Name: 104. Stevie Wonder "I Just Called To Say I Love You" (1984) by Keith Fullerton Whitman in Ambient Modes
Duration: 12 min
Description: http://en.wikipedia.org/wiki/I_Just_Called_to_Say_I_Love_You

Ambient Modes

http://en.wikipedia.org/wiki/Take_a_Bow_(Madonna_song)

44. Madonna "Take A Bow" (1994)

http://en.wikipedia.org/wiki/I_Just_Called_to_Say_I_Love_You

104. Stevie Wonder "I Just Called To Say I Love You" (1984)

http://en.wikipedia.org/wiki/Songbird_(Kenny_G_composition)

109. Kenny G "Songbird" (1986)

Elton John at Live Aid

Don't Go Breaking My Heart (Live at Live Aid, Wembley Stadium, 13th July 1985)

EXTREME - MORE THAN JUST WORDS (piano instrumental cover)

Shaded Explorations #002 - Soundscapes For Escape Vol. 2
Limited Double Cassette VA in an handmade cover.
Out 2 march 2015.

A side:
As Patria - Belisama
Antonio Vázquez - Nebenan
Ntogn - Träl

B side:
Shaded Explorer - Förlorat Småstad
Fjäder - Vingar
Gigi Masin - Vienna

C side:
Commodity Place - Tentacle Rape
DiY Project - #01
Deison - Subsurface

D side:
Claudio PRC - Zona D'Ombra
Mørk - Resonant Mutism
Tom Adams - North

© 2015 Shaded Explorations [SE#002]
Mastered at Evasion Room Studio
Photo by Matteo Spangaro

VA - Soundscapes For Escape Vol. 2 [SE#002] Preview

Back Home

If You Leave Me Now (Live)

https://keithfullertonwhitman.com/greatest-hits

164. Foreigner, "Waiting for a Girl Like You" (1981)

THE BANGLES - ETERNAL FLAME (piano instrumental cover)

Koen Holtkamp — Voice Model
© Umor Rex Records

Koen Holtkamp’s music is never quite what it seems. There are distinct textures, tones, structures, relationships, and references —the things that bring us back again and again, but the undercurrent remains elusive.

For listeners unaware of Holtkamp’s solo efforts, most will have encountered him as half of the Brooklyn based duo Mountains (Thrill Jockey) —a project which has pushed musical boundaries for more than a decade. Voice Model wades effortlessly into this same ambitious territory, but focuses on the breadth of possibility activated by a narrow band of sonorities. It’s two interrelated works, Scene One and Scene Two, feature Holtkamp on piano, modular synth, bowls, cymbals and processing, as well as contributions by Nina Mehta on Flute and Josh Millrod on trumpet. Both sides, though in clear conversation, weave autonomous worlds - collapsing the ground between the historic efforts of Groupe de Recherche Musicales (GRM), New Age, and contemporary avant-garde practice, while sculpting their own worlds of sonic potential and understanding.

Voice Model’s fascinating intricacy works gradually like the sediment of time, gathering beneath a pool of conflicting streams, and defying the normal expectation of structure and artistry. Though the album fits seamlessly into the larger body of Holtkamp’s output, his hand remains elusive. Sounds appear to have sculpted themselves - to have appeared from an organic inevitability. This is an exploration of discrete encounters within an electronic ecosystem - a world of chance, where the dimensions of time unfold. As its tones ricochet off each other, they lead us not to themselves, but towards a whole. Single tones and textures expand and bleed, generations of influence raise their heads and disappear into the shadows.

Recorded in 2014 and 2015 before being allowed to percolate for the better part of a year, Voice Model finds an artist at the height of his powers —curious, and at equal ease with challenge and invitation. It’s singular and mature and welcomes listeners both seasoned and new to these territories.

—

Recorded and mixed by Koen Holtkamp in Brooklyn, NY 2015/2016
Mastered by Rafael Anton Irisarri at Black Knoll Studio
Design by Daniel Castrejon

Voice Model

Buy LP or DL

Koen Holtkamp — Scene I

from 'Continental Ruins' [CD|LP|DIGITAL]
Denovali Records · den274
available on all formats at [https://denovali.com/multicastdynamics]

Finland-based Samuel van Dijk is an electronic music producer, sound designer and media artist, having released electronic music under a variety of projects, namely, Mohlao and VC-118A. Following on from 2014-2016's praised album quadrilogy, Multicast Dynamics releases his new "Continental Ruins" LP on Denovali Records. Inspired by decayed infrastructure, Samuel van Dijk reveals his sound documentary about sunken cities and continents.  A study on storytelling with sound, where electronic music acts as a verb, moved by images and narratives.

„Continental Ruins“ LP is a journey through washed out, blurred particles, gliding across the ungraspable seafog of the atlantic, transforming the visible into sound. The murky and desolated atmosphere throughout the tracks reflects an forgotten utopia of places that were once populated. Unfolding fallen structures, immersing into the elusive, submerged land, searching for signs of life in the lost memories of faded civilizations, Multicast Dynamics explores ultrasonic underwater communication, decodes messages and browses through the archive of the past.

Written and produced with analogue synthesizers, arcane effect units and manipulated field-recordings, finally sequenced with the computer and mixed using temperamental analogue mixers. "Continental Ruins" LP is a slow horizontal panning, gliding through frames of sounds, creating textures and layers with unobtrusive rhythms. Samuel van Dijk delivers a calm and organic sound journey, resting on gloomy swirls and hidden artefacts. Artwork by T. van Dijk.

Continental Ruins

Multicast Dynamics - Frequency Modulation

Top Karaoke Classics, Vol. 19

Unchained Melody (Originally Performed By The Righteous Brothers) [Full Vocal Version]

My Facebook :
www.facebook.com/djjohnnyoneillofficial

Roxette -Listen To Your Heart (Ciaran Campbell & Johnny O'Neill Bootleg)

Karma Chameleon (Culture Club Cover) - recorded live on BBC Radio 2, December 2016

The Chris Evans Breakfast Show

Karma Chameleon (Culture Club Cover) - Live on BBC Radio 2, December 2016

When a Man Loves a Woman
Michael Bolton
When a man loves a woman
Can't keep his mind on nothin' else
He'd trade the world
For a good thing he's found
If she is bad, he can't see it
She can do no wrong
Turn his back on his best friend
If he puts her down
When a man loves a woman
Spend his very last dime
Trying to hold on to what he needs
He'd give up all his comforts
And sleep out in the rain
If she said that's the way
It ought to be
When a man loves a woman
I give you everything I've got (yeah)
Trying to hold on
To your precious love
Baby please don't treat me bad
When a man loves a woman
Deep down in his soul
She can bring him such misery
If she is playing him for a fool
He's the last one to know
Loving eyes can never see
Yes when a man loves a woman
I now exactly how he feels
'Cause baby, baby, baby
I am a man
When a man loves a woman
Source: LyricFind
Songwriters: Andrew James Wright / Calvin Houston Lewis
When a Man Loves a Woman lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc, BMG Rights Management, Royalty Network

zHustlers.com @ BlackSeaRecords.com
BabylonLoveSongs.com

104. Stevie Wonder "I Just Called To Say I Love You" (1984)

Keith Fullerton Whitman

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