Detroit was robots and junk yards and cars and industry ,, i love it ,, from compton ca , insight rocks

Mike worked out on that mix - incredible sub bass for a minute near the break - blew me away when I heard him mixing it

should make it downloadable for historical archivers!

World Of Deep - E-Dancer.      Such a great track and review.

KevinSaunderson

Out now: https://orcd.co/Rkd003

London’s Matt Ryder, AKA Odee X, kickstarts REK’D’s 2025 with the ‘X-Ray’ EP this January, following the release of his ‘So Hot It Hurts’ EP on Rekids aﬃliate Don Rimini’s Bunkaball.

The ‘X-Ray’ EP’s title track sees Odee X place a powerful piano melody at the centre among bleepy synths and clever drum arrangements, a short but eﬀective vocal appearing before its frenzied drop, omitted in the instrumental version. The infectious ‘Culture Dub’ then comes in with a carefully built groove of organic percussion, playful sampling, and plenty of echo to round out this classy peak-time House EP rife with dub influences.

Formerly known as B.U.U.G, Odee X has released on labels like Street Tracks and Nightmayors, with his contemporary takes on House and T echno winning the support of artists like Laurent Garnier, Jamie Jones, and Marco Faraone while receiving plays on BBC Introducing.

Matt Edwards launched REK’D in October 2024 to release no-nonsense House music without the limitations of parent label Rekids. So far, they’ve released dancefloor-ready EPs from Italian Theory Of Swing boss St. David and Nervous Records alum James Juke, with Odee X now landing on the label ahead of what will surely be a jam-packed year of quality releases for the REK’D imprint.

Buy/Stream

Odee X - X-Ray

Dancer

Dancer (Extended)

I'm Gonna Sing

Marco Faraone, William Kiss - Girl [Uncage]

Wh0 - Girls & Boys

Tiger Stripes - Time For Peace

Tiger Stripes - Rockin'

Tiger Stripes - A Dance

Out now: https://orcd.co/REKIDS269

UK DJ, producer, and Dumb Safari label head Huxley joins Radio Slave’s Rekids for the first time with the ‘MIND G%MES’ EP, dropping 25th July 2025.

The first track, ‘M%ND’, kicks oﬀ with woozy and alluring pads swirling round a cuddly but kicking Deep House groove. Soulful vocals and delicate, cosmic melodies rise out of the mix to bring it to a close in style.

'CLUB SH%T' ups the ante with zippy synths injecting some texture to slamming drums that straddle the House and Techno divide, while wispy stabs and warm daubs of sound dance around the cowbells to make this an evaluated late-night tool.

'FEAR N%THING' is a new school cut, with filtered loops, sugary chords, and pent-up energy all surging through the dance floor.

Last but not least is 'ANY1', a sleazy House pumper featuring moody spoken word, a big, rubbery bassline, and slinky, Garage-influenced percussion.

Active in the underground music scene for two decades, former Rinse resident and sometime Aus, Shall Not Fade and Unknown To The Unknown artist has had one hell of a career. From huge breakthrough tracks like ‘Let it Go’ on Hypercolour and ‘Box Clever’ on 20:20 Vision to his 2014 ‘Blurred’ LP on Aus, he’s seen universal critical acclaim as well as massive support from DJs and dancefloors globally.

In recent years, his Dumb Safari label, the online community R Trybe (co-founded by Ramin Rezaie/BAKKIS) and collaborations with Steve Bug are just a handful of his projects, while his ‘MIND G%MES’ EP for Rekids is already feeding the fire with support from Jen Cardini, Cromby, I.Jordan, Jennifer Loveless and big room dons, Michael Bibi and Solomun.



Huxley - M%ND

White Chocolate & Dantiez Saunderson - Logarythm (Original Mix) [PREVIEW]

What were the differences between Chicago & Detroit in the late 80s, and what were the key venues?

How can the next generation keep connected with the roots of techno and keep it relevant?

'89-'91: The KMS studio began in downtown Detroit, which lead to the birth of KMS Records. 

Here's the story behind it.

-Kevin

How KMS Got Started

This audio is taken from Kevin's set during a very special digital only event with Mixify dubbed "The Saunderson 3", which featured opening sets from his sons Damarii and Dantiez.

Read more about the event here: http://bit.ly/112mVax

Kevin Saunderson LIVE on Mixify - May 14, 2013 - FULL SET

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Mainly looking for HOUSE and ACID HOUSE music. I absolutely LOVE love LOVE Detroit Techno- always about the Detroit Militia and other original Detroit artists such as Ritchie Hawton, Derrick May, Josh Wink, Waffle, DJ A Sharp and the like. Detroit is where it's at in the Techno scene, baby! Worldwide the consensus is...DETROIT!

What were the differences between Chicago & Detroit in the late 80s, and what were the key venues?

Kevin Saunderson

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