Mira Nait, Riigs & Paul Hazendonk - Waiting For The Sun

Karimu (Long play)

Buy on bandcamp

Maryarty - Karimu (Long play)

Get it here: https://studiotronnic.com/products/cube-modern-indie-dance

A new trend is taking over the dancefloors: a modern, hypnotic and groove-packed sound, pushed by labels like Maccabi House, ABRA X and Diynamic, and artists such as Max Styler, Adam Ten, BLOND:ISH, Mita Gami, Rafael and more. It’s that modern indie dance vibe with punchy basslines, immersive synths and attitude-driven vocals that set the floor on fire from the first to the last drop.

With Cube – Modern Indie Dance we distilled this essence into a straight-to-the-point pack, no fluff: 5 construction kits loaded with stems, loops, MIDI and Serum presets, all smartly organized. Every preset and MIDI file has the exact same name as its corresponding WAV, so you can move without friction: heard a synth or bass you liked in a kit? Just open the soundbank, select the preset, drag the MIDI into your DAW and start producing with total freedom. The stems let you rebuild each kit simply by dragging the files, while the loops speed up your search for the perfect sound. For those who prefer to build their own grooves from scratch, all drums are also provided as one-shots, ready for fresh rhythms.

If you want to create this modern sound that’s taking over the charts and the dancefloors, Cube – Modern Indie Dance is your shortcut to the perfect track.

Cube - Modern Indie Dance

Sinfonia Della Notte

Good Life

Good Life (Matt Smallwood Extended Remix)

Crusader's - Ma Lady used in another Tune back in the late 90's

New Millenium [feat. Sample of Crusaders My Lady]

Topazz - The New Millenium (Freeze Jam mix)

Au Rêve (Deluxe Edition)

The Sound of Violence (Narcotic Thrust Remix)

Till West & DJ Delicious Same Man (Original Mix) youtube original

All Darkroom Dubs releases are available from our Bandcamp: https://tr.ee/Bandcamp

Sometimes you need to look back to look forward; marking the start of a new decade, Silicone Soul celebrate 20 years since their game-changing breakthrough hit with a brand new remastered version and two new remixes. 

‘Right On, Right On’ and on and on and on… The duo’s iconic Cutis Mayfield sampling single came in many shapes and sizes around the turn of the century. Beginning as ‘Right On 4 Tha Darkness’ in 1999, it then became ‘Right On, Right On’ in 2000 with that legendary hypnotic bongo loop that brought the soaring strings and warm jacking groove together so exceptionally well that another version popped up a year later; with added vocals from Louise Clare Marshall, ‘Right On!’ smashed the UK mainstream, hitting number 15 in the official charts… And led to the Glasgow duo famously declining an offer to go on Top Of The Pops. Two decades later and they still don’t regret that decision.

“We’ve had a lot of remix and licensing requests recently for 'Right On, Right On’ with even a dodgy progressive house cover version appearing back in January. Soma’s release schedule was sadly full, so we thought, f**k it, let’s do a re-release on our own Darkroom Dubs label, and as it’s been 20 years since the first release, we thought it would be perfect timing for an anniversary edition too. Conor Dalton, from Glowcast Mastering in Berlin, was kind enough to remaster the original direct from DAT and to complete the package, we’ve also included a new dynamite remix from Fango, with Matthias Tanzmann revisiting his much-loved remix for a 2020 version.”

Warmer than it’s ever sounded before, the new Glowcast remaster comes complete with remixes from Matthias Tanzmann and Fango. Originally released in 2012 as part of Soma’s own 20 year anniversary, Tanzmann squeezes every ounce of soul possible from the percussion elements while Italian Fango gives ‘Right On Right On’ a right old shoeing with a massive lolloping disco bassline, marching pianos and an injection of funk positivity 2020 has sorely missed so far.

20 years deep, still taking us through the darkness, still focused on a bright future. We need music like this now more than ever. Stay tuned for more Darkroom Dubs dispatches very soon.

Available now from our Bandcamp & Beatport (12th June for all other digital stores & streaming platforms).

Art & Design by Susie Cairns. 
Mastered by Conor Dalton at Glowcast Audio.
https://darkroomdubs.bandcamp.com

Right On, Right On

Right On, Right On (Fango Remix)

Bandcamp

BANG

Purely Subliminal!  Harry Romero & Erick Morillo drop this slick piece of edgy, funkiness for an all out dance floor assault.  Twisted bass, snare and high-hats undoubtedly provide some serious muscle.  ‘BANG’ is proper club business.  Don’t sleep on this!  Available on Beatport June 4, 2013. 

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www.youtube.com/erickmorillovideo

www.subliminalrecords.com
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Harry Romero & Erick Morillo 'Bang' (Harry & Erick Bang In Your Face Mix)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Good Life (Matt Smallwood Extended Remix)

Kevin Saunderson

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