kalm

A cinematic trip-hop journey through shadowed harmonies, slow pulse, and evolving textures.

Arcana Sempiterne blends acoustic elements, analog bass, and orchestral atmosphere into a dark, hypnotic soundscape -timeless, introspective, and quietly intense.

Arcana Sempiterne

CCR-007 
Darshan Jesrani - "Replace Yourself"
Chit Chat Records, 2017

Replace Yourself

Nina Kraviz releases for the first time a full solo EP on her own label трип. ‘Pochuvstvui’ and ‘You Are Wrong’ briefly appeared before on her stand-out ‘fabric 91’ mix in December 2016. ‘You Are Wrong’ is a new version written for the EP release.

TRP014

Buy me

B1. Nina Kraviz - You Are Wrong

Infused

Into The Future (feat. Virus J)

READ MORE –– https://www.dummymag.com/new-music/premiere-paranoid-london-cult-hero-do-you-wanna-touch-me/

Paranoid London are on the brink of releasing their second album, ‘PL’, which finds duo Quinn Whalley and Gerardo Delgado delving into the dark, analogue territory they explored on their 2015 self-titled debut. ‘PL’ boasts a series of guests including queer scene darling Josh Caffe (on the already-released ‘Vi-Vi (Vicious Games)‘, Alan Vega from Suicide, A Certain Ratio’s Simon Topping, Arthur Baker, Warmduscher frontman Mutado Pintado as well as Bubbles Bubblesynski, the trans activist and DJ who was murdered in 2017. ‘Cult Hero (Do You Wanna Touch Me)’ – which we’re premiering below, takes a squiggly, acid-meets-EBM beat with post-punk frontman Simon Topping’s vocal driving the track forward. Listen now.

Premiere: Paranoid London - 'Cult Hero (Do You Wanna Touch Me), with Simon Topping'

Low Manuel - Asteroids (Back From The Wave remix)

♬ Click for more ☞ http://trndmusik.de

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2 

Get Ron Flatter's EP on @ritter-butzke Studio here: 
➟ Beatport: https://bit.ly/30oIwEw

For more than the last decade, @ron-flatter has been enriching the house and techno landscape with his own direct and energetic productions and warm, groove-driven DJ sets. Now we are happy to welcome him to our Ritter Butzke Studio family with his tracks “Woodrow” and “Off Ramp”.

“Woodrow” pumps hard and pushes with a distorted and noisy hook. Squeaky but to be taken seriously the track finds his climax with a vocal supported main break and flute rising pads.

“Off Ramp” feels like a half pipe skate jump. A juddering 16th theme in bass, hihats and rythmics gives it a certain thrill. Contrasting light and moving pads contrapoint it with a joyfull feeling jumpin “off ramp”.

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Woodrow

Click for more ♬

Ron Flatter - Woodrow

Artist: Juan To Tree
Track: El Señor De La Muerte
Format: Digital
Label: Fauna Rêve
Release Date: 18/09/20
Purchase: https://faunareve.com/album/colguije

Juan To Tree "The animal spirit that navigates a mighty river of random ideas. A sizzling bird of thirteen thousand three hundred voices. Juan To Tree, source of sound whom songs are renewed from time to time traveling lightly in the whisper of the wind.”
Let's welcome the alter ego of Mexican producer Juan Soto, who debuts on Fauna Rêve with 4 visceral and incendiary dance tracks.

https://soundcloud.com/juansotomx
https://soundcloud.com/faunareve

YouTube

PREMIERE #1187 | Juan To Tree - El Señor De La Muerte [Fauna Rêve] 2020

Ego Rave

Ego Rave C

air miles return after nearly a year out, following the mould of their last outing and offering up a 4 track remix EP based on the transcendental title track: ‘Gondwana at Noon’. The AM003 lead track is produced by the label’s newly acquainted producer & DJ: Remotif, and offers the foundation for Jeigo, Nathan Micay and Molly to twist and tease the slow ethereal GAN into new realms; journeying through to touch multiple axes of the electronic music spectrum.

Digital: 
https://airmilesrec.bandcamp.com/album/gondwana-at-noon-ep-am003

Vinyl: 
https://www.phonicarecords.com/product/remotif-gondwana-at-noon-air-miles/171538
https://www.coldcutshotwax.uk/products/remotif-gondwana-at-noon
https://www.deejay.de/Remotif_Gondwana_At_Noon_AM003_Vinyl__966674
https://www.roughtrade.com/gb/remotif/gondwana-at-noon
https://www.redeyerecords.co.uk/vinyl/130666-am003-remotif-gondwana-at-noon

Credits: 
Artwork by Caterina Bianchini
Music by Joe Reddick, Jack Carr Miles, Nathan Micay, Emeline Ginestet
Artwork words by Elio Escoffery

air miles bandcamp

AM003 // Remotif - Gondwana At Noon EP (w/ Jeigo, Nathan Micay & Molly)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Into The Future (feat. Virus J)

Kevin Saunderson

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Danny Santana-Hernández

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