This is not a piece of Music, this is a device.

This is Ancient-Future Technology for the fragmented mind in the 4th War.

Eye know that the quality seems ‘poor’ but I made this with the real music listener in mind.

I also feel that this meme in music to flaunt material powers while many of Us have yet to recover from the generational cycles of physical and psychological enslavement in our family’s tree is not only insensitive to human development but it is also neglecting the atoms that are effecting the vibration of poor & oppressed peoples in the Americas.

May the Force be with Wu

(All Songs Written, Produced and Performed by Sir Jove in Brooklyn, NY 2015AD)

Tracklist
Black Hole Sun Fist:
Inspired by Homemade Gumbo, Blue Witches on Pirate ships, Daffy Duck & Sobriety

A Cyberhacker Burning At Stake:
Inspired by Aaron Schwartz & UC Berkeley's Surveillance Cameras

Gabriel + Michael:
Inspired by UFO's upstate NY & Lies of Heteronormative Discourse

Liberation:
Inspired by The Sirens of the Hood, eyes of working class people and epigenetics

Concerning the Church Burnings in the American South 2015A.D.: 
Inspired by Repressed African Memories in the Water, Rev. Benjimen Smith & The Hudson River

Black Hole Sun Fist

Khonsu Ra cover of Tweet's "I Was Created For This"

I Was Created for This (Cover)

A demo'd Cover of Tweet's 
'My Place'
off of the masterpiece, "Southern Hummingbird"

Contains 'prayers i', produced by Teebs on his 2019 record "Anicca"
https://www.youtube.com/watch?v=wclS7Ge815I

My Place (Tweet Cover)

Kansas City Moonchile

This EP started from the initial thought-wave that
"We are the Government"

The Egyptian Revolution had just happened and
Eye was realizing that it was also a phenomena happening in me 
(We are the Government)

How did I learn to become a creature of fear?
I don't know, but I ran anarchy on that part of the mind
until Peace was One.

"The Overture" is sort of an emotion picture. I was deeply influenced by the Wondaland Arts Society's form of musical story telling. I decided to  make it a narrative perspective piece. Lyrically it might not make sense until you read the book that comes with it or have known me at the time I was embodied in this space of music. o
The concept was that this clone that was created by a secret world government union known as the Assembly of Feel opens the piece narrating a transmission to the mainstream of society to let them know that the governement had been testing their genes and had failed to make proto-humans being that organic human genes had psycho-spiritual properties (Who is Your Maker). The whole reason why I used the Clone was to symbolize the soul loss that was happening in American culture at this time. The clone was to be a mirror of how 'artificial' we were becoming as a society. 

"Attack of the Clones" is supposed to be a field recording of one of the scientist talking about the day the clones escaped the secret laboratory gathered for the listeners through the transmission. "Genocide Lullaby" is supposed to be genetic memory of songs that the clones were taught to brainwash them to kill themselves (sounds familiar). The lyrics are dark but I was trying to illuminate the kind of messaging that was placed into 'urban' music. It was meant to be a sort of vibrational anti-spell (casting it out with its own energy).

This piece ended up in the land of obscurity, it was a little too out there and a little to real for it's time and became a cult classic for a small demographic of empathetic people in the underworld of the United States. 

I make "the Overture" public to commemorate Sir Jove, the name I thought I was gonna have for the rest of my life and to share with you the incredible magic, that is my journey in contemporary North American Music. 

The Overture is an actual Overture to a space rock Opera I wrote called "The Other" that tracks the journey of the clones outside of the Science Lab. For more information on the mythologies of the Other, please contact me personally and we can talk.

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