Kevin (Reese) Saunderson- (The Reese Project)

Reese ‎– Rock To The Beat
Label: KMS ‎Records – KMS 022
Format: Vinyl, 12", 33 ⅓ RPM 
Released: 1989


Reese - Rock To The Beat - My Story 001

Flydub (Dub Mix)

Black Spider

HARVEY MCKAY - PACKED LUNCH - COR12173

OUT NOW: https://www.beatport.com/release/mantra/3774340

Mantra

THE KREATOR³ - Sacred (Original Mix) [UNITY RECORDS]

Recorded live at Jamani Ciclo , Bahrein, Buenos Aires.
November 18th 2022

Hope you enjoy it! :)

WarmUp Jamani - Live from Bahrein, Buenos Aires

Flying cracker from Breccia & Sebastian Markiewicz - check out our new release on Bedrock featured on the Live in Toronto release on 3xCD and 12" Vinyl

Live In Toronto is the sixth and latest installment of John Digweeds legendary live mix following Live in Argentina (December 2013) and Live in Miami (March 2014). 

Capturing the electric energy of Johns last ever gig at Torontos iconic The Guvernment Nightclub on October 11th, Live in Toronto goes from strength to strength and includes 43 tracks of the best selection of underground house and techno talent around. Featuring some of the biggest names in the industry, from German techno meister Sven Väth, Iranian house/techno DJ Dubfire, to US based DJ/producer Matthew Dear stage name Audion and many more, this nearly 5 hour compilation encompasses some of the finest tracks and remixes, meticulously hand selected by John Digweed himself.

Continuously seeking out the best sounds from the worlds finest producers, John has, yet again, completely outdone himself and delivered a stunning product to cap things off as we near the end of the year.

/// Thanks for listening ///

You can join us here

https://www.facebook.com/brecciamusic
www.facebook.com/sebastian.markiewicz.music
www.facebook.com/sebastian.markiewicz.compatible
www.facebook.com/compatible.music.label
www.facebook.com/bmusicpr

twitter.com/smcompatible
twitter.com/CompatibleMuSM

www.mixcloud.com/SebastianMarkiewicz/

www.beatport.com/artist/sebastian…arkiewicz/311129
http://www.beatport.com/artist/breccia/221164

compatiblemusic.co.uk

Live In Toronto

Buy on Beatport

Breccia & Sebastian Markiewicz - Myth [Bedrock Records - Live In Toronto] - BEDTORCD

Wavelength Warden

we are not alone

808+melody=😩🔥

AI Artwork | Saya Generate AI

feint

Like the Tune? Click the [Repost] ↻ button so more people can hear it!

► YouTube: http://bit.ly/ProgressiveAstronautSubscribe
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► PA Booking Enquiries: management@progressiveastronaut.com

Buy: http://bit.ly/2w0iFDa
Release Date: 28-08-2017

► Bedrock Records ♫
http://www.bedrock.org.uk/
https://www.facebook.com/bedrockrecords
https://soundcloud.com/bedrock_rec
https://twitter.com/BedrockRecords
http://www.beatport.com/label/bedrock-records/63

► Guy J ♫
https://soundcloud.com/guy-j
https://www.facebook.com/guyjofficial
http://guy-j.com 
https://twitter.com/#!/djguyj
http://www.myspace.com/guyj1
http://www.youtube.com/guyjofficial
http://www.beatport.com/artist/guy-j/22031

Tracklist:
1. West On Mars
2. Why Are You Here
3. On The Go
4. Temperament

Release Info: 
Guy J’s music is always touched with a magic and emotion that few rival. Forever drawing influence from contrasting styles, genres and concepts, he has become synonymous with creating innovative and out-of-the-box productions. Adhering to that ethos, his new ‘West On Mars’ 4-track EP for Bedrock embraces his innate ability to produce tracks of the highest stature, and underlines why for so many people around the world, Guy J’s music is uniquely joyous, uplifting, intelligent and beautiful. There can be no doubt that he is one of the standout electronic artists of today.

‘West On Mars’ opens proceedings with its plethora of intricate rhythmic elements, expansive melodic hooks and spiralling acidic overtones. All fused perfectly in an eternally developing journey like no other. In contrast, ‘Why Are You Here’ turns up the funk factor with a superbly squelchy hip-swinging groove, overlaid with flawlessly infectious melodic motifs. The energetic ‘On The Go’ buzzes with a swarm of intricate elements, creating a soaring, hypnotic masterpiece. Finally, the smooth, mesmerizing, dubbed-out subtleties of ‘Temperament’ complete what is another impeccable package from Guy J and Bedrock.

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

ALL PREMIERS: https://soundcloud.com/progressiveastronaut/sets/premieres

ALL FREE DOWNLOADS: https://soundcloud.com/progressiveastronaut/sets/free-downloads

ALL PODCAST EPISODES: https://soundcloud.com/progressiveastronaut/sets/progressive-astronaut-mixes

Bedrock

PREMIERE: Guy J - Why Are You Here (Original Mix) [Bedrock]

Inner City x Latroit - You Give Me That Feeling (Inner City Club Mix)

Infused

Anongay (feat. Virus J)

Spicy Mug

Ponderous

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Into tech-house, deep/ progressive house and techno, breakbeat and electro and old-school hip-hop also :) x

Anongay (feat. Virus J)

Kevin Saunderson

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