KMS Records

Simply an iconic track from Swiss brothers Mandrax and Seb K aka Shakedown, 'At Night' is one of the most recognisable house tracks of the last two decades. With one of the most-hyped remixes of the year, artist of the moment Peggy Gou has seriously delivered with a squelching 7 minute groover, bringing in that iconic synth motif to lift the production and keep it rolling.

‘At Night’

‘At Night’ (Peggy Gou’s Acid Journey Remix)

Shakedown ‘At Night’ (Peggy Gou’s Acid Journey Remix)

Dames Brown continue to build upon their Defected success with this remix package from the soulful innovators Floorplan. Fresh from their double release on Classic Music Company that received major BBC Radio 1 attention, ‘We Give Thee Honor / Makes Me Wanna’, the fellow Detroiters lend their unmistakeable brand of eclectic, gospel house to ‘Glory’ for a match-made-in-heaven remix that celebrates the two neighbouring genres of soul and gospel. ‘Glory’, featuring Dirt Tech Reck label founder Waajeed, saw the uplifting track spotlighted by BBC Radio 6’s Craig Charles, capturing the effervescence of the Dames on his flagship show.

Glory

Dames Brown feat. Waajeed - Glory (Floorplan Extended Remix)

Phunk Investigation - The Early Years

Flawless (Phunk Investigation Club Mix)

Novaj 新し Sensations & feelings


Listen on Youtube
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Dexter Troy
https://linktr.ee/dextertroy

Plastik People
https://plastikpeople.bandcamp.com

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Listen on Youtube

PREMIERE: Dexter Troy - Living In You

She cant Love Me

Tech House practice session 11/23/25

Can You Feel It

Can You Feel It (MK New York Dub Extended)

Extended Play

He Not In

Good Life

Good Life (Matt Smallwood Extended Remix)

Good Life (Remastered)

Pennies From Heaven (Remastered)

Good Life (Remastered) (Dub Mix)

Good Life (Remastered) (Extended Mix)

Au Rêve (Deluxe Edition)

The Sound of Violence (Narcotic Thrust Remix)

Haven't You Heard

Haven't You Heard (Butch Remix)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Good Life (Matt Smallwood Extended Remix)

Kevin Saunderson

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