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Khatia

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Il lago dei cigni è uno dei più famosi e acclamati balletti del XIX secolo, musicato da Pëtr Il'ič Čajkovskij (op. 20). La prima rappresentazione ebbe luogo al Teatro Bolshoi di Mosca il 20 febbraio 1877 (calendario giuliano), con la coreografia di Julius Wenzel Reisinger.
Il libretto di Vladimir Petrovic Begičev, direttore dei teatri imperiali di Mosca insieme al ballerino Vasil Fedorovič Geltzer, è basato su un'antica fiaba tedesca, Der geraubte Schleier (Il velo rubato), seguendo il racconto di Jophann Karl August Musäus.
Primo dei tre balletti di Čajkovskij, fu composto tra il 1875 e il 1876. Viene rappresentato in quattro atti e quattro scene (soprattutto fuori dalla Russia e nell'Europa Orientale) o in tre atti e quattro scene (in Russia e Europa occidentale). Sebbene esistano molte versioni diverse del balletto, la maggior parte delle compagnie di danza basa l'allestimento, sia dal punto di vista coreografico che musicale, sul revival di Marius Petipa e Lev Ivanov per il Balletto Imperiale, presentato la prima volta il 15 gennaio 1895 (data come sopra) al Teatro Imperiale Mariinskij a San Pietroburgo, Russia.

Swan Lake is one of the most famous and acclaimed ballets of the nineteenth century , with music by Pyotr Ilyich Tchaikovsky ( Op. 20). The first performance took place at the Bolshoi Theatre in Moscow February 20, 1877 ( Julian calendar ) , with choreography by Julius Reisinger Wenzel .
The libretto by Vladimir Petrovic Begicev , director of the imperial theaters in Moscow together with the dancer Vasil Fedorovich Geltzer , is based on an old German fairy tale , geraubte Der Schleier ( The Stolen Veil ) , following the story of Karl August Jophann Musäus .
The first of the three ballets by Tchaikovsky , was composed between 1875 and 1876. It is represented in four acts and four scenes (especially outside Russia and Eastern Europe ) or in three acts and four scenes ( in Russia and Western Europe) . Although there are many different versions of the ballet , most dance companies setting up bases , both in terms of choreographic and musical , on the revival by Marius Petipa and Lev Ivanov for the Imperial Ballet , first presented January 15, 1895 ( as given above) at the Imperial Mariinsky Theatre in St. Petersburg , Russia.


P.I.Tchaikovsky - Swan Lake - Scene, Act I. Waltz - OFC live

Yiruma - River Flows In You

On you tube
https://www.youtube.com/watch?v=e1CMsIXBSss

Khatia Buniatishvili Plays Griegs Piano Concerto

Ludwig van Beethoven - Sonata No.14 in c sharp minor Op27 No.2 Moonlight
I. Adagio Sostenuto
Performed by HuiChun Lin 林 慧君

"Elegant Immortal Classics - HuiChun Lin Piano Recital 2009"
"德奧、雅緻、雋永集 — 林 慧君鋼琴獨奏會"
06/Jun/2009 臺中中興堂 TaiChung Taiwan


Curator
Vincent Music & Art 文生音樂藝術

Sponsors
The National Culture and Arts Foundation 財團法人國家文化藝術基金會
Department of Cultural Affairs Taipei City Government 臺北市文化局

Credit
Live Recording/Konzertmitschnitt 18/May/2008 臺中市中興堂
ArchiMusic Production 雅砌音樂錄音製作工程

All rights of the producer and of the owner of the recorded work reserved. Unauthorized copying, public performance, broadcasting, hiring or rental of this recording strictly prohibited.

Ludwig van Beethoven - Sonata No.14 in c sharp minor Op27 No.2 Moonlight I. Adagio Sostenuto

Bach: Cello Suites, BWV 1007 - 1012

Cello Suite No. 1 in G Major, BWV 1007: I. Prelude

Chopin : Preludes, Ballades Nos 3 & 4, Nocturnes

Chopin: 24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop"

Mozart: Piano Concertos No. 21, K. 467, No. 26, K. 537 "Coronation" & Rondo, K. 386

Piano Concerto No. 21 in C Major, K. 467: II. Andante

Beethoven: Piano Sonatas Nos. 8 "Pathétique", 9, 10 & 11

Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile

Le Fabuleux destin d'Amélie Poulain (Bande originale du film)

La Valse d'Amélie (Version piano)

