My beefed up mix of Let there be house by Deskee.  An old school fave.


Let There Be House (Phatt Buddz Remash) - Deskee

DJ Pierre - Box energy

Steve Poindexter - Work That Mutha Fucker

Fossil [Minimal Groove Concept]

Truss [Minimal Groove Concept]

Rickster - Night Moves [Night House Mix] (1988)

Josh wink - 516 acid (original mix)

Hercules & Love Affair - DJ-Kicks
Out 10/29 (UK, Europe), 11/13 (USA)
http://www.dj-kicks.com/herculesandloveaffair/

Haze Factory may not be a familiar name to many outside of in-the-know appreciators, but the duo (comprised of Viennese producers Philipp Haffner & Constantin Zeileissen) is currently hard at work with Andy Butler writing the new Hercules And Love Affair album. As evidence that this is something to be excited about, we have their DJ-Kicks exclusive track "A Bit of Redemption." "They made a very Gherkin sounding song," says Butler, "with Detroit-y snare bashes, and very Wild Pitch-y sounding stabs." The track fits perfectly amidst the 90's house classics and classic-minded current productions that make up the mix. DJ-Kicks will be out November 13th in the US with an international release date of October 29th.

Pre-order DJ-Kicks:
<a href="http://www.amazon.com/gp/product/B009229FSU/ref=as_li_ss_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B009229FSU&linkCode=as2&tag=k7recor-20">Amazon</a>

Follow !K7:
https://www.facebook.com/K7Records/
https://www.twitter.com/K7records/
https://www.instagram.com/k7records/
https://www.k7records.com/

Follow DJ-Kicks:
https://www.facebook.com/K7DJKicks/
http://www.dj-kicks.com/

Amazon.com

Haze Factory - A Bit of Redemption [from Hercules & Love Affair - DJ-Kicks]

The Sound (Power Mix) / The Groove That Won't Stop

The Groove That Won't Stop (Extended Remix)

curated by Jorge Cruz, mastered by Nate Oberman
released 31 July 2012 

"Review: Still treated with reverential awe, some 25 years after the label first got jacking, Trax keeps the summer popping with this excellent compilation of Chicago house and acid classics. After a short intro from the compiler, Jorge Cruz, you'll be treated to 303 masterpieces like Jack Frost's "Clap Me", Maurice Joshua's "I Got a Big Dick" and others from Adonis, Nic Sarno, Phortune and Farley "Jackmaster" Funk." - junodownload.com

Shout - Adonis

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

The Groove That Won't Stop (Extended Remix)

Kevin Saunderson

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