Midfield General - Coatnoise (Dave Clarke Mix)

R & S Records 1992 Germany
http://www.discogs.com/DJ-Hell-My-Definition-Of-House-Music/release/5180


Dj hell - my definition of house music (resistance d remix)

Phuture - Your Only Friend (The Flashback Circa Mix By Felix Da Housecat)

Release on Salto Sounds 17th October:

'Champagne EP' Track list:
1 Soulemi, Maroy, Santos Suarez - Raw
2 Soulemi, Maroy, Santos Suarez - Party People
3 Soulemi, Maroy, Santos Suarez - No Turning Back
4 Soulemi, Maroy, Santos Suarez - Champagne
5 Soulemi, Maroy, Santos Suarez - Humanity

Champagne EP

Champagne EP download

Soulemi, Maroy, Santos Suarez - Party People (Original Mix)

Label: Heavy House Society
Artists: Archie Hamilton, Sidney Charles
Format: Digital
Cat. Number: HHS052B
EP Title: Reset EP
Release Date: 26th September 2025
Support it: https://www.beatport.com/release/reset-ep/5338601

Heavy House Society drops a high end collaboration between two heavyweights, Sidney Charles and Archie Hamilton for a standout two-tracker. On the Reset EP, they both deliver a pair of refined, groove-driven cuts that showcase the depth of their shared house and minimal house sensibilities.

'Reset' is built on a tight, swinging groove that fuses chunky basslines with crisp, shuffling percussion. Subtle chord stabs and atmospheric flourishes, inject depth and tension, while the stripped framework leaves space for momentum to build. Slick and modern, it's a hypnotic rollercoaster crafted with underground dancefloors in mind.

On the flip, 'The Future Is Now' keeps things locked to the floor with a punchy low-end foundation and rolling percussion. Carefully sculpted hi-hats and subtle vocal chops add texture, while atmospheric layers push it toward a futuristic edge. Both functional and elegant, it's the kind of tool that can elevate a set whether in the warm-up hours or peak-time pressure.

Heavy House Society's label curator Sidney Charles has long stamped his authority on house music with releases on Truesoul, Hot Creations, and Saved, shaping what fans know as The Sidney Sound. His upfront, groove-led productions such as House Lessons and Warehouse Romance underline his reputation for rough, dirty sounds that defined the old school pioneers, but all with a modern, full and punchy approach, as Sidney favours.

Joining him, Archie Hamilton brings his signature minimal-tinged sound that has graced stages from Circoloco, Music On, Solid Grooves, and Paradise in Ibiza, to festivals including Sunwaves, Caprices, Kappa Futur, Creamfields, and Awakenings. Archie's productions are as diverse as they are consistent, from his trademark stripped-back dance-floor-focused workouts on his very own MicroHertz, a label that has quickly established itself as a hub for cutting-edge underground music, to prestigious labels such as Life & Death to Three Six Zero Recordings.

Together on Heavy House Society, Sidney Charles and Archie Hamilton's Reset EP embodies the underground at its most direct; groove, energy, and precision, designed to keep the floor locked.

Archie Hamilton :
https://soundcloud.com/archiehamiltonmusic
https://instagr.am/archiebhamilton
https://fb.me/archiehamiltonmusic

Sidney Charles : 
https://soundcloud.com/hurricane-kid
https://www.instagram.com/sidneycharlesmusic

Heavy House Society :
https://soundcloud.com/heavyhousesociety
https://instagra.m/heavyhousesociety
https://fb.me/Heavyhousesociety

---------------------------------------------------------------------------------------------------------------------------------------------------------------

House Six :
https://soundcloud.com/house-six
https://fb.me/HouseSix.yt
https://instagr.am/housesix_
https://spoti.fi/3pHAj7J
housesixyt@gmail.com

Beatport

PREMIERE: Sidney Charles & Archie Hamilton - Reset

Elios Aristide - Eon

Generalisation

Coatnoise (Dave Clarke Remix)

Castle Trancelot - Indoctrinate

Heavenly Revisited Album

Heavenly

Slam - Positive Education (Original Mix)

‘Camargue’ gets a fresh treatment on Drumcode, as a handful of techno’s finest give new life to an R&S classic. 

Coming from the studio of CJ Bolland and Portuguese journeyman The Advent, the track was born out of a golden age of Belgium dance music and first released in 1992. It stands as one of the most treasured pieces of vinyl in Adam Beyer’s collection and this six-part compilation of remixes and remakes marks a highpoint in Drumcode’s history. 

The package consists of a punchy pin-sharp 2019 version of the original, as CJ Bolland and The Advent polish the edges of their time-honoured rave favourite. Maceo Plex makes his return to DC after 2014’s ‘Conjure Dreams’ and his is a bustling industrial take, with distorted vox that gives way to sheaths of stirring melody, before the spine-tingling chords enter the fore and the cut drops into broken beats. Vintage Maceo. Enrico Sangiuliano delivers a trademark cosmic rework underlined by tribal bass stabs and twisted synth lines to accompany the famous riff. It’s an outstanding remake that’s already a big summer favourite for the Drumcode crew. Adam Beyer and Layton Giordani team up with their own groove-injected, future-focused adaption, all the while never losing sight of the misty-eyed spirit of the original. In contrast to the peak-time prowess of the other respective versions, rising Dutch talent Keith Carnal moulds a liquid smooth interpretation heavy on hypnosis and sparse drums. The Advent rounds out the package with his own fresh version, a whip-smart cut that chops and changes between pounding drums, dreamy synth interludes and warbled effects. 

“Camargue is one of my favourite tracks of all-time and has been part of my life for 25 years. To put it out on Drumcode with fresh remixes is a dream come true.” – Adam Beyer

Buy all

CJ Bolland & The Advent — Camargue 2019 — Drumcode — DC210

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Heavenly

Kevin Saunderson

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