One of the genre defining techno classics is back with new fresh remixes. Originally released in 1996 on the legendary dutch label Touché it became a worldwide 

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Label boss Secret Cinema returns on Gem Records to re-release the first ever Secret Cinema track: Timeless Altitude. The re-release is part of the SILVER project celebrating Secret Cinema’s 25 years in music and comes with a brand new Heiko Laux remix. The EP is ready to hit digital stores on April 21st. A total of nine Secret Cinema classics will be re-released with remixes both digital and vinyl as part of the box set SILVER.

The Dutch producer had been making music under several aliases since 1991 and already had a number of worldwide club classics to his name. But in 1994 he spawned his most powerful persona: Secret Cinema. His studio was still in his mother’s house where he made the track sitting on the side of his bed as there was no space for a chair between the bed and the equipment. 

The EP went on to sell over 25.000 copies and even made its way into the overall top 10 in Belgian charts. It was an absolute anthem played by everyone across the globe including the likes of Cox and Väth. He did not know at the time how Timeless the track would be as it is still stands its ground today.

Heiko Laux took on the heavy task of remixing the classic and did a simply amazing job. The result is one of the most epic pieces of techno in the Gem Records catalogue to date. After being released on vinyl as part of the SILVER box it now hits the digital stores for the very first time. 

The Silver box set is limited to 500 pcs, numbered and signed by hand. A real collector’s item and a luxury boxset never seen for an electronic artist. SILVER contains a customized USB stick with all productions ever made by Secret Cinema. Also included are three vinyls with all new remixes, A CD with 4 live sets from the past 3 decades, a greatest hits CD, a new documentary about Secret Cinema (with Adam Beyer, Pan-Pot, Michel de Hey, Benny Rodrigues) the animation film Barcode from 2003, artwork and photo’s, and to top it all off: a floppy disk with all the samples from Sonar System (1991) like the one Verheij used in his Amiga 500. 

Unlike most legends, Verheij has his eye on the future and prefers to develop rather than look back. It’s a good thing Gem Records and Mary Go Wild decided to document Secret Cinema so far…

SILVER

SILVER EP III

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Secret Cinema - Timeless Altitude ('94 Original Re - Mastered)

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Velocity Funk

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‘Camargue’ gets a fresh treatment on Drumcode, as a handful of techno’s finest give new life to an R&S classic. 

Coming from the studio of CJ Bolland and Portuguese journeyman The Advent, the track was born out of a golden age of Belgium dance music and first released in 1992. It stands as one of the most treasured pieces of vinyl in Adam Beyer’s collection and this six-part compilation of remixes and remakes marks a highpoint in Drumcode’s history. 

The package consists of a punchy pin-sharp 2019 version of the original, as CJ Bolland and The Advent polish the edges of their time-honoured rave favourite. Maceo Plex makes his return to DC after 2014’s ‘Conjure Dreams’ and his is a bustling industrial take, with distorted vox that gives way to sheaths of stirring melody, before the spine-tingling chords enter the fore and the cut drops into broken beats. Vintage Maceo. Enrico Sangiuliano delivers a trademark cosmic rework underlined by tribal bass stabs and twisted synth lines to accompany the famous riff. It’s an outstanding remake that’s already a big summer favourite for the Drumcode crew. Adam Beyer and Layton Giordani team up with their own groove-injected, future-focused adaption, all the while never losing sight of the misty-eyed spirit of the original. In contrast to the peak-time prowess of the other respective versions, rising Dutch talent Keith Carnal moulds a liquid smooth interpretation heavy on hypnosis and sparse drums. The Advent rounds out the package with his own fresh version, a whip-smart cut that chops and changes between pounding drums, dreamy synth interludes and warbled effects. 

“Camargue is one of my favourite tracks of all-time and has been part of my life for 25 years. To put it out on Drumcode with fresh remixes is a dream come true.” – Adam Beyer

Buy all

CJ Bolland & The Advent — Camargue 2019 — Drumcode — DC210

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Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Velocity Funk

Kevin Saunderson

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