One of the most inspiring sets for me back then, but I never knew what the name of opening track was. Anyone?

I've been to few Innercity parties in Amsterdam Best Days Of My Life!!!

These tunes rocked my world got some on vinyl to.

Hiroko Yamamura B2b Hyperactive At ARC Music Festival, 2022 (DJ Mix)

Dirty Epic welcomes aboard @dj-t-1000 for its fifty third episode of Amplify Series.

Detroit-born, Berlin-based Alan D. Oldham has been called "Detroit Techno's Renaissance Man" by Muzik Magazine (UK). Electronic musician, label owner, remixer, graphic illustrator, and international DJ, Oldham-under his stage name DJ T-1000-does it all.
A lifelong cartoonist and graphic designer, a young Oldham published his own indie comic book "Johnny Gambit" in 1987 to local notoriety. Hired that same year by his childhood friend Derrick May to illustrate several memorable pieces for his new Transmat label, this led to Oldham's very first involvement in the fledgling techno scene. More art requests quickly followed, most famously from the Djax-Up-Beats label (NL), where his art took center stage for many years (the lone EP that Oldham produced for Djax, under the name Signal To Noise Ratio, brought home a 1991 Detroit Metro Times Music Award for best single in "Detroit Is Burning"). At the same time, college-student Oldham was hired at local radio station WDET, hosting Detroit's first-ever all-electronic radio program, "Fast Forward," introducing artists like UR, Richie Hawtin and Carl Craig to local airwaves.

Five years later, Oldham found himself under the tutelage of UR's Mad Mike Banks. Initially hired as UR's "Minister of Information," working side-by-side with Rob Hood and others in the office, Oldham was eventually tapped to replace his departing friend Jeff Mills as DJ on UR's world tour (quitting WDET in the process), and DJ T-1000 (and his label Generator, distributed by Submerge) was born. Big shoes to fill, but he was up to the task. For a year afterwards, Oldham toured with Banks in the UR techno boot camp. Since those long-ago days, a solo Oldham continues to rock crowds in Berlin (with an unofficial residency at Tresor), Milan, Barcelona (unofficial residency at Moog), Madrid, London, Tel Aviv, Tokyo and all points in between with his own no-nonsense brand of bangin', funky-ass techno. When DJ T-1000 is on the flyer, fans know he's bringing the ruckus.

In 2004, Oldham finally left a flagging Motor City for the Midwest boomtown of Chicago. And in 2005 he finally established his permanent European base in the world's latest electronic music capital, Berlin.

When he's not behind the decks or in the studio producing electronic dance music for labels like Tresor Berlin, Inzec (CH), Minimalsoul (CH), or his own Pure Sonik and Generator imprints, Oldham has provided artwork for the electronic music industry for almost 20 years. Also, his drawings and large-scale paintings have been on display in art galleries in Chicago, Berlin, Paris, Los Angeles, and most recently a sold-out opening in Amsterdam.

Pic: Chris Molina

LINKS:

DJ T-1000:
Soundcloud: @dj-t-1000
Facebook: www.facebook.com/AlanOldhamMusic
Instagram: www.instagram.com/alan_oldham_
Bandcamp: https://djt1000.bandcamp.com/music
RA: ra.co/dj/djt-1000

DIRTY EPIC:
Website: www.dirty-epic.com
Merch: shopby6am.com/collections/dirty-epic-collection
Facebook: www.facebook.com/DirtyepicLA
Twitter: twitter.com/dirtyepicla
Instagram: www.instagram.com/dirtyepicla/

Amplify Series 053 - DJ T-1000 (Live at NYE Techno by Compound)

DJ Hell - Live At Sonica Sunset Sessions, Kumharas (Ibiza) - 29-May-2014

Isu @ Technokunst pres. Ben Klock | A38 | 2015.02.20.

Let’s get mental on episode 009 of The Techno Files, a podcast showcasing the golden era of techno that drove me hard from the late 90s through the mid-2000s. All tracks are remastered hifi encodings from my personal vinyl library.

It’s that time of night when you realize you should probably be headed home but the beats are starting to get a little mental, screwing with your head and you need to hear just one more to see where this is going. Then another. And another. Suddenly noon approaches and you don’t understand what just happened! It’s ok, we’ve all been there.

Dedicated to one of the greats of the golden era and gone too soon, Rino Cerrone.

Featuring music from: Christian Morgenstern; Mauro Picotto; Patrik Skoog; Markantonio; Inigo Kennedy; Fumiya Tanaka & more.

For full tracklistings and more, head to my website: www.dylandrazen.com

For No Talk All Techno version, head exclusively to my Mixcloud page: mixcloud.com/dylandrazen

The Techno Files | 009

„Lucid Dreams“ ist eine psychedelische Reise durch Klang und Bewusstsein. Treibende Basslines, hypnotische Synths und träumerische Atmosphären verschmelzen zu Tracks voller Energie, Tiefe und Vision.

Lucid Dreams

10 minutes of evolving techno at 143Bpm, captured live in the moment. This mini-set blends hypnotic grooves with rhythmic tension, offering a sound tailored for adventurous radios, refined dancefloors, and curious minds. Played live with full control, it reflects a balance between technical skill and musical flow.
🔊 Let yourself be carried by techno that moves forward.
▶️ Press play and dive into the groove.

Live Session: 10 Minutes of Cutting-Edge Dance|Techno|Electronic (Ep 3 - 143bpm)

Titty Twister (orIgInal mIx)

Kevin Saunderson Live  @   Innercity 2002, Amsterdam

Laurent Garnier - Virtual Kingdom, L'Anfer, Dijon 1995.07.19

Kevin Saunderson’s influence runs deep, through both his adopted hometown of Detroit and music culture as a whole. 

This set for 909 Festival 2019 is iconic. His high-energy, high-spirit, and high-impact Detroit driven grooves will make you easily understand why he earned his nickname “The Elevator”.

See him performing at Loveland Festival 2019: loveland.nl/festival

Kevin Saunderson | 909 Festival 2019 | LL105

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Kevin Saunderson Live @ Innercity 2002, Amsterdam

Kevin Saunderson

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