Heavenly Revisited Album

Populous’ '☯LĀŸF☯' , on the other hand, is described by Udi as ’a very fun queer track’ which echoes the values that are so important to the BĘÃTFÓØT project and its community.

BĘÃTFÓØT Remixes

BĘÃTFÓØT - LĀŸF (Populous Remix)

Currently in heavy rotation by the likes of Maceo Plex, Adam Beyer and Sven Vath 

Cut from DCR720 – Drumcode Radio Live - Adam Beyer live mix from Resistance at Ultra, Santiago 
https://soundcloud.com/adambeyer/dcr720-drumcode-radio-live-adam-beyer-live-mix-from-ultra-santiago 

► IDJunkie 
https://soundcloud.com/idjunkie 
https://youtube.com/idjunkie 

If an artist, label or stakeholder has an issue with an upload please message or email (idjunkie@hotmail.com) and it will be removed immediately.

Run DMC vs. Jason Nevins - It's Like That (Raxon Edit)

Woke

Woke (Jamie Jones Remix)

Out now: orcd.co/REKIDS253

William Kiss lands on Rekids with the ‘The Beat’ EP this November, hot on the heels of a remix for Mathias Kaden’s ‘Circulate’ EP on the label in September.

The A-side starts with title track ‘The Beat’, bodied toms footing the rhythm while high-pitched percussion keeps an irresistible groove above. With an expertly sampled, playful vocal, Kiss’ ‘The Beat’ is another unmistakable club hit that will effortlessly find its way into the peak time. The B-side hosts ‘Midnight Club’, which features more organic drums mixed with a classic House vocal and zippy strobe-light-inducing synths, closing out William Kiss’ debut on Radio Slave’s flagship label in his signature drummy style.

Having won support from Laurent Garnier, HAAi, Call Super, Robert Hood, and more, William Kiss has been going from strength to strength. He previously appeared on Radio Slave’s labels via his ‘Clap For Me’ EP on Rekids sibling label RSPX, with further releases on labels like GUDU, Bush Records and Three Six Zero alongside the launch of his collaborative project, Not Without Friends, with Luke Alessi and Jordan Brando on RÜFÜS DU SOL’s Rose Avenue.

Buy/Stream

William Kiss - Midnight Club

Tiger Stripes - Time For Peace

Taking her hi-intensity punch and hypnotic vista to Life & Death, Miami’s one-and-only Cole Knight steps in with a monster new single bound to get the dance floors melting in XTC. Cut from the silkiest cloth and clad in the densest alloy, ‘Like That’ is peak time big-room payload in all its glory, zeroing in on your cortex and not letting loose on your braincells until your muscles have gone numb for good. Built around the most tendinous bass chassis you could think of, the track folds out like a propulsive origami in sound, amping up the pressure as Knight’s voice ensures maximum subjugation from the bedazzled audience -- bar after bar, drop after drop. The EBM-ish rhythm, a jagged, seesawing landscape of fevered sine waves and skittish drumwork on an aggro spin, shall have you zoning out without further ado, as the enslaving bass tightens its grip and Knight’s timbre tangles up your soul to venomous effect. Beast of a tune primed for heavy-duty boogie down, this one's sure to bring the ruckus from down the basement all the way across the warehouse. 


Buy / Steam 

Like That

Out now: https://orcd.co/REKIDS272

London artist CASSIMM returns to Rekids with ‘I’ll Take You There’, landing 26th September 2025. It follows his recent remixes for label boss Radio Slave and his 2024 ‘House of Moves’ EP on the imprint, which won support from the likes of Paul Woolford, Dam Swindle, Jamie Jones, and Laurent Garnier.

CASSIMM’s 'I’ll Take You There' is a chunky House cut with powerful bass and rolling drums, joined by filters which build the vibe while a diva vocal rings out with raw emotion. It's a perfect mix of gritty production and infectious rhythm that lights up the floor with pure underground credentials, while the club mix of ‘I’ll Take You There’ hypnotises with a loopy feel and toughed-up groove.

Over the last decade, CASSIMM has amassed a massive following via a slew of Beatport chart-topping releases on labels like Toolroom, Defected, King Street, GOLDEN, and Rekids. His best-selling, party-ready, and radio-friendly music earns consistent support across the globe, backed by BBC Radio 1 and artists like Honey Dijon, Nic Fanciulli, Marco Carola, Peggy Gou, Gorgon City, and many more.

CASSIMM - I'll Take You There - Rekids

Heavenly Revisited EP1

Forces

Savage & Beyond

Heavenly Revisited EP2

Behold

Heavenly Revisited EP3

Bass Line

Anongay

Into The Future

Ulysse-sometimes

Eddie Mercury - In Mexico (Andre VII RMX)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Anongay

Kevin Saunderson

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Stephanie von Monaco

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