Techno Jim - Feel The Burn (Jukebox - Tracks)

Mirage (Axis Of Time Remix)

Cave - Mirage (Axis Of Time Remix)

Pulled from the vaults of Ballroom Records, The Spirit by Eddie Krystal appears on TEN: The Archive Series, Pt. 3 — a collection dedicated to the label’s deeper, groove-driven club tracks.

Blending percussion and hypnotic flow, the track channels the subtle energy that defines Ballroom’s Minimal / Deep Tech and Tech House roots.

TEN: The Archive Series, Pt. 3

The Spirit

A shadowed transmission of hypnotic techno, subterranean minimal, acid pulse and ritual trance. No BS —pure original invocations by ApØtheØsis.

▶️ Best experienced in darkness, on headphones, at high volume.

#FrequencyDescentV14 #Apotheosis #ÆtherfluxRecords #RitualTechno #DarkTrance #MinimalBass #IndustrialPulse #TechnoWithoutPermission #DescendFurther

CØRE ABYSS

Download on Bandcamp

Konstantin Scharf - Azurmalachit

30 Years Of R&S Records

Energy Flash

Joey Beltram - Energy Flash

Heavenly Revisited EP2

World Of Deep

Heavenly Revisited Album

One Nation

DJ Pierre - ACiD - Pierres ACiD Face Mix

Slam - Positive Education (Original Mix)

‘Camargue’ gets a fresh treatment on Drumcode, as a handful of techno’s finest give new life to an R&S classic. 

Coming from the studio of CJ Bolland and Portuguese journeyman The Advent, the track was born out of a golden age of Belgium dance music and first released in 1992. It stands as one of the most treasured pieces of vinyl in Adam Beyer’s collection and this six-part compilation of remixes and remakes marks a highpoint in Drumcode’s history. 

The package consists of a punchy pin-sharp 2019 version of the original, as CJ Bolland and The Advent polish the edges of their time-honoured rave favourite. Maceo Plex makes his return to DC after 2014’s ‘Conjure Dreams’ and his is a bustling industrial take, with distorted vox that gives way to sheaths of stirring melody, before the spine-tingling chords enter the fore and the cut drops into broken beats. Vintage Maceo. Enrico Sangiuliano delivers a trademark cosmic rework underlined by tribal bass stabs and twisted synth lines to accompany the famous riff. It’s an outstanding remake that’s already a big summer favourite for the Drumcode crew. Adam Beyer and Layton Giordani team up with their own groove-injected, future-focused adaption, all the while never losing sight of the misty-eyed spirit of the original. In contrast to the peak-time prowess of the other respective versions, rising Dutch talent Keith Carnal moulds a liquid smooth interpretation heavy on hypnosis and sparse drums. The Advent rounds out the package with his own fresh version, a whip-smart cut that chops and changes between pounding drums, dreamy synth interludes and warbled effects. 

“Camargue is one of my favourite tracks of all-time and has been part of my life for 25 years. To put it out on Drumcode with fresh remixes is a dream come true.” – Adam Beyer

Buy all

CJ Bolland & The Advent — Camargue 2019 — Drumcode — DC210

Call It What You Want!

LF RMX 020

A - Plastikman - Hypokondriak (Len Faki Hardspace Mix)
B - Tres Demented - Brainfreeze (Len Faki Hardspace Mix)

Celebrating its 20th release, this edition of LF RMX features appearances from two of the scene‘s cutting edge producers: Richie Hawtin under his guise of Plastikman alongside Carl Craig‘s Tres Demented-alias. 

While Hawtin‘s original might seem a minimalistic bleeping experiment to some, Len Faki‘s edit has plenty of groove to it. Equipped with substantial low-end frequency and a solid kick, the track slowly develops an ambiance that's spooky, tribal and mesmerizing.

The flip carries an equally strong rework, its grand acid riff and standout-vocals holding center stage, with newly added percussion driving the momentum that turn this one into a peak-time hitter in true crazed-out Tres Demented-style.

www.lfrmx.com
more info about the project here: strassenkinder-ev.de

B - Tres Demented - Brainfreeze (Len Faki Hardspace Mix)

A - Plastikman - Hypokondriak (Len Faki Hardspace Mix)

SCREAM!
This track is recognisable by its unique chords which constantly keep building up over the long break, peaking with the scream. These chords have been recorded with an Original Synclavier. A legendary Synthesizer/Sampler that back in the 80s cost as much as a house. The sound of this instrument is making these chords stand out and setting the tone for the track.

LIQUID BLUE
The first version of this track was a more Melodic track which Nakadia tried at afterparties and smaller events. She felt like this track was probably the best track she had ever produced, so she wanted to be able to play it at all of her parties. For this it needed to be harder. So she adjusted the speed by a few bpm and used a few more powerful sounds - the result has become her signature track which has destroyed dance floors around the world already.

CHECK THE MUSIC
Nakadia is not often using vocals in her tracks, but for this tracks he gave her own voice, which was actually taken out of Nakadias movie “Light the way” from 2010, where she explains how she packs her playlist and checks the music before the weekends.

Scream

Nakadia - Scream! (Original Mix)

Clocks / Low Life / Go

Low Life

Techno 24/7 is founded in 2013 and shortly after it became the favourite
techno platform for many of the genre followers and professionals.
We are a group of individuals with various backgrounds who were blessed
to connect through the scene, and share passion for techno music and art.
For over a decade, we made our contributions by producing music, creating
events, performing behind the dj booth, developing artists on our record
labels, and much more.
Techno 24/7 is an independent and international platform where we bring
music and culture together. We want to inspire and educate, be different
than what is already there.
Our main focus for now is editorial content of good quality. We will guide you through the most exciting Techno Music and Events worldwide. We cover artists, events, brands and venues who are already on the radar, and most importantly those who also deserve much more recognition.
Techno 24/7 is simply dedicated to all the techno lovers & ravers around
the globe! 24 hours a day, 7 days a week.

Check us out if you like:
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Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

One Nation

Kevin Saunderson

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