Yousel 500

For The Kraftwerk (Rework)

DOWNLOAD IT on BANDCAMP: https://skyboymusic.bandcamp.com/track/rs-dont-stop-no-sleep-belooshis-bill-clinton-in-detroit-re-edit

ALREADY SUPPORTED and downloaded by Mano Le Tough, 50Weapons crew, youANDme, Christian Prommer, Krystal Klear, James Teej, Romare, Ripperton, Alex Niggemann, Dirty Channels, Andrea Di Rocco, Marcel Knopf, Black Loops...

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John Belooshi strikes back with this amazing piano-chord-claps-rides-crashes re-edit of the zupatrack by Radio Slave "Don't Stop No Sleep" out now for Non Series.

It seems to see Bill Clinton saying "Please, Don't Stop" to Monica during a convention in the 90's in DETROIT!
xxx

DL on Bandcamp

Radio Slave - Don't Stop No Sleep (Belooshi's Bill Clinton In Detroit re-edit)

Pulsations

You Got It

RR - Tomorrowland - episode 1

Kevin Saunderson As E-Dancer - One Nation

Virton Upgraded (Ben Klock Remixes)

Virton Upgraded

Radio Slave readies a double A-side to mark the 100th release on Rekids this February.

Having recently celebrated ten years, the consistency of music on Matt Edwards’ Rekids is indisputable with releases from Nina Kraviz, Mr. G, David Morales, Peggy Gou and DJ Deep to name a few. Aside
from his A&R abilities Edwards’ extensive understanding of electronic music is evident in his various pseudonyms. Amongst these Radio Slave is easily his most illustrious and most fitting for the seminal label’s milestone 100th release.

“I had to make these tracks. It’s what we do and it’s the perfect release for Rekids 100” – Matt Edwards

Containing all the hallmarks of a Radio Slave production, ‘Another Club’ merges looped vocals with thudding kicks as echoing stabs and infectious hats work their magic. On the flip, ‘Feel The Same’ is a
funky slice of Detroit inspired house.

A. Radio Slave - Another Club

#RDM004 - Rino Cerrone (Joseph Capriati reinterpretation)

RELEASE DATE: 27.04.2018
LABEL: Redimension Music

TRACKLIST:
A. Rilis 07_B1 - Joseph Capriati edit
B1. Rilis 06_B2 (Gaetano Parisio remix) - Joseph
Capriati re-edit
B2. Rilis 03_A2 - Joseph Capriati remix

►Available across all major streaming platforms worldwide & stores via https://lnk.to/REDIMENSION004

Rilis Classics Joseph Capriati Reinterpretations

Rilis 06 B2 (Gaetano Parisio remix)

Rino Cerrone - Rilis 06 B2 (Gaetano Parisio remix) - [Joseph Capriati re-edit]

Download / Stream:
https://nervous-records.lnk.to/YdbXY

How's The Music (Go Higher Mix) Harry Romero Edit

How's The Music (Go Higher Mix - Harry Romero Edit)

Winx & Josh Wink - How's The Music (Go Higher Mix - Harry Romero Edit)

Out now on Rekids: lnk.to/REKIDS153

Beard Man label boss Mark Broom returns to Radio Slave’s Rekids with a swinging techno focused four-tracker entitled ‘Raver EP’

Since the early 90s, renowned UK artist and DJ Mark Broom has been cherished for his consistent output of rhythmically charged techno and energy spiking performances with releases on Warp, R&S, Soma, Hardgroove and Blueprint alongside collaborations with artists such as Baby Ford, James Ruskin, Discrete Circuit and Gary Beck. ​A regular on Rekids, Broom's contributed numerous releases and remixes to Matt Edwards' label - notably last year's massive 'Break 97 EP' - and his next outing sees the prolific producer return with four more versatile club-focused cuts.

‘Raver’ opens with boomy kicks, splashing cymbals and aggressive stabs until ‘Insta’ trembles the floor with rolling snares, driving rides, distorted claps and arpeggiated synth patterns. On the flip, ‘Midnight’ takes retro sounding keys and adds peak time drive with lofi drums, distant vocals and a sleek funk line sample before ‘Hear Me’ electrifies with a tease of classic 90s-esque lyrics, bouncing toms and elated chords.

Mark Broom - Midnight

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Kevin Saunderson As E-Dancer - One Nation

Kevin Saunderson

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