Name: The Reese Bass - My Story 005 by Kevin Saunderson
Duration: 6 min 20 s
Description: The Reese Bass - My Story 005 featuring the Reese track - Just Want Another Chance (Original Mix).

ray keith(renegade) "terrorist"on movin shadow..

the one thing I really like about the Detroit artists is their humility, they dont let the adoration affect them. they are straight up normal folk. 

Keys, Strings, Tambourines

Kenny Larkin - Glob

Egotrip - Dreamworld (World Of Dreams Mix)

The Reese Bass - My Story 005 featuring the Reese track - Just Want Another Chance (Original Mix).

The Reese Bass - My Story 005

Bandcamp : https://psicodelica.bandcamp.com/album/bounce-ep

Beatport : https://www.beatport.com/release/bounce-ep/4575987

Instagram : www.instagram.com/psicodelicalabel/

PREMIERE :  BRIO (US) - Bounce

Heliosphere

Light Year

Union Jack - Pylon Pigs  [Platipus]

Second album from Union Jack. Written & Produced by Simon Berry & Paul Brogden.

Originally released on 14th Sep 2009 on Platipus Records.

Vowel

Union Jack - Vowel  [Platipus]

Taken from Balkan "Blue"
https://balkanvinyl.bandcamp.com/album/balkan-blue

Ardisson - The End (Posthuman Remix)

Buy vinyl & digital EP: https://planete.lnk.to/TheOblivionEP

Having made a huge impact amid Carl Craig’s celebrated 2019 entry in Planet E's Detroit Love mix compilation series, @Ataxia's anthemic ‘Oblivion’ arrives on vinyl for the first time alongside a new cut, ‘Michaelangelos’. Each track takes Ataxia’s notoriously detailed production techniques and applies them to a widescreen, enveloping template.

Constructed from rubbery basslines, wormholes of rave power and a structure that applies tension and release to killer effect, ‘Oblivion’ has continued to engross dancers since it’s digital release, transmitting an increasingly rare blend of minimal yet maximal rave pleasures. 

On ‘Michaelangelos’, Ataxia further demonstrates a fluid ability to keep listeners on their toes, shuffling the deck but applying the same irresistible tricks to a rhythmic, tripping cut and the unexpected sample at its core.

Consisting of Eric Ricker and Ted Krisko, Ataxia have previously released on labels including Visionquest, 2020 Vision, Leftroom and Kevin Saunderson's KMS Recordings. They currently hold down long term residencies at the legendary Marble Bar and TV Lounge in their hometown of Detroit.

Tracklist:
A. Oblivion
B. Michaelangelos

Oblivion EP

Ataxia - Oblivion [Oblivion EP, February 2020]

9th House joins the Shall Not Fade family with the stunning ‘Ruling Planet EP. 

Vinyl with free digital DL here:
shallnotfade.co.uk/album/ruling-planet

London based artist 9th House is a producer whose been making some serious movements over the past 12 months, releasing killer cuts for labels such as Dusky’s 17 Steps imprint & Cinthie’s 803 Crystal Grooves Collective Cuts, amongst others. His latest offering ‘Ruling House’ EP is a masterclass of Electronic goodness, teaming up with LA based producer Durante on the beautiful ‘Shimmer’ as well as acquiring the remix skills of production duo Brame & Hamo. 

‘Ruling Planet’ EP drops September 18th via Shall Not Fade.

Ruling Planet EP

BUY RELEASE

SNFSS003 // 9th House - Ruling Planet EP

I Love Acid's Posthuman remixes Third Son's 'Mallet Finger'  from his '20 Days remixes' volume 3.

Third Son
Soundcloud: https://soundcloud.com/thirdsonuk
Facebook: https://www.facebook.com/thirdson.polymath

Posthuman
Soundcloud: https://soundcloud.com/posthuman
Facebook: https://www.facebook.com/Posthumanmusic

Polymath
Soundcloud: https://soundcloud.com/polymathlabel
Facebook: https://www.facebook.com/polymathlabel

PREMIERE: Third Son ft. Michelle Manetti - Mallet Finger  (Posthuman Remix)

Bookings:
dave@arcade-talent.com + ed@arcade-talent.com 

Management: suze@onehouse.com + phil@onehouse.com


Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

The Reese Bass - My Story 005

Kevin Saunderson

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