non commercial purposes

remixed by Muzik School Rejects

A1. I Was Made For Loving U (Hot 90's Bootleg)
B1. I Was Made For Loving U (Super Acid Bootleg)

Queen of Japan - I Was Made For Loving U (Super Acid Bootleg)

RMXLOGIX Vol.2 (with SPECIAL TRACKS)

Unit - Quarta330 REMIX

How To Play Our Music

Just Another Chance, Faces And Phases (Special Sampler Vinyl Pack)

Gary Beck feat Debra Debs - Get Together - BEK020

I'm in Love with a German Film Star" is a post-punk song by the British band The Passions. It was released as a single in January 1981, and reached No. 25 on the UK Singles Chart. It was the band's only charting single. Believed to ba an homage to 30's star, Marlene Dietrich it is superbly reworked her by Sybil War featuring the timeless vocals of Bev Benfell.

05/05/24

I'm In Love With A German Film Star (by Sybil War) feat. Bev Benfell

Smartlink with all music platforms:
hypeddit.com/bernardomota/gottabeyou

https://soundcloud.com/bernardomotapt

PREMIERE: Bernardo Mota - Gotta Be You [Dog With A Bone Records]

Straight Ahead Extended Dance Remix Djloops (1982)

DIM CITY - LOST IN THE BUSH (DUMB PREVIEW)

Have fun! Stay tuned.

Mastering:
68 Audio Mastering
https://www.facebook.com/68AudioMastering

Fischerspooner - Emerge (Oliver Immer Remix)

FREE DOWNLOAD: https://hypeddit.com/track/gz0ok2

Follow on SoundCloud:

https://soundcloud.com/tubatwooz

Follow Suprematic Sounds:

✖ Facebook ▸ https://goo.gl/vwLvQV
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⬇︎ DOWNLOAD

FREE DOWNLOAD: Leftfield — A Final Hit (Tuba Twooz From The Vein Remix)

After the success of the 'No Knock' EP, 'No Ejector Seat' EP takes in six brand new tracks from Findlay & Cato and yet again sees them joyfully immersing themselves in gritty warehouse grooves.

Get the vinyl now:
http://www.juno.co.uk/products/no-ejector-seat-ep/464974-01/

Digital release coming September 24th 2012

Chicago Chicago (Teaser)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Just Another Chance, Faces And Phases (Special Sampler Vinyl Pack)

Kevin Saunderson

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