Love it! Please bring more new IC tracks with Paris and Ann

deeeeeeeep

Kult Records Presents: Moody (4th Edition Remix Package)

Moody (Saeed Younan Vocal Remix)

An exclusive courtesy of http://www.mixmag.net 

More exclusive music

Premiere: Kwabs 'Wrong Or Right' (Ben Pearce remix)

Produced By Kevin Saunderson & Tommy Onyx

Vocal Production and Background vocals Ann Saunderson 
Lead Vocals Paris Grey

Keyboardist Davos T Funk & Drew Keys

Kevin Saunderson feat Inner City - Bad Girl (Kevin's Radio Edit)

Sorry For Not Trending

Deep Into The Vibe

Out now: orcd.co/REKIDS253

William Kiss lands on Rekids with the ‘The Beat’ EP this November, hot on the heels of a remix for Mathias Kaden’s ‘Circulate’ EP on the label in September.

The A-side starts with title track ‘The Beat’, bodied toms footing the rhythm while high-pitched percussion keeps an irresistible groove above. With an expertly sampled, playful vocal, Kiss’ ‘The Beat’ is another unmistakable club hit that will effortlessly find its way into the peak time. The B-side hosts ‘Midnight Club’, which features more organic drums mixed with a classic House vocal and zippy strobe-light-inducing synths, closing out William Kiss’ debut on Radio Slave’s flagship label in his signature drummy style.

Having won support from Laurent Garnier, HAAi, Call Super, Robert Hood, and more, William Kiss has been going from strength to strength. He previously appeared on Radio Slave’s labels via his ‘Clap For Me’ EP on Rekids sibling label RSPX, with further releases on labels like GUDU, Bush Records and Three Six Zero alongside the launch of his collaborative project, Not Without Friends, with Luke Alessi and Jordan Brando on RÜFÜS DU SOL’s Rose Avenue.

Buy/Stream

William Kiss - Midnight Club

Jackin Trax & Don Rimini - Sick & Freak

Pre-order: https://dstone.bandcamp.com/album/resonant-dreams-ep

Amsterdam’s @d_stonemusic blends a fusion of live instrumentation and skilful electronic programming on his new EP, 'Resonant Dreams'.

The new four-track record marks the 10th release on Chloé Caillet's @smiilerecords.

Premiere: D Stone 'Venga People'

Fables and Fairytales

Fables and Fairytales (Adam Marshall into the Sprit Lands Mix) [feat. Rosina]

Everybody I Got Him - 12" 

Mendo : Everybody I Got Him [Get-Groovy-Recordings](2001)[GGR08-6]LINERip-MaOwn

Underground Poetry

Mad Poet (Original)

⚠ Important Disclaimers
For promotional use only! I do not own any of the tracks uploaded on this channel. Copyright holders please send me an email and I will remove the track if you don't want it here.

 Apollonia Tour à Tour EP.
Track: Sona

Follow Apollonia on :
Facebook:
https://www.facebook.com/ApolloniaMusic/

Soundcloud:
https://soundcloud.com/apolloniamusic

Tour a Tour

sona

Apollonia - Sona. Tour à Tour EP.

Time for Ensor

Time For Ensor

Nora En Pure - Come With Me EP

TRACKLIST:
0:00 - 1:37 min // Nora En Pure - Come With Me (Original Mix)
1:37 - 4:07 min // Nora En Pure - Loneliness (Original Mix)
4:08 - 6:16 min // Nora En Pure - Norma Jean (Original Mix)

!!OUT NOW!! Download our copy here:
http://www.beatport.com/release/come-with-me/1041001

LABEL:
Enormous Tunes

PRESSTEXT:
Another fantastic EP on Enormous Deep from swiss based NORA EN PURE who returns to her home base and delivers 3 stunning indie dance tracks. 
We're opening up the EP with the title track COME WITH ME. A classy and touching piano chord construction builds the basic, slowly filtering up and down during the whole arrangement. Some jazzy vocal phrases and adlibs support the melodic parts. 
LONELINESS takes the more classic indie dance direction, heading on to lift off with a hammering 80s beat pattern, sweeping atmospheres, deep house synth stabs and a funky bass line underneath. This hazy, light dappled nu disco track will become, for sure, a secret night weapon in any whether indie dance but also deep house DJ sets.
The last slot on the EP is home to the track called NORMA JEAN. A buttery blend of percussion, Melody and warm chords, creating a relaxed mood to swing your hips. The track extends just close the 6 minute mark, giving you time to get into the mood and lose yourself on the dancefloor, just exactly as you should. 

MORE INFOS:
http://www.facebook.com/NoraEnPure
http://twitter.com/NoraEnPure

Nora En Pure - Come With Me EP

Annie Mac Plays Mark Knight remix of Coma Cat

Having previously unearthed and showcased plenty of new school talent like Chamboche, Bonar Bradbury and A/Jus/Ted, Under The Shade turn to two hot house properties in the form of Ben Pearce and Real Connoisseur for their next release – a split EP of one original and one remix from each artist.
You probably already know the name Ben Pearce from ‘What I Might Do’, his oddly anthemic deep-house debut that dominated club floors across the world in 2012. Here he is in similar form with ‘Just Enough’ – a dark and studiously moody house cut that brews and stews for the duration with almost hymnal pads, smooth and buried deep kick drums and just the slightest traces of classicism in the repeated male vocal
clip. Light-fingered drum fills and carefully, scale riding melodies add depth and space and this one is likely to be as big as his debut.
Remixing the track is Real Connoisseur, a 20 year old from Oxford with releases on labels like Purp & Soul already under his belt. His version stands more upright with sharp and slinky percussion bringing a deep garage vibe the track. What will most standout for clubbers, though, is the mangled and spangled bassline that ripples through the track come the mid point Floor slaying stuff for sure.
And so to his original track, ‘Nobody’s Fool’, it’s an elastic and bombastic deep house cum bass music hybrid with precise bass notes patting out the rhythm and kinetic drum hits churning in its midst. A euphoric, hands in the air vocal sample bursts through a various points as the bassline bobbles along below and the production is both rich and warm, infused with a neon glow and crafted for maximum damage, you suspect.
Pearce returns the remix favour and tweaks it into a more peak time, punchy house jam with well placed vocal snippets accentuating the kick of the drums. It’s easy to see why Pearce won so many fans early on, and this EP suggests Real Connoisseur isn’t far behind him.

Real Connoisseur - Nobodys Fool (Ben Pearce Remix)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Kevin Saunderson feat Inner City - Bad Girl (Kevin's Radio Edit)

Kevin Saunderson

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DJ Ronny D | disco

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