fouk

Planetary Assault Systems - Future Modular

Joey Chicago and Agent Stereo join forces to create this incredible single: “Disco Phatz”. Two tracks with fat kicks, great vocals and a really good vibes! Get your copy now!



TRAXSOURCE

Joey Chicago-You took my life (4Disco) (OUT NOWWW!)

For a tracklist & to read the interview click: http://www.thehouseofdisco.com/2015/02/fouk-house-of-disco-guestmix-2.html

Today’s guest mix is from a duo of producers Daniel Leseman & Hans Peeman (Junktion) that have recently joined forces under the moniker Fouk. Responsible for some of our favourite productions over the past year these guys and their new label Outplay are certainly on form. It’s always a bit of an experiment when two producers join forces and very often it doesn’t quite work, however their styles, bolstered by their friendship, have joined seamlessly (or so it appears).

Their mix for us today is full of funk, samples, groove and good records, just what we’re after. A particular highlight is the new Hauke Freer track and one from ‘Somethin Gunny’ we’d never heard before. 


Tracklist & Interview

Fouk - House of Disco Guestmix

Mark Broom - Involver

My Sin Picture

Breezy presents its seventh release with Migues, delivering a deep, groovy, and danceable track built on striking atmospheres, hypnotic basslines, and refined details that drive the dancefloor with energy and sophistication. It’s a sound designed to keep the momentum alive and captivate listeners from start to finish.

The remix comes from Eli Maret, who adds his unique signature and an extra layer of depth, transforming the composition into an even more immersive and polished experience.

An EP that highlights the artistic identity of the label, reinforces its commitment to quality, and ensures the groove remains vibrant in every beat.

master by: Lobo Studio
linktr.ee/lobostudiobr
@lobostudiobr
www.instagram.com/lobostudiobr/

Migues
@miguesdj
migues.bandcamp.com/music
www.instagram.com/migues.dj/

Eli Maret
@elimaret

BRZ007 - Migues - Atomic Hood (Original Mix)

Analog Grind

Concrete Pulse

Peace Division - Blacklight Sleaze (Radio Slave Vocal Mix).mp3

Daniel Leseman and Hans 'Junktion' Peeman have joined forces under their Fouk moniker once again, this time to deliver a feel good Deep House mix especially for Juno. The guys must have been inspired by the Indian summer that Europe is having because you can feel the sunshine through your speakers!

Tracklist:
Orlando Julius - Disco Hi-Life [Hot Casa Records]
First Choice - Love Thang (Genius of Time Edit)
Brame & Hamo - Cotton Club [Splendor & Squalour]
Dirtytwo - Back in da Day (Daniël Leseman Remix) [Razor-n-Tape]
Fouk - Coconuts [Room With a View]
Gender Street Steppers - Bubble World [Mood Hut]
Junktion - Sidewalk Salsa [Diggin’ Disco Deep]
Fouk - Heavy on the Bacon [Room With a View]
Harvey Sutherland - New Paradise [MDCE Recordings]
Seven Davis jr. - No Worries [Ninja Tune]
Junktion - Robo’ism [Unreleased]
Peter Clamat - Filzkugel (Daniël Leseman Remix) [UKNOWN]
Chaos in the CBD - 78 to Stanley Bay [Amadeus Records]

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Juno Download Guest Mix with Fouk (Room With A View)

As featured/ DL link: http://bit.ly/2GBS2qI

Check out my mixes over at mixcloud: http://bit.ly/2GBS2qI

Denis Sulta - It's Only Real

For our final record of the year, we turn to Glasgow's man of the year - Denis Sulta.

Like a good chunk of the Numbers family, he has earnt his stripes working at the coalface of techno aka Rubadub. He has crafted two excellent twelves for our bare-chested cousins at Dixon Avenue Basement Jams and is beginning to carve himself out a reputation as a DJ of some repute, expertly blending in the bangers with Sulta-certified weirdness. Denis is part of a new wave of Glaswegian artists who are doing amazing things and whose music is continuously exciting us.

‘It’s Only Real’ created by Sulta during a burst of inspiration one Sunday, takes us back to a time when techno was intricately melodic but still kicked hard in the club. Made with only the purest of intentions and a dedication to the art of moving heads and feet.

It's Only Real is released on vinyl and digitally on 1st Dec / 4th Dec

Buy Vinyl and Digital from
Bandcamp: https://nmbrs.bandcamp.com/album/its-only-real-2
Bleep: http://nmb.rs/denis-sulta-bleep
Boomkat: http://nmb.rs/denis-sulta-boomkat
Clone: http://nmb.rs/denis-sulta-clone
iTunes: http://nmb.rs/denis-sulta-itunes
Phonica: http://nmb.rs/denis-sulta-phonica
Redeye: http://nmb.rs/denis-sulta-redeye
Rubadub: http://nmb.rs/denis-sulta-rubadub
Rushhour: http://nmb.rs/denis-sulta-rushhour

It's Only Real

Heavenly Revisited EP3

Bass Line

Heavenly Revisited Album

Cry For The Future

Banjo

Joey Beltram - Slice (Carl Cox Remix)

Head High - Rave (Dirt Mix)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Cry For The Future

Kevin Saunderson

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