Just saw Edancer at Movment 2017 WOOOW best set ive seen in my LIFE!!!!!!!

love the dark droning bassline. nice work Kevin.

<a href="spotify:artist:0jS6VTFGujWxinY5TSQwOG">Kevin Saunderson</a>'s favorite tracks. Updated regularly. Curated by Kevin Saunderson. More track IDs <a href="spotify:genre:track_id">here</a>.

Kevin Saunderson's track IDs

GROOVE LA CHORD - DEEPARTURE IN TIME - REVISITED

Green Velvet  - Leave My Body (Sonny Fodera Remix)

Made this as a submission to an official remix contest, unfortunately the contest was cancelled lol so I kinda forgot about this one. I recently went back in and gave this track some TLC so now here it is!! I think it came out pretty good and thanks to Will Clarke for providing the stems what a legend!

Set me free - Will Clarke (Avitra Remix)

LOVE THING [FREE DL]

Mark Broom - Frontline EP - Beard Man 
Digital Release 11th Dec 2015
Vinyl Release 14th Dec 2015

Mark Broom - Frontline Original Mix

Heavenly

Heavenly (Original Interlude)

Kuts From The Basement EP

Basement Chord

Heavenly Revisited EP2

World Of Deep

Machines EP

Machine I

Heavenly Revisited Album

Pump The Move

More info & buy the EP : http://safarielectronique.com/release/arnaud-le-texier-antonio-de-angelis-hybrid-ep-incl-ryan-eliott-remix/

Buy Vinyl

04 - Arnaud Le Texier & Antonio De Angelis - Hybrid - Remix by Ryan Elliott (preview)

2000 and One’s classic cut “Spanish Fly” reworked to current industry standards by native New Yorker Agent Orange DJ. The latter responsible for remixing Armand van Helden’s “Witch Doktor” and Josh Wink’s “Don’t Laugh”, amongst other top-grade classics which are dominating playlists on festivals and clubs around the globe.

Spanish Fly (Agent Orange DJ Rework)

2000 and One - Spanish Fly (Agent Orange DJ Rework) [PUREDV086]

[MLD17] @iamchambray & @killfrenzy - Hollow
is the 17th track of our monthly USB ONLY Digital Series

you can buy it here www.mergelayers.bandcamp.com
out on the other digital stores soon

Hollow

Chambray & Kill Frenzy - Hollow

Fragments of Vision

Blenk - Vibration

We All Move Together

Victorious

Spin

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

World Of Deep

Kevin Saunderson

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