Techno

Roaches Remixes

Roaches (Peace Division Remix)

Faces And Phases

Velocity Funk

Dance Mania: Ghetto Madness
Out January 26 2015 on Strut
Order on iTunes: http://geni.us/DMGhettoMadness

Strut return to the archives of seminal Chicago house label Dance Mania in January for ‘Dance Mania: Ghetto Madness’. The follow-up to Strut’s acclaimed Dance Mania label retrospective ‘Hardcore Traxx’ from early 2014, this new installment places the spotlight on the raw, stripped back, hyper BPMs of ghetto house and the rise of the movement’s fresh generation of stars during the mid-‘90s including DJ Deeon, DJ Funk, Jammin’ Gerald and DJ Milton. 

More from Strut:
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https://www.youtube.com/user/strutrecords

More from Dance Mania:
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Paul Johnson - Give Me Ecstasy [from: Dance Mania - Ghetto Madness]

Claudia's Trip

download it now: https://atriumrecords.bandcamp.com/album/red-meat-therapy-deep-dive-ep-atrd003

track info:

artist: Red Meat Therapy
title: Deep Dive
label: Atrium Records
catalog number: ATRD003
release date: 2025-10-28
style: Minimal House, Deep House

keep an eye on Red Meat Therapy
https://soundcloud.com/redmeattherapy

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premiere: Red Meat Therapy - Deep Dive [ATRD003]

> @alexarnout
> @dirtytrax

UK underground mainstay Alex Arnout returns to Dirtytrax Records with “Say What” – a deep, hypnotic and minimal cut built around a rolling bassline, filtered vocals and a touch of acid.
Precision, depth and late-night energy – pure Alex Arnout signature.

PREMIERE: Alex Arnout - Say What [DTRX015]

Tadhg E - Thriller (2025 Re-Work) FREE DOWNLOAD

Embracing Disco, Techno and House music in all its declinations, What Ever Not introduces now British artist Reformed Society, project started by house producer Harsh Puri as a consequence of djing and collecting records since 1998, debuting with a four track old school house EP, Optimistic Chaos coherently fitting with the Italian imprint philosophy. ‘Hope’ has that solar, yet dusty groove folding distorted rhythmics and joyful pads around an insistent lead dubby pattern and shimmering synths. ‘Optimistic Chaos’ is again smooth but lightly gloomy, until a pause intoxicates one’s body and mind filling them with inebriating ambients. ‘Incognito’ delivers a deep driving atmosphere here, featuring dogged, crisp drums together with minimalist, yet momentary cosmic motives. For the closing cut ‘Detracid’, the artist cooks up a brew of acid lines with the usual charming synths and vivid hats, building a light sense of tension fired up by the warm, heady sound scapes. Each track is similar to the last, stiffening the musical timbre of the label, confirming the producer’s strong artistic identity as a consequence.

Reformed Society - Incognito

Slam Feat Mr V. - Take You There (Soma Track Series Vol 2) is out next week on Soma

Pre-order: http://www.somarecords.com/shop/music/soma_454d/

--

Catch Slam in RM2 this Saturday night

Tickets: http://www.fabriclondon.com/club/listing/1228

Buy release

Premiere: Slam Feat Mr V. - Take You There (Soma Track Series Vol 2) - Soma Rec

After appearing on A-Sides Volume 4 at the start of 2016, Ilario Alicante now makes his full debut on the label. He has quickly established himself as a key player amongst a new crop of techno artists and truly is one of the brightest stars in the game. His skills behind the decks have seen him tour the globe with Cocoon, as well as appear at the likes of elrow, Lovefest and We Are FSTVL.

Opening with ‘Times’, the EP gets off to a flying start as the track rages straight into top gear, rolling through 6 minutes of pure power. This is a peak time tool that is set to be heard across dance floors worldwide this year. ‘Awakened’ you may have heard from Adam Beyer’s sets of late, a firm favourite which gets his much sought after seal of approval. Rampant syths and mesmerizing vocal hooks all make it one hell of a journey. ‘Sense’ is a more industrial affair, chunky basslines take your hand through the track as it charges on. It’s that classic deep Ilario Alicante sound we all know and love. The EP finishes off on ‘Apogeo’, with its hypnotic siren tones and acute percussion. One thing is for sure, Ilario Alicante is in a league of his own.

Ilario Alicante - Times - Drumcode - DC169

Played by Marco Carola at Sunwaves Festival.

FOR WAV EDITs = https://marwansabbmusic.bandcamp.com/album/all-marwan-sabb-hq-edits

Free Download

MARWAN SABB - LEVALOA [ CIARA VOCALS EDIT ] - FREE DOWNLOAD -

Heavenly Revisited EP2

Behold

Eddie Fowlkes, an artist truly fundamental in the development of Detroit techno, gained his nickname 'Flashin' for his ground-breaking style of speedy mixing. Since 'Goodbye Kiss', his first release on Metroplex Records in 1986, one of the very first techno songs produced, Eddie has continued to produce pioneering tracks and toured dancefloors around the world. 

Revisited by 4 To The Floor, 'That's What I Think About / Something Special E' features two tracks that were originally released on Eddie's Detroit Wax label. The tempo may have dropped since his early releases, but both these tracks stay close to Eddie's roots, laced with heavy Detroit techno influences. South African producer Culoe De Song's remix of 'That's What I Think About' features atmospheric synths and percussion preserving the tracks original sound with a moody twist.

Eddie Fowlkes 'Something Special E'

Eddie Fowlkes 'That's What I Think About'

I:Cube - Transpiration (Original Mix)

Marco Carola: Play It Loud: 16 - Play It Loud  (2011)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Behold

Kevin Saunderson

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