We want you to get together… 
@catzndogz pay homage to one of the most iconic live vocals in house music history, and 
unwittingly drop one of the biggest tracks of the summer in the process. Often sampled, seldom 
explicitly credited, the @pets_recordings partners develop the legacy by clearing the sample as an official remix. 
People, we proudly present Marlena Shaw – Woman Of The Ghetto (Catz ‘N Dogz Remix) Here’s 
what the guys have to say about it. 
“Everybody knows the vocal sample from the St.Germain record ‘Rose Rouge’, but a lot of people 
don’t know the original track is by Marlene Shaw, from a live performance she did back in the days. 
It’s been sampled by a lot of other people like Bob Sinclar, Grandmaster Flash and the famous 90s hit 
from Blue Boy. We have a lot of memories with this vocal because we were growing up in the 90s. 
That’s why we decided to do our take on this one. The first time we played it on a big festival we 
were shocked how well it works… That’s why we decided to release it officially, along with a second 
version that’s more stripped-down and based only on the conga and djembe rhythms.” 
Rattling rhythms, hypnotic percussion, an acid line straight from the gutter of the ghetto and one of 
the greatest voices in soul history; this is nothing short of essential. 
Put your hands together one time…

credits:
The Verve Music Group, a division of UMG Recordings, Inc. 
Under Exclusive License to Pets Recordings

Woman of The Ghetto (Catz 'n Dogz Beat Remix)

Marlena Shaw - Woman of the ghetto (Catz 'n Dogz Remix) [PETS Recordings]

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Bass Into the Future (Extended Mix)

Kevin Saunderson

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