Name: 123. The Four Seasons, "December, 1963 (Oh, What a Night)" (1975) by Keith Fullerton Whitman in NYE
Duration: 9 min 51 s
Description: http://www.keithfullertonwhitman.com/greatest-hits

Buy/Download Here -> http://add.tc/P165980

Artist: Audiovoid
Release: Outer Dub EP
Label: Addictech Records
Release Date : August 25th, 2014
Duration: 22:06
Catalog # ADDICTECH083
File Under: Glitch Hop, Drum and Bass, IDM, Dubstep

Audiovoid on Soundcloud : http://goo.gl/6KUmHr
Addictech Records Facebook : http://goo.gl/pDDHuh
Outer Dub EP on Itunes : Link Coming Soon!!

The technical prowess of California's Lindsey Green continues to evolve on his latest EP, and fifth release under the name Audiovoid for Addictech Records. Outer Dub EP presents four smooth, distinctive takes on mid-tempo bass music, drawing on Green's expansive aesthetic that absorbs everything from techno and psy-trance to dubstep and IDM in its quest for music that achieves both home listening satisfaction and dance floor domination.

Opening the EP on a bold note, "Tourettes" twists profane vocals, percussive clicks and zooming race car synths around a gnarly, warping bass line. While its resting glitch-hop tempo is it's main swagger, the peak of the track hints at glitchbass house as Green lets the beat unfold at select times into a brisk 4/4, and the layers of madness fall in place around it. 

"Reese Winter Poon" is a similar cross-genre hybrid. Its peppy organic break hints at drum and bass, with Green teasing its resting 80bpm into the appropriate double-speed tempo at key points. Rather than pushing through into an all-out assault, he steps back to unleash lumbering bass bombs at the drops, keeping the mania ever elusive. The tension created between its jungle and glitch-hop leanings could have come off disorienting or unresolved in lesser hands, but Green keeps the track feeling as playful as its name. With DnB on the rise again, this is the perfect tool to hold together stylistically wide-reaching mixes.

Changing gears after the first two tracks, "Twilight Lurkers" has a pensive, vaguely remorseful vibe, largely due to its processed vocals, bit crushed and pitch shifted, sounding somewhere between exhalations of joy or emotional turmoil. The meat of the track is a clean, propulsive breakbeat, like vintage Botchit & Scarper.

"Outer Dub Source" follows the contemplative "Twilight Lurkers" with a more thoughtful, low-key downtempo track, but takes it to a trippier sci-fi realm care of its techy synths and NASA-esque vocal samples. Initially, the track has a bubbly texture, with moaning, liquid bass and sparse pads. After the drop, reinvigorated bass starts drawing long lines across the piece, an elongated melody that helps foster its sense of space, while the vocals become more prominent in the evolving atmosphere, and, later, a slowly arpeggiated lead creeps up to echo around it. It's a satisfying conclusion to another brilliantly diasporic Audiovoid EP.

Even though this release is available at over 300 outlets, we encourage you to purchase from the Addictech.com store. We are very generous to our artists, and by purchasing from this site you support them directly.

Audiovoid - Tourettes

What if nothing is
Ever truly destroyed? Heat
Remains, creating

::

Original music & haiku poetry by Bob Weathers

Nothing Ever

Crown

The intro track off the forthcoming album, 'Me, With You' by @jonnnah – a gentle collaboration with Pavel Milyakov (@buttechno)

Jonnnah – Still Here, Playing Gtr (feat. Pavel Milyakov)


My Vocals of
"Video Killed the Radio Star" is a song written by Trevor Horn, Geoff Downes and Bruce Woolley in 1978. It was first recorded by Bruce Woolley and The Camera Club (with Thomas Dolby on keyboards) for their album English Garden, and later by British group The Buggles, consisting of Horn and Downes. The track was recorded and mixed in 1979, released as their debut single on 7 September 1979 by Island Records, and included on their first album The Age of Plastic. The backing track was recorded at Virgin's Town House in West London, and mixing and vocal recording would later take place at Sarm East Studios.

Like all the other tracks from the LP, "Video"'s theme was promotion of technology while worrying about its effects. This song relates to concerns about mixed attitudes towards 20th-century inventions and machines for the media arts. Musically, the song performs like an extended jingle and the composition plays in the key of D-flat major in common time at a tempo of 132 beats per minute. The track has been positively received, with reviewers praising its unusual musical pop elements. Although the song includes several common pop characteristics and six basic chords are used in its structure, Downes and writer Timothy Warner described the piece as musically complicated, due to its use of suspended and minor ninth chords for enhancement that gave the song a "slightly different feel."

Commercially, "Video Killed the Radio Star" was also a success. The track topped sixteen international music charts, including the official singles charts of the group's home country of the UK and other nations such as Australia, Austria, France, Italy Ireland, Spain, Sweden and Switzerland, as well as the Japanese Oricon International Chart. It also peaked within the top 10 in Canada, Germany, New Zealand and South Africa, the top 20 in Belgium and the Netherlands, and barely in the top 40 in the United States.

The song's music video was written, directed, and edited by Russell Mulcahy, and is well-remembered as the first music video shown on MTV in the United States at 12:01am on 1 August 1981, and the first video shown on MTV Classic in the United Kingdom on 1 March 2010. The song has received several critical accolades, such as being ranked number 40 on VH1's 100 Greatest One-Hit Wonders of the '80s. It has been covered by many recording artists. Trevor Horn has done performances of the song, both at Buggles reunion performances and with The Producers, since 1998.


Video Killed The Radio Star !

The Night Has A Thousand Eyes

The Biggest Party on the Planet

Swing The Mood

Who You Are

Domino

Stevie at Copacabana december 25th 2012 sings Michael Jackson: The way you make me feel

http://www.keithfullertonwhitman.com/greatest-hits

123. The Four Seasons, "December, 1963 (Oh, What a Night)" (1975)

Keith Fullerton Whitman

Related tracks