Motherland

Suite in B-Flat Major, HWV 434: IV. Menuet

Suite Bergamasque, L. 75: III. Clair de lune

Klassik Wunderland - Klassische Musik für Kinder

Kinderszenen, Op. 15: VII. Träumerei

Essential Opera

Mascagni: Cavalleria rusticana: Intermezzo

Songs from the Arc of Life

Ave Maria

Beethoven: Symphony No. 9 "Choral"

Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto

Perfect

Debussy - Deux Arabesques L. 66 No. 1 in E major, Andantino con moto

Bluebird

Relaxing & Sleep Piano Music

Halo

Dog Music - Relaxing Sounds for Dogs

Waltz in C-sharp minor, Op. 64 No. 2

Watch the Trailer for the upcoming album Ocean: https://www.youtube.com/watch?v=9plfJo9ZA64&t=41s

Two Skies

Elgar: Enigma Variations, Op. 36 & Cockaigne Overture, Op. 40

Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Adagio "Nimrod"

You can purchase the entire album "Winds Of Winter" - freddiehangoler.bandcamp.com/album/winds-of-winter

Waltz Of The Rain

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14 and subtitled To October, for the 10th anniversary of the October Revolution. It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow later in 1927 under the baton of Konstantin Saradzhev. It was also the first time any version of the work had been played in Moscow.

Dmitri Shostakovich - Waltz No. 2

Born on 21 June 1987 in Tbilisi, Georgian pianist Khatia Buniatishvili and her elder sister Gvantsa were introduced to the piano at an early age by their mother, an enthusiastic music lover. Playing four handed remains one of the sisters’ favourite activities.

Khatia’s extraordinary talent was recognized when she was very young. Aged six, she gave her début performance as soloist with an orchestra, and was subsequently invited to give guest performances in Switzerland, the Netherlands, France, Germany, Belgium, Italy, Austria, Russia, Israel and the USA.

Khatia prefers not to be regarded as a child prodigy: virtuosity for its own sake does not appeal to her. Above all, she embraces pianists from earlier generations such as Rachmaninoff, Richter and Gould. She admires her “favourite pianist”, Martha Argerich, for her uniqueness and, as a consequence, does not view Argerich as someone she should try to emulate. And since she regards herself as “wholly a person of the 20th century”, Khatia does not identify so much with pianists of today.

Khatia’s warm, sometimes sorrowful playing may reflect a close proximity to Georgian folk-music, which, she attests, has greatly influenced her musicality. Critics emphasize that her playing has an aura of elegant solitude and even melancholy, which she does not feel to be a negative attribute. “The piano is the blackest instrument,” she says, a “symbol of musical solitude”, which even a pianist must become accustomed to. “I have to be psychologically strong and forget the hall if I want to share it with the audience.”

During her studies at Tbilisi’s State Conservatoire, Khatia won a special prize at the Horowitz International Competition for Young Pianists in Kiev in 2003 as well as first prize at the Foundation to Assist Young Georgian Musicians competition set up by Elisabeth Leonskaya. At the 2003 Piano Competition in Tbilisi, she became acquainted with Oleg Maisenberg, who persuaded her to transfer to Vienna’s University of Music and Performing Arts. Winner of the Bronze Medal at the 12th Arthur Rubinstein Piano Master Competition in 2008, she was also distinguished as the Best Performer of a Chopin piece and as Audience Favourite.

Khatia Buniatishvili has given critically acclaimed solo recitals and chamber music concerts at such renowned venues as London’s Wigmore Hall, Amsterdam’s Concertgebouw and the Musikverein in Vienna. In 2008 she made her US concert début at Carnegie Hall (Zankel Hall), performing Chopin’s Second Piano Concerto. 

A BBC Radio 3 New Generation Artist for 2009-2011, Khatia regularly collaborates with BBC orchestras. In 2010 she receiveda Borletti-Buitoni Trust Award and has been nominated by Vienna’s Musikverein and Konzerthaus as a Rising Star for
the 2011/2012 season.

Upcoming engagements will see Khatia Buniatishvili perform with the San Francisco Symphony Orchestra , the Orchestre de Paris and the Munich Philharmonic with Paavo Järvi. Recitals will also take her to Berlin, Vienna, Amsterdam, Paris and the Wigmore Hall in London, with further appearances at, amongst other venues, the Verbier Festival, the Lucern Festival and the Schwetzinger Muisktage. 

Khatia Buniatishvili is fluent in five languages and lives in Paris.