http://www.juno.co.uk/products/clytha/458810-01/

Truss - Beacon (Original Mix)

Order vinyl: http://www.somarecords.com/shop/music/soma_400/
Buy it digitally: http://www.beatport.com/release/rotary-catacoustics/1310927

SLAM | Rotary/Catacoustics
[SOMA400]

1.	Rotary
2.	Catacoustics

In what is a momentous occasion for Soma Records, we hit the milestone 400th release of the label and who better to see this in than label heads SLAM as they lead up to their new album due to drop this October. Soma are proud to present the double A sided Rotary/Catacoustics. Slam have been locked away in the studio these past months working hard on their latest album which sees them look to past machines and new technologies to form the base of this new album. These album sessions have spawned two raucous tracks that state where the veteran producers are with their sound. These tracks have the dance floor firmly in mind and display the years of experience Slam have in knowing what exactly will whip up a storm.

Rotary opens the EP with a definite analogue rawness as a storming synth hook leads the track from the offset. Keeping it stripped back the boys allow the hook to bend and evolve over the course of the track, reminiscent of early Hood-esq minimalism. Straight up percussion backs the track and keeps the groove true to Techno.

Catacoustics takes things down a deeper route as low subs rumble while a nicely delayed bell tone reverberates gently in the background giving depth to the track. Strung out percussion flutters in the back as subtle time stretch is applied giving this a trippy and mind melting feel. Slam pull back on the reigns ever so slightly going into the break as yet more subtle builds give tension before firing back with the hypnotic feel essence of the track

Soma400 signals the start of the countdown to the latest Slam album and also shows why they have been in electronic music for over 20 years. 

*All tracks mastered by Conor Dalton @ Glowcast Mastering

Slam - Rotary / Catacoustics (#Soma400)

D.Marco - Libre (Original Mix)

Matt Egbert - Rhythm & Energy

Fede AR - Play Whit Me  [Habitat]

Bandcamp

Ian Pooley - Celtic Cross (Len Faki Remix)

Rod - Hor

Heavenly Revisited EP3

Bass Line

Heavenly Revisited Album

Cry For The Future

https://www.discogs.com/Dave-Clarke-Red-2-Of-3/release/2135

Dave Clarke ‎– Wisdom To The Wise
Bush
1994

DISCLAIMER /
All tracks are uploaded in low quality, for promoting purposes and with buy links. If either label, artist or third party copyright holder does not agree with their material being uploaded, please contact me.

Email: richhelki@gmail.com

Dave Clarke - Archive One

Dave Clarke - Wisdom To The Wise

Plastikman: Krakpot (1993) PLUS8033

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Cry For The Future

Kevin Saunderson

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