BEATPORT: http://www.beatport.com/release/snatch!-off08/1287941

This is banging, first release on Snatch! OFF from this talented German duo. First track “ Alkaline" takes you to an arp-techno journey while b-side “Forget About Me" is a meaty tech house banger with some infectious vocals. The EP is completed by “Ceviche" a sweet housey number stuffed with groove. Enjoy, The Snatch! Team

Kaiserdisco - Ceviche (Original Mix) - Snatch! OFF

Shadow Drive is a hypnotic techno track with a driving bassline, crisp hats, and atmospheric stabs. It builds tension and momentum, perfect for late-night warehouse floors and underground sets. Dark, groovy, and relentless, it delivers pure tunnel energy.

Shadow Drive

Buy on Bandcamp

Acedepik - Air

Void Turbine

Good Life

Good Life (Pig & Dan Less Is More Extended Remix)

Esa Boca Linda

Out now! 
https://Toolroom.lnk.to/WayBackEPTS

The Berlin based tech house maestro 'Klangkuenstler' returns to Toolroom with a follow up to his 'House Nation' EP entitled 'Remember Way Back' which includes 2 solid club cuts.

This exciting producer has enjoyed massive success throughout 2017 with multiple chart-topping releases on Beatport including his recent remix of 'Be' which flew straight into the top 3 in it's first week of release! Add in a gruelling DJ schedule and further high profile releases on Elrow, Mother and Stil vor Talent, and it's easy to see that Klangkuenstler is destined for the very top.

The lead track takes in some serious old skool vibes here with jacking, tech house drums and quirky hip-hop vocals whilst the flip takes things a little deeper and groovier, making his a perfect EP that showcases his sound effortlessly.

Out now!

Klangkuenstler - Remember Way Back

Can't Help The Way That I Feel

Can't Help The Way That I Feel (Extended Mix)

I’ve Been EP

Kengo (Original Mix)

Resistance

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Good Life (Pig & Dan Less Is More Extended Remix)

Kevin Saunderson

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