The Resistance

Where's Your Child

Natural Born Grooves - Forerunner

Classics

Subsonic Trance

With more of an emotional focus than symbolic this time, it's clear this one is from Bone's heart. Detroit Is ... Soul, ducks and weaves in the grey area between house and techno; the initial percussion that is brushed over the kick giving more of a house swing than a techno groove. The on/off, cut-and-dry synth chords contrast with the looser fluidity in Here To Stay (Won't Fade Away), and gives a real sense of intent and desire. The real focal point however is the profound vocal that comes swirling over the top, "Detroit is what I love, Detroit is what I need, Detroit is where I'm from, Detroit's the air I breathe?" No explanation necessary

DJ Bone - Detroit Is ... Soul

Don't cry because it's over, smile because it happened. :-)

FREE DOWNLOAD

PARMAJAWN - TEARDROPS

Label: Constant Black
Artist: ADR
Format: Vinyl + Digital
EP Title: Constant Black 35
Release Date: 24th October 2025
Support it: https://constantblack.bandcamp.com/album/adr-dan-goul

Burnski's Constant Black continues to be a platform for producers keen to explore a cosmic world of tech house and minimalism. There is certainly a spaced-out vibe to opener 'In The Knoe' from ADR, which is tough and punchy, with tight drums and crystalline lines all making for a funky vibe.

'Freedom' is a little deeper and more balmy for late-night intergalactic travel, then 'I Remember When' pumps the party with loopy bass and psychedelic swirls of colour. Dan Goul steps up on the flip with 'Method', which is a full-fat tech sound with warm synth smears and wiggling motifs that make your ass move, then 'Passing Thoughts' shuts down with a cruising groove and sense of astral adventure.

ADR :
https://soundcloud.com/adrmusicuk
https://www.instagram.com/adrmusicuk
https://www.facebook.com/ADRmusicuk

Constant Black : 
https://soundcloud.com/constantsound
https://www.instagram.com/constantsound

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House Six :
https://soundcloud.com/house-six
https://fb.me/HouseSix.yt
https://instagr.am/housesix_
https://spoti.fi/3pHAj7J
housesixyt@gmail.com

Bandcamp

PREMIERE: ADR - Freedom

This tune from Bullet Tooth is hit with a tech house spin in my edit of A Place You Wanna Go (Good Life). Hope ya’ll enjoy!

A Place You Wanna Go (Good Life) - Bullet Tooth (Larks Edit)

Floorplan - Baby, Baby

Heavenly Revisited EP4

Feel The Mood

Heavenly Revisited Album

Pump The Move

Order "Airborne". download / listen: https://CutCopy.lnk.to/HFZ
order new album "Haiku From Zero: https://CutCopy.lnk.to/HFZ
watch official video: https://CutCopy.lnk.to/AirbornevidSo

Pre-Save ‘Freeze, Melt’ now via Cutters Records: bit.ly/CCCWFM

Listen to Cut Copy Greatest Hits: https://CutCopy.lnk.to/GHhitsSo

Immerse yourself in “Haiku From Zero” via our experiential website and listen to commentary on each track from the album. https://CutCopy.lnk.to/listentohaiku

Listen to Cut Copy Essentials: cutcopy.net/gh/

Upcoming shows: cutcopy.net/tour/

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Spotify: https://open.spotify.com/artist/4EENT7N7rCBwrddM3s0vFS?autoplay=true&v=A

order album

Cut Copy - Airborne

We Are The Brave front man Alan Fitzpatrick provides the labels next release with a typically incendiary two-tracker. Delving deep into his record collection for inspiration, the result is a brace of distinct, ear-catching cuts that tip a hat to by-gone times in rave culture and have returned big reactions from contemporary crowds all summer. 

The aptly titled “They All Called ‘Em Garys” combines droning hardcore hoovers and power piano with Fitzpatrick’s trademark heavy tech funk. While “Rhino” adopts a slung-back groove of resounding bass and tense pads overlaid with a knockout melody that bubbles away before unleashing its full chord progression through an unashamedly epic breakdown.

Rhino

BUY NOW

Alan Fitzpatrick - Rhino

Pump the move - E-dancer

LOOP (LFO VS. F.U.S.E.)

LOOP (LFO VS. F.U.S.E.) (FUSE MIX)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Pump The Move

Kevin Saunderson

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