Tommy Vicari Jnr - Just Looking For
Label: @bienaimermusic
Release Date 24/10/22
Buy Now https://bienaimermusic.bandcamp.com/album/your-music-2-ep

PremEar: Tommy Vicari Jnr - Just Looking For [BAD016]

B.M.P.D. (Bass Make People Dance)

Novaj 新し Sensations & feelings


Listen on Youtube
https://youtu.be/ov95HPkCxBo

Get it
https://96basic-dj.bandcamp.com/album/you-feel-ep

Basic 96
https://soundcloud.com/basic_96
https://www.facebook.com/96Basic/
https://www.instagram.com/basic__96/

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Support us with a donation 🤝♥
https://paypal.me/NovajRecords
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💿 Novaj 新し Records 💿
Facebook: https://www.facebook.com/Novajrecords/
Bandcamp: https://novaj.bandcamp.com/
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Spotify: https://spoti.fi/3nYyOBe

/// Youtube Channels ///

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Youtube: https://bit.ly/3fHactJ
Soundcloud: https://bit.ly/3fHZQKg

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https://bit.ly/367EItA

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Listen on Youtube

PREMIERE: Basic 96 - You Feel

The Sound (Power Mix) / The Groove That Won't Stop

Tranzister

Banana Resort EP
Label - L.I.T.S.
Released - 4th December 2023
Format - Vinyl/Digital
BUY FROM - https://www.juno.co.uk/products/different-noodles-swirl-people-banana-resort-vinyl/958511-01/

Introducing the debut release from the fresh Belgian imprint L.I.T.S. titled "Banana Resort" by Different Noodles. L.I.T.S., which stands for 'Lost In The Swirls,' might strike a familiar chord among those well-versed in the parallel world of house music. Ah, yes! Swirl People! Indeed, these mischievous Belgian producers are the masterminds behind this project and the label itself.

The focus of their new venture lies predominantly on re-issuing and unearthing hidden gems from their archives. "Banana Resort" leads the way as a highly anticipated 3-track EP that has been stirring excitement for years, earning praise from Ryan Elliot, a highly notable figure at Berghain/Panorama Bar. It has an early West Coast tech house feel as well as hints of Chicago greats like Boo Williams and Glenn Underground. It's a super smooth and cool, breezy and balmy groove then 'Mr Boogie' gets more playful with bobbling drums and bright chord stabs under jazz leads. 'Flame' closes out a super strong EP with a more paired back sound built on fat drums and prying bass.

Web / Social Media Links:
https://linktr.ee/litsrecords

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PREMIERE: Different Noodles - Banana Resort [L.I.T.S.]

Meet Rico Slavic, the maestro behind Letters to Ninas latest sonic journey. With three mesmerizing tracks, his signature deep house style immerses listeners in a sea of powerful basslines. The hypnotic allure is heightened by pitch-shifted vocals, creating a musical experience that transcends boundaries and captivates the soul.

BUY:
https://letterstonina.bandcamp.com/album/rico-slavic-kiss-ep

PREMIERE: Rico Slavic - Kiss [Letters To Nina]

BUY:
https://barneyosborn.bandcamp.com/track/happy-jack
BARNEY OSBORN:
https://soundcloud.com/barneyosborn

PREMIERE: Barney Osborn - Happy Jack

OUT NOW: https://whenstarsalign.lnk.to/Electricity

Electricity

Funky Beat

Gabss, Roddy Lima - Funky Beat

Operator Max - The Factory (Extended Mix)

Don't Pretend

Step Recordings starts its 2021 with a bang: in January they drop an EP coming from Shall Not Fade and Madhouse's usual suspect Ruff Stuff.

After releasing music from Baltra, Pantera Krause, Third Son and more, Catz N' Dogz are adding another rising talent to their Step's catalogue: Ruff Stuff. The Italian born, Berlin based producer delivers 4 hot House tinged tracks to warm up the winter.

Ruff Stuff has put together for STEP a collection of warm analogue sounding tracks, driven by soulful pads, relentless 4/4 grooves, smooth and deep basslines. The EP opens up with the fast paced 'Daily Routine', guided by a wonderfully programmed 909 drum beat. Following is 'Let It Move', a deep cut permeated by a classic House vibe, where you can really hear Ruff Stuff's personal touch. 'River Side', with its percussion and sampled voice is another gem, one of those unstoppable tracks that looks at Chicago for inspiration. The EP closes with 'Ma Love': straight groove, bright stabs, rumbling bass: dancefloor killer.

Origins And Moments EP

Ma Love (Original Mix)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Tranzister

Kevin Saunderson

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