This guitar remind me an old school but better than old, amazing!

Heavenly Revisited EP4

Lil Louis - French Kiss - Mark Broom Edit

Phuture - Your Only Friend (The Flashback Circa Mix By Felix Da Housecat)

FRQ [Minimal Groove Concept]

After growing up on a steady diet of everything from Indian and western classical music, through to disco, hip hop, reggae, 1980s electronic pop and even heavy metal, Rajesh Deshpande first became involved with electronic dance music in the late 1990s. Initially gravitating towards the intense rhythms and chest-pounding basslines of jungle and drum and bass, his first forays into music production were made alongside his brother. Releasing and touring under the Vice Versa' moniker and thanks to the support from local Sydney DJs and underground radio stations, the duo managed to catch the attention of legendary drum and bass figures LTJ Bukem and Conrad. This led to a string of high profile releases on Bukem's seminal label 'Good Looking Records' (amongst others), as well as residencies in most of Sydney's major dance music venues. After a hiatus, Rajesh has rediscovered his love for music production and DJing in recent years. Always open-minded and keen to explore new territory, he found a new muse and appreciation for the moods and grooves of house music. The resulting 'Miraj (AU)' project has been met with solid support from taste-making underground artists and DJs within Australia and across the world. With releases on several labels including Melbourne's very own Valiant Records, Celestial Recordings (UK), EmbarrassedArts (UK) and Expmental (France) as well as regular appearances on playlists from the likes of Dilby (Poker Flat, 8bit, Crosstown Rebels), Graziano Raffa (Sudbeat), Marsh (Anjunadeep), Robyn Balliet, Gorge, and Steve Kelley, Rajesh continues to forge ahead with his own interpretation of the deep house genre.

@marci-steffen @miraj_au

https://www.beatport.com/release/limitless/4834178

Without Limit

Morning Sax

Heavenly Revisited EP2

World Of Deep

Feel The Mood

Heavenly Revisited Album

Banjo

Velocity Funk

DJ Gilb'r - Pressure (Laurent Garnier Mix)

DJ Gilb'r    -  Pressure (Laurent Garnier Mix)

Now available on Beatport: freeforall.lnk.to/FFAD009SC

‘The Best Of Orlando Voorn’ contains 25 of his biggest hits including; “Flash” (Fix, 1992), “A Paco Di Bango’s World” (Playboy, 1996), “Solid Session” (Format, 1996) and “Where Is Your Evidence?” (Frequency, 1991).

If you ever wanted to own these tracks, but didn’t get a chance to purchase the vinyl, now is your chance to get back those lost years.

The Best Of Orlando Voorn

Flash

Download Here

Fix - Flash

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Banjo

Kevin Saunderson

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