هر روز و هر شب و هر لحظه😭

You know what ? 
 I i really like your stay 🥺
 I know you can't but... Damn
 Can it be just like that all the time? 
 You and me...🖤
 We could...  We could take vacations or just something... 🖤🥺
 Just Grow old
 Be together 🥹🥹🥹
 But than again
someday you will not come 🖤
 I don't go back to world
 Not cause i don't like him
I like you better... 
 Why is it have to be so sad?😞 
 I love you 🖤
 I don't know where i will be a few years 🥺
 It's scares all this shit around me
 I don't want to lose this moment
 I don't want to fade away
 I don't want to become a memory
 Maybe I just don't want to face reality 🥹🖤
 When I called you my angeI 
I really mean it ♥️🥺
 I will trade everything 
You're everything...To me 🥹♥️
 When the end of the world goes
I like it three best way
 I want to be with you on doomsday 🖤🖤🖤🖤🖤🖤🖤🖤🥹🥺🥺🥺🥺🥺🥺🥺🥺

اصلا چیزی بهتر از پست راک هست

the first atomic bomb was dropped on hiroshima, america events

post and space

شعر از مشیری

اگر ماه بودم
به هر جا که بودم
سراغ تو را از خدا می‌گرفتم

اگر سنگ بودم
به هر جا که بودی
سر رهگذار تو جا می‌گرفتم

اگر ماه بودی
به صد ناز شاید
شبی بر لب بام من می‌نشستی

اگر سنگ بودی
به هر جا که بودم
مرا می‌شکستی
مرا می‌شکستی

Man an ocean - I Want To Be With You On Doomsday

Kanata (Single)

The Last Dawn is the first of these two companion albums, and is the "lighter" of the two, thematically and melodically. It contains undoubtedly some of MONO's strongest songs ever, drawing on an array of influences from minimalist film score to vintage shoegaze. It is MONO at their absolute purest, executing an uncanny, unspoken dialogue with each other without the dozens of stringed instruments that have been so prominent throughout their catalog. The songs are also noticeably more efficient – there hasn't been a MONO full-length record to fit on a single slab of vinyl since 2003's One Step More And You Die – and the album benefits immeasurably from this streamlined approach. MONO have always been masters of telling compelling stories without words. But now they've proven they can do it without frills, too.

RELEASE:
October 24 (EU)
October 27 (UK)
October 28 (North America)
November 5 (Japan)

Temporary Residence Limited (North America) 
Pelagic Records (Europe) 
Magniph (Japan)

Where We Begin

Rays of Darkness is the first MONO album in 15 years to feature no orchestral instruments whatsoever. That fact alone is remarkable given the band's reputation for sweeping, dramatic instrumentals that recall Oscar-worthy film scores. Instead, Rays of Darkness more closely resembles a jet engine taking off inside a small, crowded auditorium. It is MONO's blackest album ever, a collection of scorched riffs, doom rhythms, and an unexpected contribution from post-hardcore pioneer Tetsu Fukagawa of Envy. The album ends with the smoldering wreckage of distorted guitars and ominous drones playing out a eulogy to the days when MONO shot blinding rays of light through seemingly endless darkness.

RELEASE:
October 24 (EU)
October 27 (UK)
October 28 (North America)
November 5 (Japan)

Temporary Residence Limited (North America) 
Pelagic Records (Europe) 
Magniph (Japan)

Recoil, Ignite (Excerpt)

Cyclone

مجموعه "فراموشی" حاصل افکار و احساسات تلخ و شیرین در بازه ای مشخص از زندگی شخصی ام میباشد. 
لحظات و خاطراتی که دلم میخواهد به فراموشی بسپارم.

My thoughts are endless.

Leonard Cohen- Vivre Tout Seul (Paris 1976)

Primera pista del nuevo album "La Noche".

Escúchalo en Spotify: https://open.spotify.com/album/00eAmnJpSNJLvOdobCIdQa

Bájalo en iTunes Store:
https://geo.itunes.apple.com/us/album/la-noche/id1243726867?mt=1&app=music

Érase Una Vez

music by: Samir Kwefati
movie director: Joud Saeed

Man and three days/Track-2

Sadness (Guy_Farley)

Vadim Kiselev - Far away

Zbigniew Preisner - Return To Poland

سه نوازی بداهه‌ی تار | ابراهیم پوستین‌چی
Tar Trio Improvisation | Ebrahim Poustinchi

Strain of Silence | صداى سكوت

Album Produced by Garood
Words: Mehraab Moqadami and Mehdi Moqadami
Mixing and Mastering: Maahdika
Narrated by Pedram Zamani
Spotify Canvas by Hasan Tavangar
Art Director and IT Manager: Mehraab Moqadami

Of Sea and Fishes

Beauty Within the Depth

برای من یک موسیقی خوب آن است که مرا به مرز جنونِ لذتبخشی بکشاند. یک ویرانگریِ با شکوه که هیچ چیز نمی تواند جایش را بگیرد. خاصیتِ موسیقی این است که با آن تصویر سازی و سفر در زمان یک لحظه دست از سرت بر نمی دارد و گردش خون در قلب و مغزت را احساس می کنی. پرواز می کنی به درونِ هیچ ات، به جای بی بازگشت. حس شنوایی نقش دیگر حس ها را بر عهده می گیرد و در ابعاد وجودت گم می شوی. آنجا که هیچ خوابی تو را نمی برد
. . . 
Nietzsche  : Without music , life would be a mistake . . .

Man an ocean - I Want To Be With You On Doomsday

Khatereh Yazdanfar

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Mohammad Reza Keymani

Mohammad Reza Keymani

Mohammad Reza Keymani

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